Collections

Astronomer, professor of astronomy at the University of Chicago, later at the University of Michigan. Biographical material, correspondence, topical files, teaching materials, research files, and photographs relating to professional interests, including his interest in photoelectric photometry leading to the discovery of interstellar polarization; also files relating to various observatories.

The papers of William A. Hiltner cover his active role both in the Department of Astronomy at the University of Michigan and in the field of astronomy in general. The bulk of the collection consists of correspondence and topical files. Also included are some teaching and research materials and files relating to his professional associations.

William Albright--organist, composer, and University of Michigan faculty member--was born in Indiana in 1944 and died in 1998. Albright earned three music composition degrees from the University of Michigan before becoming a member of the composition faculty at the U. of M. School of Music. Albright is probably best known for his piano and organ performance. He helped to bring about a revival of ragtime, and sought inclusion of ragtime and other types of popular music in many of his compositions. He composed for many single instruments--especially the organ--and ensembles, and for orchestra. He also composed hymns, and was the music director for the First Unitarian Universalist Church of Ann Arbor, Michigan. He studied composition with Ross Lee Finney, George Rochberg, and Olivier Messiaen, among others, at Michigan and at summer workshops, and organ with Marilyn Mason. The collection includes biographical materials, correspondence, programs, professional files, University of Michigan School of Music files, and scores and recordings of William Albright works (including notes, sketches, and manuscripts) and works by his friends, students, and teachers.

The William Hugh Albright Papers consist of 77 boxes of musical scores, recordings, and textual documents such as correspondence and lecture notes. Albright's extensive collection of scores and recordings by his friends, students, and mentors is also included. His own works are represented by recordings, original handwritten scores and published versions, and by penciled notes and sketches. The William Hugh Albright Papers are divided into ten series: Photographs, Biographical Materials, Correspondence, Programs, Professional Files, School of Music, The Magic City, Scores, Recordings, and Videocassettes.

Professor of accounting at the University of Michigan from 1914 to 1959, consultant and expert witness for court cases, specialist in areas of valuation, utility rates, and income measurement. Transcripts of testimony given in various court cases; correspondence with colleagues and friends, including prominent political and economic conservatives; and topical files containing reports, surveys and teaching materials; also a National Bureau of Economic Research Study (1930) and Salary Amortization Surveys (1919) containing information about the financial organization of various American corporations; and photographs, videotape, and audiotapes.

The William A. Paton papers span the years 1919 to 1984 and mainly document his consulting work, the last two decades of his teaching career, and his post retirement activities. The collection is divided into six series: Testimony; Correspondence; Topical Files; Photographs; Videotape; and Audiotapes.

Officer with the 23rd Michigan Volunteer Regiment during the Civil War, later Saginaw County, then Evart, Michigan, local government official. Biographical material, correspondence, Civil War files, and diaries relating to local and wartime activities, family matters, and professional activities.

The William Augustus Lewis papers include biographical material, correspondence, Civil War files, and diaries relating to local and wartime activities, family matters, and professional activities. the papers are organized into the following series. Biographical, Correspondence, Civil War, Miscellaneous, and Diaries.

Ann Arbor architect and faculty member at the University of Michigan's College of Architecture and Urban Planning from 1956 to 1998. Includes correspondence and course materials with an emphasis on structural principles, including load, flexure, and force; administrative files related to Werner's teaching and his role as an undergraduate program advisor; and visual materials utilized for educational purposes.

The William A. Werner papers consist of course materials, topical files, correspondence, and 35 mm slides dating from 1978 to his retirement from the University of Michigan in 1998. The collection is a valuable resource for lecture notes, drawings, and example problems pertaining to courses taught on architectural structures. Administrative files highlight the College's undergraduate program admissions statistics and criteria. The collection consists of two series: Course Materials and Faculty Records and Correspondence.

University of Michigan alumnus who received his A.B. in 1906. Consists of snapshots of Ann Arbor (Michigan) as well as University of Michigan buildings and views.

The collection consists of snapshots of Ann Arbor (Michigan) as well as University of Michigan buildings and views.

Detroit, Michigan, attorney, Republican regent of University of Michigan; regent’s files; political materials; and personal miscellanea.

The Cudlip collection contains files relating to his activities as regent of the University of Michigan, 1963-1972, to his work as delegate to Michigan's Constitutional Convention, 1961-1962, and as general counsel for the Michigan Bankers Association, 1932-1953. In addition, there is personal and political correspondence, 1922-1985, detailing in part with his involvement in Republican Party affairs, especially his friendship with Michigan Senator Arthur H. Vandenberg and his support of Vandenberg's candidacy for the Republican nomination for president in1940. Other files include speeches relating mainly to banking during the depression; an essay, entitled, "Pages from the diary of a lumberjack"; and notebooks from his University of Michigan Law School classes, 1923-1926.

Saginaw, Michigan, lumberman and businessman, and Michigan State Tax Commissioner, 1912 and wildlife conservationist and sportsman. Papers include extensive correspondence files, business records and photographs.

The William Mershon collection consists of correspondence dealing with Mershon's various activities as a lumberman, Saginaw businessman, and member of the State Tax Commission in 1912. Subjects included in the papers are Michigan wildlife conservation, the Michigan Sportsmen Association, the Michigan Manufacturers Association, the Michigan State Tax Commission, Michigan politics, the Democratic party, personal business investments, lumbering and mining interest, and personal affairs.

The collection also includes diaries, a book of notes on hunting and fishing trips, and various business records such as cash books, time books, ledgers, and journals. These primarily concern his investments and lumbering business. Many of the business records are available on microfilm. The collection also includes photographs.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Original and typescript of diaries (1862-1865) written while Boston was serving in Company H, 20th Michigan Infantry. The entries are chiefly descriptions of army life and battles in the campaign of Fredericksburg, first and second Kentucky campaigns, Vicksburg, the Wilderness, and Petersburg. National Park Service maps with a synopsis of the campaigns have been added to the typescript copy. The April 22, 1863 entry speaks of Frank Thompson (Sarah E. E. Seelye) as their brigade postmaster. The collection also contains thirty-seven letters (Jan. 1863-Apr. 1865) written to his aunts while Boston was serving in the 20th Michigan Infantry. He was sick and in hospital camps before Petersburg; once there, he gives accounts of activities there (Sept. 1864-Apr. 1865): picket duty, building fortifications, battles. He comments on food, the coming election, an African American regiment, General Burnside, the Sanitary and Christian Commissions, boxes from home, prisoners, the draft, and the reaction to the death of Lincoln. He describes two Thanksgiving dinners, and especially the fall of Petersburg. The collection also include's Boston's discharge certificate from the Union Army.