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Constitution, by-laws, minutes of meetings, reports, membership lists, scrapbooks, correspondence and exhibit materials.

The records of the Ann Arbor Art Association cover a sixty year span and consist of meeting minutes, treasurer's reports, membership lists and materials, exhibit notices, lists of participating artists and their work, newspaper clippings covering the various exhibits, and other records of community involvement. The bulk of the records is concentrated on the administration of the Association and its exhibits and outreach programs. Many of these records were collected and maintained by Mrs. Roy Holmes, a life member of the Association, and Professor Jean Paul Slusser, the official historian of the Association during the 1950s and 1960s. The record group has been divided into two series: Organizational Records and Exhibits and Outreach.

Formerly known as the Women Painters' Group and affiliated, 1951-1960, with the Ann Arbor Art Association and the Women's City Club. In 2002, the name of the organization was changed to Ann Arbor Women Artists. Historian's books containing yearbooks, newspaper clippings, membership lists, officer reports, and exhibition material.

The records of the organization include clippings, programs, directories of members, minutes of meetings and annual reports, records of the historian and the exhibition committee.

University of Michigan botanist and Ann Arbor handweaver. Papers and photographs relating to her participation in various local art organizations, especially the Ann Arbor Art Association, the Ann Arbor Street Art Fair, the fine arts section of the Michigan Academy of Science, Arts, and Letters; and her participation in handweaving associations, including the Ann Arbor Handweaver's Guild, the Handweaver's Guild of America, the Michigan League of Handweavers, and the handweaving classes at the Y.M.-Y.W.C.A.

The Joyce Jones Papers cover the period of her life in Ann Arbor, 1930-1980. While there is some material relating to her research on lichens, mostly articles from the 1930's and 1940's, the bulk of the collection concerns her passion for handweaving.

The collection has been divided into four series: Personal, Art Associations, Handweaving Associations, and Photographs.