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Editor of the Ann Arbor News, 1954-1976. Personal and professional correspondence, photographs, editorials, editorial topical files, and speeches; also organizational files relating to the Booth Newspaper chain and the Ann Arbor News, and to other professional, civic, and charitable organizations, notably the Michigan Press Association, the University Press Club of Michigan, and the Ann Arbor Chamber of Commerce.

Much of the material contained in the Gallagher papers pertains either to the news and editorial operations of the Ann Arbor News or to the management and business of running the newspaper. The collection has been arranged into the following series: Ann Arbor News general correspondence and memoranda; Editorials and Editorial Subject files; Articles and Speeches; Organizational files; Miscellaneous Topical Files; and Miscellaneous.

Bishops files, records of executive and administrative bodies and of diocesan organizations, staff files, parishes and mission's materials, and visual materials and sound recordings.

The records of the diocese of Michigan have been arranged into the following series: Bishops' files, Executive and administrative bodies, Diocesan organizations, Diocesan programs, Diocesan staff, Parishes and missions, Clergy, Audio and visual material, and Miscellaneous.

The record group is most valuable for its documentation of the history of the diocese and the individual churches within its administration, with a lesser amount of material pertaining to religious functions performed and to the operation of diocesan administrative groups and departments. For a number of reasons, there is scant material pertaining to the administration of the diocesan office or to the special programs that have been initiated by it over the years. Some of this material may be found in the papers of individual bishops whose papers have also come to the library and are separately cataloged. These include Samuel McCoskry, Samuel Smith Harris, Charles D. Williams, Herman Page, and Richard Emrich.

Records of the Interfaith Council For Peace and Justice, a Washtenaw County-based interdenominational organization encouraging participation in social justice education and activism. The collection is divided into twelve series, Chronological Files, Topical Files, Hunger Task Force, Clergy and Laity Concerned, Photographs and Audiovisual Materials, Steering Committee, Religious Coalition on Central America, Middle East Task Force, Racial and Economic Task Force, Disarmament Working Group, and Posters.

The files of the Interfaith Council have been arranged into twelve series: Chronological Files, Topical Files, Hunger Task Force, Clergy and Laity Concerned, Photographs and Audiovisual Materials, Steering Committee, Religious Coalition on Central America, Middle East Task Force, Racial and Economic Task Force, Disarmament Working Group, and Posters.

John and Leni Sinclair were leaders of the counterculture movement in Michigan, organizers of radical social, political, and cultural endeavors primarily in the areas of music, poetry, graphic design, and community welfare projects. Papers and photographs (1957-1979) relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, and prison reform. Also material, 1979-2000, relating to John Sinclair's work as a writer, performer, radio show host and music promoter.

The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.

The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.

Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.

The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.

Records of the MADD's state coordinating council, files from the various county chapters, bulletins from the national headquarters of MADD, and programs and clippings describing state activities; also videotapes relating to the work of the organization, and audio-tapes promoting the organization and its aims.

The records of Mothers Against Drunk Driving (MADD), Michigan are divided into eight series: State Coordinating Committee Files; Outreach Programs, Panels And Workshops; Publicity And Publications; Topical Files; County Chapter Files; Visual Materials; Sound recordings; and Correspondence.

Records of various officers of the Michigan Conference of the National Organization for Women collected by one-time state presidents Margot Duley-Morrow and Alicia Perez-Banuet. Presidential files of Duley-Morrow, Nan Frost-Welmers, Shirley Monson, Lynn Hierholzer, Gloria Woods, and Alicia Perez-Banuet; files of state chapter developer Rhonda Drinan, and Macomb County chapter president Doris Little; contain correspondence, newsletters, clippings, mass mailings, agendas and minutes, photographs, and other materials concerning the formal and personal aspects of this feminist organization. Topics covered include the Equal Rights Amendment, the Project for Equal Education Rights, Women's Assembly III, and other issues pertaining to women's rights.

The Michigan NOW record group includes administrative records, files of individual presidents, newsletters from local chapters, records of the Michigan NOW PAC (Political Action Committee), and topical files of subjects of interests to the Michigan Conference such as the ERA, educational equity, and abortion rights.

The organization of the collection is rather artificial, both because the documents were in extremely poor order upon their accession and because there is only the broadest unity to the collection's components. The records have been grouped under the name of the individual most responsible either for their creation or for their accumulation and preservation. There were two individuals primarily responsible for these records coming to the Bentley Library. They were Margot Duley-Morrow (two-term president, 1981-1983) who donated records in 1984 and Alicia Perez-Banuet (president, 1997-1998) who donated materials in three major accessions.

The first classes in art at the University of Michigan were offered in 1906 by the Department of Architecture. In 1926, a program in decorative arts was housed in the College of Engineering and Architecture. Art evolved as a discipline, moving through the colleges of engineering and architecture to become the School of Art, an autonomous institution, in 1974. It became the School of Art & Design in 1996. The records focus on the evaluation and review of the program in the 1970s and early 1980s during the budget crisis faced by the university. The records also contain minutes of the Executive Committee and the Faculty Committee, from the mid-1970s to 1999.

The School of Art & Design records are composed of six series: Topical Files, 1970-1987; Committees; Correspondence; Topical Files, 1980-2000; Visual Materials; and Website. There is a separate collection of printed material. The majority of the records document the years from 1975 to 1999, a crucial period in the school's history as it was formally established as a school in its own right and later experienced serious budget reductions.