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Detroit portrait painter and feminist activist. Correspondence, printed material, newspaper clippings, photographs, reports, speeches, articles and other papers documenting her career as an artist, and with the Michigan Women's Commission, the National Association of Commissions for Women, the National Organization for Women (NOW) and other civic, Republican, and feminist organizations.

While most of the material relates directly to Patricia Hill Burnett, the papers also relate to the more general women's movement during the 1970s and early 1980s.

The first classes in art at the University of Michigan were offered in 1906 by the Department of Architecture. In 1926, a program in decorative arts was housed in the College of Engineering and Architecture. Art evolved as a discipline, moving through the colleges of engineering and architecture to become the School of Art, an autonomous institution, in 1974. It became the School of Art & Design in 1996. The records focus on the evaluation and review of the program in the 1970s and early 1980s during the budget crisis faced by the university. The records also contain minutes of the Executive Committee and the Faculty Committee, from the mid-1970s to 1999.

The School of Art & Design records are composed of six series: Topical Files, 1970-1987; Committees; Correspondence; Topical Files, 1980-2000; Visual Materials; and Website. There is a separate collection of printed material. The majority of the records document the years from 1975 to 1999, a crucial period in the school's history as it was formally established as a school in its own right and later experienced serious budget reductions.

Businessman with the S. S. Kresge Company (later K mart Corporation) and philanthropist. Business records, materials relating to philanthropic activities, notably documenting the work of the Kresge Foundation, and family materials; also organizational materials, speeches, and photographs and motion pictures.

The Stanley Kresge Papers, an important source for the researcher interested in the history of the S.S. Kresge Company/K mart Corporation; the work of the Kresge Foundation; and the Kresge family, have been divided into six series: Kresge Company/K mart Corporation; Kresge Foundation; Organizations; Personal; Speeches; and Visual Materials. The collection has now been microfilmed to allow inter-library access to the collection. These 21 microfilm rolls comprise the bulk of Kresge's collection. Excluded from the microfilming have been a few folders of restricted financial materials, two oversize ledgers, and, of course, the motion picture films. The following finding aid is a guide to the entire collection with appropriate indication of files and other materials not part of the microfilm edition.

Professor of physiology at the University of Michigan; correspondence, speeches, and other materials concerning U-M Medical School activities, the Ann Arbor Red Cross, the Ann Arbor Art Association, and Lombard’s interest in art and etching.

The Warren P. Lombard papers have been arranged into the following series: Biographical/miscellaneous; Correspondence; Organizational and other interests; Physiology and related materials; and Photographs. Much of the collection relates to Lombard's organizational activities, notably the Ann Arbor Red Cross and the Ann Arbor Art Association. Some of Lombard's correspondents include: James B. Angell, William W. Bishop, Marion L. Burton, James J. Couzens, John G. Curtis, Joseph Erlanger, Frederick R. Green, Charles W. Greene, Granville S. Hall, Yandell Henderson, Donald R. Hooker, Frederic S. Lee, Carl Ludwig, Graham Lusk, George W. Norris, Reuben Peterson, William T. Porter, Henry Sewall, Albert A. Stanley, Langdon C. Stewardson, and Victor C. Vaughan.

General secretary of the Alumni Association of the University of Michigan and editor of the Michigan Alumnus; correspondence, drawings and etchings, photographs and other visual materials

The Shaw collection is an assemblage of personal materials such as correspondence, essays and student notebook, and of Shaw's work as an artists including drawings, etchings, and other examples of artistic expression that he used in connection with his work with the University's Alumni Association and its publications. Records of Shaw's activities with the university will be found in the record groups for the Alumni Association and the Bureau of Alumni Relations also located at the Bentley Library. The collection has been divided into five series: Correspondence, Essays, Drawings and Etchings, Miscellaneous, and Photographs and other Visual Materials.