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David Wheeler Palmer was a Bridgewater, Michigan school teacher and farmer. His papers consist of diaries, 1846-1864, 1876-1882, and 1887-1892, concerning daily activities and farm life. There are also papers of other family members, including Emmett Newton Palmer, a Brooklyn, Michigan physician, Fred E. Palmer, a surgeon who served in the Spanish-American War, and Louisa Palmer, who was a teacher in Hawaii.

The David Wheeler Palmer collection consists mainly of his diaries and other papers. These diaries, dating from 1846 to 1892 with some gaps, comment in detail on his life, his family, the weather, financial transactions, and local politics. Other portions of the collection include materials of other family members: Palmer's wife Fidelia Randall Palmer; her brother Roswell Randall, Jr.; Emmett Palmer, the son of David and Fidelia; Fred Palmer, the son of Emmett; and Joseph Palmer, the father of David. Of interest are the photographs accumulated by Dr. Fred Palmer while he was serving in the Philippines. These include images of Hawaii on route to the Philippines and of the Santa Mesa facility in the Philippines. Another family member represented in the collection is Louisa Palmer who taught in Hawaii. She was an inveterate traveler who wrote extensive letters describing places visited for her students and family.

Agency established by Eugene Power to provide market for Inuit art, also gallery for Inuit art. Correspondence, scrapbooks, and office files detailing the company's activities.

The records of Eskimo Art, Inc. is valuable for their documentation of the firm's role in bringing awareness of Inuit art and culture to the United States, and its attempt to prevent the commercialization of this artwork. The records have been arranged into four series: Correspondence files, Informational, Scrapbooks, and Cape Dorset Annual Exhibit.

Civic leader, wife of Michigan governor William G. Milliken. Collection includes topical files relating to Artrain, the Michigan Council for the Arts, the International Women's Year, Youth for Understanding, women's rights issues, notably the Equal Rights Amendment, and environmental protection issues; correspondence files; appearance files; and photographs.

The Helen Milliken papers total 18.4 linear feet of correspondence, organizational records, printed material, and photographs largely from the period 1969-1982 (though there are some items dating back to 1965). The collection consists of four principal series: Topical Files, Correspondence, Appearances, and Photographs. Preceding these is a file of Biographical Material.

Artist, art critic, director of the University of Michigan Art Museum. Scrapbooks with clippings of Ann Arbor News art reviews, scrapbook, 1905-1907, concerning University of Michigan student life, topical files relating to his interest in art and cultural organizations, original scripts of lectures and radio talks.

The Slusser papers document only portions of this artist/critic's life. The majority of the collection consists of scrapbooks containing his art review columns for the Ann Arbor News. These were written in the period of his retirement, 1963 to 1978. There is also one scrapbook from his years as a student at the University of Michigan, 1905-1907. The remainder of the collection consists of such personal materials as a diary he kept of a trip to Europe in 1909 when he went to study in Munich, a selection of some of his lectures and radio talks, and miscellaneous topical files relating to art and artists. Of interest is a series of letters written to his brother Herbert and letters received from artist William H. Littlefield.

University of Michigan botanist and Ann Arbor handweaver. Papers and photographs relating to her participation in various local art organizations, especially the Ann Arbor Art Association, the Ann Arbor Street Art Fair, the fine arts section of the Michigan Academy of Science, Arts, and Letters; and her participation in handweaving associations, including the Ann Arbor Handweaver's Guild, the Handweaver's Guild of America, the Michigan League of Handweavers, and the handweaving classes at the Y.M.-Y.W.C.A.

The Joyce Jones Papers cover the period of her life in Ann Arbor, 1930-1980. While there is some material relating to her research on lichens, mostly articles from the 1930's and 1940's, the bulk of the collection concerns her passion for handweaving.

The collection has been divided into four series: Personal, Art Associations, Handweaving Associations, and Photographs.

Director of cultural activities of the Extension Service of the University of Michigan. Material relating to the National Youth Administration and the effect of the depression on Michigan youth; files collected relating to Michigan cultural organizations, art festivals and exhibitions; notebooks containing biographical information on Michigan artists; and photographs.

The Michael Church collection has been arranged into the following series: Biographical/personal; Cultural Organizations and Programs; Michigan Artists; Programs of Art Exhibitions; Audio-Visual Material; Clippings; and Other activities and interests. Of special interests are the files of collected information about local Michigan art organizations and the binders containing biographical information about Michigan artists.

Established as a separate unit of the university in 1946, the University of Michigan Museum of Art serves as a research and teaching facility for the university and surrounding communities. The record group documents the museum's exhibitions and installations of the permanent collection and complementary interpretive programming. Records include exhibition files; executive committee minutes and director's correspondence; photographs; publicity files; and material related to the Museum Practice Program.

The records of the University of Michigan Museum of Art document its exhibition program, administration and its educational function through the Museum Practice Program. The UMMA record group has been arranged into seven series: Exhibition Files, Executive Files, Photographs, Publicity, Museum Practice Program, Historical Background, and Docents. The records include correspondence, committee minutes, publicity material and photographs. Exhibit catalogs and other publications are described separately in the Museum of Art Publications finding aid.

Detroit portrait painter and feminist activist. Correspondence, printed material, newspaper clippings, photographs, reports, speeches, articles and other papers documenting her career as an artist, and with the Michigan Women's Commission, the National Association of Commissions for Women, the National Organization for Women (NOW) and other civic, Republican, and feminist organizations.

While most of the material relates directly to Patricia Hill Burnett, the papers also relate to the more general women's movement during the 1970s and early 1980s.

The first classes in art at the University of Michigan were offered in 1906 by the Department of Architecture. In 1926, a program in decorative arts was housed in the College of Engineering and Architecture. Art evolved as a discipline, moving through the colleges of engineering and architecture to become the School of Art, an autonomous institution, in 1974. It became the School of Art & Design in 1996. The records focus on the evaluation and review of the program in the 1970s and early 1980s during the budget crisis faced by the university. The records also contain minutes of the Executive Committee and the Faculty Committee, from the mid-1970s to 1999.

The School of Art & Design records are composed of six series: Topical Files, 1970-1987; Committees; Correspondence; Topical Files, 1980-2000; Visual Materials; and Website. There is a separate collection of printed material. The majority of the records document the years from 1975 to 1999, a crucial period in the school's history as it was formally established as a school in its own right and later experienced serious budget reductions.

Businessman with the S. S. Kresge Company (later K mart Corporation) and philanthropist. Business records, materials relating to philanthropic activities, notably documenting the work of the Kresge Foundation, and family materials; also organizational materials, speeches, and photographs and motion pictures.

The Stanley Kresge Papers, an important source for the researcher interested in the history of the S.S. Kresge Company/K mart Corporation; the work of the Kresge Foundation; and the Kresge family, have been divided into six series: Kresge Company/K mart Corporation; Kresge Foundation; Organizations; Personal; Speeches; and Visual Materials. The collection has now been microfilmed to allow inter-library access to the collection. These 21 microfilm rolls comprise the bulk of Kresge's collection. Excluded from the microfilming have been a few folders of restricted financial materials, two oversize ledgers, and, of course, the motion picture films. The following finding aid is a guide to the entire collection with appropriate indication of files and other materials not part of the microfilm edition.