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Douglas Kelbaugh is an architect and professor known for his work in passive solar energy and urban design. He has taught at multiple institutions including the University of Washington and the University of Michigan (U-M). Kelbaugh was instrumental in growing U-M's College of Architecture, has published six books and various other articles and chapters, and has served on a variety of university, state, and national boards. The majority of the materials in this collection are architectural drawings of various buildings designed by Kelbaugh. Other materials include photographs, charrettes from his work at the University of Washington's Department of Architecture, articles, and a talk given by Kelbaugh summarizing his career and detailing his work in urban design and planning.

The Douglas Kelbaugh papers are a selection of materials documenting the work of architect and professor of architecture Douglas Kelbaugh over the course of his career. The majority of the materials in this collection are architectural drawings of various buildings designed by Kelbaugh. Other materials include photographs, charrettes from his work at the University of Washington's Department of Architecture, articles, and a talk given by Kelbaugh summarizing his career and detailing his work in urban design and planning. The materials in this collection were part of an exhibition at U-M's A. Alfred Taubman College of Architecture + Urban Planning.

Edward V. Olencki was a practicing architect and a professor at the University of Michigan College of Architecture and Urban Planning from 1949 to 1987. Prior to coming to Ann Arbor, Olencki worked as a designer and draftsman for prominent architect Mies van der Rohe while studying at the Illinois Institute of Technology.

This collection primarily reflects Olencki's work as a practicing architect, but also contains some materials related to his research interest in church design, and his association with Mies van der Rohe.

Irving Tobocman (1933-2017) was a University of Michigan alum and Birmingham, Michigan, architect whose Bauhaus-influenced works—while primarily concentrated in the Metro Detroit area—can be found throughout the world. Tobocman was active from circa 1956 to 2017. The collection documents Tobocman's professional career designing commercial, religious, and residential buildings, and includes architectural drawings, contracts, correspondence, legal documents, notes, photographs, publications, reports, and specifications.

The Irving Tobocman papers document Tobocman's professional career designing commercial, religious, and residential buildings, primarily in Metro Detroit. The materials in this collection, which are dated from 1955 to 2017, include large architectural drawings—such as elevation, floor, framing, and mechanical drawings—as well as topographical surveys and smaller materials that were originally rolled with the larger drawings. Also included are contracts, correspondence, drawings, legal documents, notes, photographs, publications, and specifications.

Researchers interested in specific projects should consult materials in both series. Project job numbers have been indicated when possible, although many drawings and files lack job numbers.

Cincinnati and Detroit based architect. Major commissions include the Grosse Pointe Shores, Michigan residence for Oscar Webber, the Fordson Village Development, and the Goulburn Avenue and Dresden Avenue Defense Houses in Detroit. The collection consists primarily of project files, correspondence, personal diaries, photographs, commission accounts, and architectural drawings.

The Willeke papers are organized into three series: Personal Papers, Professional Papers, and Defense Housing. The collection encompasses eleven linear feet of correspondence, photographs, journals, sketches, commission notebooks and accounts, as well as architectural drawings in eight flat file drawers, and twenty-four tubes.

Noted Michigan-based modern architect and former Professor and later Dean of the University of Michigan College of Architecture and Urban Planning. Metcalf's work includes over 150 buildings in Michigan and Ohio. The material in this collection spans the years 1942 to 2017, and includes architectural drawings, presentation boards, client files, photographs and slides, correspondence, newspaper clippings, journals, articles, and teaching material.

The Robert C. Metcalf papers include architectural drawings, presentation boards, presentation books, client files, photographs, slides, and negatives of Metcalf's work on residential, commercial, and community projects. The collection provides comprehensive documentation on virtually all of the projects undertaken by Metcalf. Projects are documented from design to construction and often subsequent additions and renovations. The materials in the collection are organized into three series: Project Files, General Files, and Visual Materials.

The General Files series includes personal material such as an audio interview with Robert Metcalf (2010), a date book (1974), and Metcalf's undergraduate student work from the University of Michigan (1942-1950).

Architect, urban planner, professor and dean of the A. Alfred Taubman College of Architecture and Urban Planning at the University of Michigan, 1987-1997. Records include teaching files, urban design projects in Milwaukee, Wisconsin; Bellevue, Washington; and Lake Oswego, Oregon; work with the Genesee Institute and County Land Bank in Michigan; articles; technical and preparatory drawings.

The papers of Robert M. Beckley measure 4.0 linear feet and date from 1958 to 2012. The bulk of materials are from 1978 to 2011. The collection is comprised of articles, drawings and reports, but little correspondence. It includes theoretical and applied material relating to urban design, created as a student in the University of Cincinnati and in the Harvard University Graduate School of Design, as dean of the College of Architecture and Urban Planning at the University of Michigan in Ann Arbor, and as private consultant. The papers contain five series: Biographical, Articles, Lectures and Writings, Applied Works, University of Michigan and Genesee Institute and Genesee County Land Bank.

Plymouth, Michigan based architect, active 1946-1997, and former University of Michigan College of Architecture and Design instructor (1956-1997), known for his design work, and association with architect and former University of Michigan Dean of the College of Architecture and Urban Planning Robert C. Metcalf. Balogh's work included approximately 150 residential, institutional, and commercial projects in Michigan, Illinois, and Arizona. The papers in this collection include correspondence, slides and photographs, clippings, teaching materials, project files, and architectural drawings.

The papers of Tivadar Balogh include correspondence, slides and photographs, clippings, teaching materials, project files, and architectural drawings. The papers are organized into five series: Audio-Visual, Biographical Materials, Office Files, Teaching, and Drawings.

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

1. Biographical and Professional Material [Bentley]
2. University of Michigan Teaching Career [Bentley]
3. Publications and research [Bentley]
4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).