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Collection

Ann Arbor Art Association Records, 1909-1969

2.5 linear feet — 2 oversize volumes

Constitution, by-laws, minutes of meetings, reports, membership lists, scrapbooks, correspondence and exhibit materials.

The records of the Ann Arbor Art Association cover a sixty year span and consist of meeting minutes, treasurer's reports, membership lists and materials, exhibit notices, lists of participating artists and their work, newspaper clippings covering the various exhibits, and other records of community involvement. The bulk of the records is concentrated on the administration of the Association and its exhibits and outreach programs. Many of these records were collected and maintained by Mrs. Roy Holmes, a life member of the Association, and Professor Jean Paul Slusser, the official historian of the Association during the 1950s and 1960s. The record group has been divided into two series: Organizational Records and Exhibits and Outreach.

Collection

Joyce Jones Papers, 1930-1980

2 linear feet

University of Michigan botanist and Ann Arbor handweaver. Papers and photographs relating to her participation in various local art organizations, especially the Ann Arbor Art Association, the Ann Arbor Street Art Fair, the fine arts section of the Michigan Academy of Science, Arts, and Letters; and her participation in handweaving associations, including the Ann Arbor Handweaver's Guild, the Handweaver's Guild of America, the Michigan League of Handweavers, and the handweaving classes at the Y.M.-Y.W.C.A.

The Joyce Jones Papers cover the period of her life in Ann Arbor, 1930-1980. While there is some material relating to her research on lichens, mostly articles from the 1930's and 1940's, the bulk of the collection concerns her passion for handweaving.

The collection has been divided into four series: Personal, Art Associations, Handweaving Associations, and Photographs.

Collection

Leon Makielski drawings collection, 1923-1961 (majority within 1920s-1930s)

0.2 linear feet (in 1 oversize box and 1 oversize volume)

Leon Makielski (1885-1974) was an American portrait and landscape painter who, in addition to maintaining a private commercial portrait studio, taught art at the University of Michigan (1915-1927) and the Meinsinger School of Art in Detroit. His portraits are listed in the Smithsonian Institution's Catalog of American Portraits. and many of the portraits depicting University of Michigan faculty and administrators are displayed in University buildings. This collection contains approximately 180 of Makielski's charcoal portraits, about a quarter of which depict University faculty and staff, and the rest of which depict a variety of subjects including doctors, prominent politicians and others.

This collection consists of approximately 180 charcoal portraits made by Leon Makielski between 1923 and 1961, with most dated between 1924 and 1931. About a third of the subjects of the portraits are former faculty and staff of the University of Michigan, where Makielski taught from 1915 to 1927. Other subjects include physicians, politicians, architects and golfers, among others. Notable subjects in the collection include Speaker of the House of Representatives Nicholas Longworth, Secretary of the Interior Ray Lyman Wilbur, Michigan governor Frank Murphy, Michigan State Supreme Court Justice Henry M. Butzel, Polish Ambassador to the United States Titus Filipowicz, and pro golfers Al Watrous and Walter Hagen. Many, though not all, of the portraits are signed. The collection also includes a spreadsheet identifying the subjects of the portraits and any known details about each of them (profession, association with the University, etc.).

Collection

Milton Kemnitz Papers, 1932-1995 (majority within 1960-1990)

3 linear feet

Ann Arbor-based artist specializing in images of local businesses and sites. The collection has been arranged in three series. The Artwork series includes drawings of buildings and other projects, publications containing reproductions of his work, and files relating to galleries, exhibits, auctions, and art fairs. The Supplemental Materials series concerns the art organizations and associations of which Kemnitz was a member, correspondence, and files pertaining to other activities, notably the Bird Hills Park controversy. The third series, Southern White Migration to Detroit in the 1930s, consists of research materials and reports resulting from Kemnitz' research as a member of a University of Michigan sociology seminar on metropolitan community organization. A portion includes Elmer Akers' research on the Black Legion.

The papers of Milt Kemnitz have been divided into three series. The first series, ARTWORK, focuses on the artwork itself, and its reproduction and dissemination. This includes the following subseries: Drawings of Buildings, Other Projects, Publications and Galleries, Exhibits, Auctions & Art Fairs. The second series, called SUPPLEMENTAL MATERIALS, has three subseries, Art Organizations & Associations, Correspondence and Miscellaneous Personal Material. Much of this material concerns his career as an artist but relates less directly to the actual artwork than the material in the first series. The third series, SOUTHERN WHITE MIGRATION TO DETROIT IN THE 1930s, consists of research materials and reports resulting from Kemnitz' research as a member of a University of Michigan sociology seminar on metropolitan community organization.