Collections

Environmental education teacher at East Grand Rapids, Michigan, High School and member of the board of the West Michigan Environmental Action Council. Subject files consisting of newsletters, reports, testimonies, and printed material relating to Michigan environmental issues.

The William M. Cary papers consists of three-quarters linear foot of newsletters, reports, testimonies, and printed materials concerning Michigan environmental issues and groups. The collection is arranged alphabetically in one topical series. There are nine subseries, including: Center for Environmental Study, Energy Conservation, Environmental Education, Manhattan nature Trail, Noise Pollution, Nuclear Power Plants, Pesticides, Water Quality, and West Michigan Environmental Action Council, covering the years 1963-1986. The three subseries of primary interest to researchers are Environmental Education, Manhattan Nature Trail, and Water Quality as they are the most complete.

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

1. Biographical and Professional Material [Bentley]
2. University of Michigan Teaching Career [Bentley]
3. Publications and research [Bentley]
4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).

Member of the Ann Arbor Airport Advisory Committee; collected materials detailing operation of the airport and dispute over the proposed airport expansion.

The William Pollard collection consists of his accumulation of material relating to his interest in the Ann Arbor Municipal Airport. This collection is divided into four series: Advisory Committee, Expansion, Legislation and Regulation and Topical Files.

Professor of botany at University of Michigan, curator of algae at the University Herbarium, and biologist with the atomic bomb test program in Marshall Islands in 1946. Correspondence and other papers relating to his scientific interests and activities.

The Taylor papers are arranged into two principal series; correspondence (1918-1980) and Topical and Subject Papers. Taylor corresponded with most of the significant figures in the field of cytology and algae. The papers do not date beyond 1980 when Taylor left Michigan and retired to the Farlow Herbarium at Harvard in Cambridge.

Botany professor and Director of the Matthaei Botanical Gardens at the University of Michigan; records include administrative and research files related to his positions with the university.

The W. S. Benninghoff collection consists of three series: Botany Department, Matthaei Botanical Gardens, and University of Michigan Biological Station. The strength of the collection is its documentation of the administrative aspects of the Botany Department and Matthaei Botanical Gardens in the 1970s and 1980s.

Lawyer with the Bendix Corporation and the Ford Motor Company, and member of numerous legal and public service organizations. Speeches, articles and public statements; material relating to his activities with the American Bar Association, the National Legal Aid and Defender Association, and other legal groups; some files concern his interest in such topics as business ethics, campus government and student dissent in the 1960s, electoral college reform, and legal education; there is also material detailing his involvement in public service organizations concerned largely with civil rights and education; also contracts, agreements, and other documentation relating to reorganization of Wesco Corporation (later National Theatres Corporation), 1933-1936; and reorganization of Fox Film Corporation and Twentieth Century Pictures, July-August 1935.

The William T. Gossett collection chronicle his professional career as a lawyer and businessman as well as those many public service activities in which he was active. The collection was received in two accessions, 1981 and 1997. The 1981 accession, the largest of the two, consisted of the following series: Vita; Speeches, Articles, and Statements; Professional Activities; Topical Files; Public Service Files; Hospitals and Organizations; Colleges Universities, and Schools; and Personal Correspondence. The smaller 1997 accession included these series: Biographical and Personal Materials; Speeches, Articles, and Statements; Photographs; and Twentieth Century-Fox. There was some slight overlap in the content of the two accessions, particularly in Gossett's speeches and articles. No attempt was made, however, to intersperse this similar material.

This collection is comprised of correspondence and other papers relating to William Wallace Phillips' work and his calling as a hermit, as well as copies of his poetry.

Professor of international law at the University of Michigan. Correspondence and other files relating to his professional and academic activities, including work with the American Bar Association Section of International and Comparative Law, the American Society of International Law, the International Law Association, and the Committee on International and Comparative Law of the State Bar of Michigan.

The papers of William Warner Bishop, Jr., covering the period from 1928 to 1987, consist of six linear feet of correspondence, course materials, addresses and professional papers. The collection has been arranged into six series: Biographical/Personal; Addresses, Papers, etc.; Associations; Professional Correspondence; and Course Materials. The collection relates mainly to Bishop's study and teaching of international law. Among the more personal files are materials relating to Bishop's lifelong activity with the local area Boy Scouts.

Willis C. Patterson, the first African American professor at the University of Michigan's School of Music, was an active faculty member from 1968 to 1999. He was a professor of voice and associate dean for academic affairs. Patterson directed the Men's Glee Club from 1969 and 1975 and spent summers as a faculty member at the National Music Camp at Interlochen, Michigan. While maintaining an active concert career and fulfilling teaching duties, Patterson organized a Black American Music Symposium and compiled several works on African American composers. Patterson played an active role in securing funding and mentorship for students of color and disadvantaged students both at Michigan and in the Ann Arbor community. The collection includes some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. It includes correspondence, research, photographs, clippings, publications, and topical files.

The Willis C. Patterson papers include some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. The collection includes correspondence, publications and research material, photographic material, posters, student records, clippings, and topical files.

Organization formed in 1983 to collect the history of African Americans in Willow Run, Michigan, produce a written history, and foster racial understanding. Records include administrative files, collected material, and audio-visual materials.

The records will interest researchers considering the history of Willow Run, the particular contributions and experiences of its African American citizens, and the evolution of a Michigan community with roots in wartime defense work. It is also an example of a grass-roots effort to address the lack of documentation of black residents' contributions to the expansion of a formerly rural area.