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Ann Arbor, Michigan, photography firm. Photonegatives, and some photoprints, of images largely relating to Ann Arbor and the University of Michigan, but including Ypsilanti and other Michigan cities: buildings, businesses, houses, street scenes, community activities, and organizations; also photos of automobiles, storm damage, etc. taken to support insurance claims.

The Ivory Photo collection consists of an impressive array of negatives and prints taken by Ann Arbor photographer Mel Ivory from the 1920s to the early 1970s. Most of the photographs were taken by Ivory for customers, whether the University of Michigan, local businesses, or private citizens. The collection is probably most valuable for its extensive documentation of Ann Arbor and the University of Michigan, the two areas in which it bulks largest. However, because it spans a relatively long time period, the collection is also useful for illustrating changes in photography as an art and as a business, and for documenting social trends in twentieth-century America. Finally, the collection documents the career of a commercial photographer.

As a photographer for the University of Michigan in the 1920s and 1930s, Ivory took the standard pictures of campus events, buildings, and people, but the value of many photographs from this period is as much aesthetic as informational. Producing cover art for the Michigan Alumnus allowed him to experiment with unusual angles, lighting, and subject matter. (See, for example, photographs of the Clements Library and of students strolling through the Diag in the 1930s.) In stark contrast to these images is a large group of photographs of car wrecks that Ivory took for insurance companies between 1937 and 1969.

Besides providing thorough documentation of the physical plant of the University of Michigan, the Ivory collection evokes the flavor of life on campus in the 1930s and 1940s through photographs of football games and crowds, dance bands, social events, professors at work in laboratories, the Michigan Daily staff at work, and students in classrooms, libraries, and dormitories.

The Ann Arbor subseries includes numerous photographs of houses and businesses, filed by address to facilitate research into a particular building or site, as well as a rich assortment of photographs depicting life in Ann Arbor through more than four decades. There are numerous photographs of men and women at work in factories, stores, and other settings. Some show women at work in unusual settings (as cab drivers for Ace Cab Company, for example) while others depict women in stereotypically female occupations (as secretaries, store clerks, and ditto machine operators). Photographs of drug and department store display windows and of products in grocery stores illustrate trends in merchandising.

The Ivory collection is also remarkable for its documentation of social mores. Wedding photographs taken from the 1930s to the 1960s depict a variety of settings, fashions, wedding rituals, and even fads, such as a 1940 wedding at a roller rink. There is also a small group of photographs of funerals and an extensive series of portraits of children, families, and individuals.

Photographs of a depression-era hobo cooking near a railroad car, of lawn parties and country clubs, of the soap box derby and sports teams reflect diverse aspects of life in Ann Arbor. The home front during World War II is documented in views of an aluminum drive, a blitzkrieg game in a local tavern, a commuter bus with a female conductor, and the Judge Advocate General's school exercises in the Law Quad.

Although the Ypsilanti subseries is considerably smaller than the Ann Arbor and University of Michigan subseries, it contains a number of valuable photographs, such as the Cleary College photographs showing rows of students at typewriters, students relaxing on boarding house steps and in Cleary lounges and recreation rooms, and annual graduation processions. The Washtenaw County subseries contains rural scenes such as farms, country roads, and a county fair. The remaining subseries consist of businesses, street scenes, railroad stations, and a variety of other photographs representing Michigan towns and counties.

A few copy negatives made by Ivory from existing photographs are scattered throughout the collection. A late nineteenth or early twentieth-century anatomy lesson in the Medical School, for example, is filed in the "Colleges, Schools, and other Divisions" section of University of Michigan 5"x7" negatives.

The contents of the various subseries and sub-subseries are for the most part self-evident, but a few words of explanation about the Ann Arbor subseries are in order. "Buildings and Views" consists largely of exterior views of buildings. However, there are many interior scenes of people and activities in the "Churches," "Hospitals," and "Schools" sections. For example, photographs of Ann Arbor churches include views of the pastor and congregation, choirs, recreation rooms, meetings, and athletic teams in addition to interior and exterior views of the buildings. "Schools" contains photographs of sports teams, classroom scenes, social events, and buildings representing Ann Arbor public and parochial schools, but also Ann Arbor Secretarial School and Concordia College.

Researchers seeking images of commercial enterprises will find material in the "Buildings and Views" sub-subseries (listed under the street address in the "Houses and Businesses" section) and in the "Businesses" sub-subseries (under the name of the enterprise).

The "Houses and Businesses" negatives within the "Buildings and Views" sub-subseries are arranged alphabetically by street name and then numerically by address. Most of these photographs are exterior views, but interior scenes of businesses have been filed here in order to keep exterior and interior views of a particular business together. Photographs of products, equipment, people at work, and special events are filed in the "Businesses" sub-subseries when no building exteriors exist or when the address of the business was unknown. Researchers should look both places for photographs of businesses. Although some "see also" references have been added, they are by no means exhaustive. Researchers may also wish to examine the "Motor Vehicles" sub-subseries, which contains photographs of trucks owned by Ann Arbor businesses.

In the University of Michigan subseries, "Buildings and Views" consists of exterior and interior views of buildings, whereas "Colleges, Schools, and Other Divisions" contains photographs of professors and students in laboratories and classrooms as well as group photographs of staff and students.

Artist, art critic, director of the University of Michigan Art Museum. Scrapbooks with clippings of Ann Arbor News art reviews, scrapbook, 1905-1907, concerning University of Michigan student life, topical files relating to his interest in art and cultural organizations, original scripts of lectures and radio talks.

The Slusser papers document only portions of this artist/critic's life. The majority of the collection consists of scrapbooks containing his art review columns for the Ann Arbor News. These were written in the period of his retirement, 1963 to 1978. There is also one scrapbook from his years as a student at the University of Michigan, 1905-1907. The remainder of the collection consists of such personal materials as a diary he kept of a trip to Europe in 1909 when he went to study in Munich, a selection of some of his lectures and radio talks, and miscellaneous topical files relating to art and artists. Of interest is a series of letters written to his brother Herbert and letters received from artist William H. Littlefield.

Ann Arbor, Michigan, businessman, publisher of Ann Arbor Courier, Republican politician, and regent of University of Michigan. Correspondence, letter books, speeches, newspaper clippings, and photographs; papers (1909-1920) of Michigan Public Domain Commission, of which Beal was a member; papers (1877-1904) concerning Port Huron Gas Light Company; and printed material and miscellanea (1885-1905) concerning League of American Wheelmen and his interest in bicycling.

The Junius E. Beal papers include correspondence, papers accumulated from his various interests and organizational activities, subject files, speeches, newspaper clippings, and photographs. The series in the collection include: Correspondence, Michigan Public Domain Commission, Topical Files; and Other Materials. Most of the files in the collection relate in some way to Beal's life in Ann Arbor, either as a student, a businessman, a public figure, as someone who took civic responsibility seriously and was determined to serve his community and the university that he loved.

Professor of economics at the University of Michigan, director of the Center for Research on Conflict Resolution, fellow of the Center for Advanced Study in the Behavioral Sciences, and participant in the Society of Friends, the National Council of Churches Department of the Church and Economic Life, and peace and disarmament groups. Correspondence, notes, writings, photographs, recordings, and topical files; also materials concerning his wife, Elise Boulding, and his parents, William and Elizabeth Boulding.

The Boulding papers, consisting of approximately 46 linear feet, fall into the following series and sub-series.

1. Correspondence (boxes 1-10)
2. Miscellaneous clippings and printed materials (box 10)
3. Lecture and reading notes (boxes 11-13)
4. Published and unpublished writings (boxes 14-18)
5. Family and personal files (boxes 19-22)
   • Elise Boulding (boxes 19-21)
6. Topical files:
   • Economics (boxes 23-24)
   • Social Sciences (boxes 25-30)
     • California Water Resources Study, 1958-1959 (boxes 24-26)
   • Religion (boxes 30-31)
     • National Council of Churches of Christ, Department of the Church and Economic Life (boxes 30-31)
   • Peace, Conflict Resolution and Disarmament (boxes 32-38)
     • Center for Research on Conflict Resolution (boxes 32-34)
   • University of Michigan (boxes 39-42)
   • Travel (box 42)
   • Foundations (box 42)
7. Speaking Engagements (box 43)
8. Financial Records (boxes 44-45)
9. Sound recordings (box 46)
10. Photographs (box 47)

Teacher; Ann Arbor, Michigan, community activist; member of the North Central Property Owners Association in Ann Arbor. Articles written for the local newspaper, awards, scattered correspondence, biographical information, and photographs.

The Letty M. Wickliffe collection documents the life of a devoted educator, Ann Arbor community activist, and active member of the Republican party. The collection is divided into two series, Topical and Visual. Folders are arranged alphabetically within each series and the items inside the folders are in chronological order. Collections also includes Wickliffe's 1924 University of Michigan diploma.

The Martha Cook Building (MCB) opened in the fall of 1915 as the second all-women's dormitory on the University of Michigan campus. It was a gift of Mr. William Wilson Cook, a lawyer-philanthropist from New York City who was born and raised in Hillsdale, Michigan. The Martha Cook Building records are dated from circa 1913-2016 and include blueprints; chronological files; clippings; correspondence; financial records; minutes, particularly of both the MCB's Board of Governors and House Board; publications; reports; scrapbooks; subject files; and visual materials, such as negatives, photographs, and photograph albums.

The Martha Cook Building records (circa 1913-2016) document the activities of those involved with the Martha Cook Building and include blueprints; chronological files; clippings; correspondence; financial records; minutes; reports; scrapbooks; subject files; and visual materials, such as negatives, photographs, and photograph albums.

Significant people and groups featured in this collection include William. W. Cook; various House Directors, such as Sarah Rowe, G.J. Diekema, Olive Chernow, Josette Allen, and Rosalie Moore; the building's Board of Governors and House Board; and Martha Cook Building students and alumnae. Other notable topics include the construction, furnishing and remodeling of the Martha Cook Building; various scholarships; and activities, such as various anniversary events and the Messiah Dinner.

Ann Arbor-based artist specializing in images of local businesses and sites. The collection has been arranged in three series. The Artwork series includes drawings of buildings and other projects, publications containing reproductions of his work, and files relating to galleries, exhibits, auctions, and art fairs. The Supplemental Materials series concerns the art organizations and associations of which Kemnitz was a member, correspondence, and files pertaining to other activities, notably the Bird Hills Park controversy. The third series, Southern White Migration to Detroit in the 1930s, consists of research materials and reports resulting from Kemnitz' research as a member of a University of Michigan sociology seminar on metropolitan community organization. A portion includes Elmer Akers' research on the Black Legion.

The papers of Milt Kemnitz have been divided into three series. The first series, ARTWORK, focuses on the artwork itself, and its reproduction and dissemination. This includes the following subseries: Drawings of Buildings, Other Projects, Publications and Galleries, Exhibits, Auctions & Art Fairs. The second series, called SUPPLEMENTAL MATERIALS, has three subseries, Art Organizations & Associations, Correspondence and Miscellaneous Personal Material. Much of this material concerns his career as an artist but relates less directly to the actual artwork than the material in the first series. The third series, SOUTHERN WHITE MIGRATION TO DETROIT IN THE 1930s, consists of research materials and reports resulting from Kemnitz' research as a member of a University of Michigan sociology seminar on metropolitan community organization.

Michigan family from Adrian and Flint, Michigan. Family papers, sound recordings, and photographs.

The collection is arranged by family name: Tomlinson, Pomeroy, and Raab. The earliest item is an account maintained by Alexander Tomlinson of Sherwood, Michigan. Within the Raab family papers are diaries, 1891-1892, of Florence Raab concerning her life in Adrian, Michigan. In addition, the collection includes papers and audio-tapes of Irving T. Raab reminiscing about his student life at the University of Michigan in the years before 1900. These tapes also concern his life in Flint and career as Presbyterian clergyman. The photographs in the collection are of family members.

Ann Arbor, Michigan family, proprietors of Rinsey & Seabolt grocery store. Papers of David Rinsey, Ann Arbor, Michigan, grocer; also papers of his son George, a bank teller, and of George's wife, Ina Alexander Rinsey; including correspondence, legal documents, and photographs.

The collection includes correspondence and legal documents of David Rinsey, his son George, and of George's wife, Ina Alexander Rinsey. There are also photographs and photograph albums of the Rinsey family's home and place of business in Ann Arbor. The photographs consists of both formal and informal portraits; interior and exterior photos of their homes on North Division St., Ann Arbor, Michigan; interior and exterior photos of Rinsey & Seabolt grocery on E. Washington St.; and photographs of family events and activities.

Photographs collected by Sam Sturgis and Hazel Proctor of Ann Arbor, Michigan; including businesses, street scenes, buildings, people, and activities in Ann Arbor, Brighton, Chelsea, Dexter, Dixboro, Manchester, Saline, and Ypsilanti, Michigan. (Copy negatives and copy prints.)

The Sam Sturgis collection consists of photographic prints and copy negatives of Washtenaw and Livingston County life from the 1860s through the 1970s. Collected by Ann Arbor photographer Sam Sturgis and Ypsilanti banker Hazel Proctor from a variety of known and unknown sources, the collection represents many aspects of life in Ann Arbor, Brighton, Chelsea, Dexter, Dixboro, Manchester, Saline and Ypsilanti. Main subject categories include churches, schools, businesses, buildings, University of Michigan buildings, staff, students and campus life, streets, panoramic views, rivers, recreation and family life, including residences, men, women, and children. Evolving modes of transportation, such as railroads, interurban streetcars, automobiles, and airplanes are also depicted.

Prints and negatives are divided into two parallel series, with negative use restricted to Bentley staff for preservation and security purposes. Each series is arranged alphabetically by city or town and, within each geographical grouping, in the order in which Sturgis collected the items. Sturgis began donating his collection to the Bentley in 1966, and, as items continue to be received, numbering is continued within each geographical grouping, in the original collecting and numbering order established by Sturgis. While some numbers were originally intended by Sturgis to designate the origins of the item, if known, this information has also been added to the item description under the heading "source" to facilitate patron and staff use. The Bentley does not hold a complete set of prints and negatives. Information on the current availability of both prints and negatives is included in each item listing.

Each photograph has a unique identifying number. The "Sturgis Number" consists of a one or two-letter series code, followed by a numerical number with decimal or alphanumeric number, such as AA 267.21 or AA 35A. the collection is arranged by city as follows

City	Sturgis Code	Number of Images
Ann Arbor	AA	ca. 1500
Brighton	BB	148
Chelsea	C	156
Chelsea-Manchester	CM	119
Dexter	D	124
Dixboro	DI	45
Manchester	M	123
Saline	S	57
Ypsilanti	Y	150

An item list of all photographs with description, date (if known), source and photographer, if known, follows the summary contents list on page three of the introduction.

Information on whether the photograph has been published and therefore has further information provided elsewhere is also included in each item description. Unless otherwise noted, all photographs listed as "published" have been published in a series by the Ann Arbor Federal Savings Bank (AAFSB), with editorial supervision by Sam Sturgis and Hazel Proctor. Availability of the respective print and negative concludes each item entry.

The following books, published by the AAFSB in the early 1970s, are annotated with Sturgis' photograph numbers and may be used as a partial guide to the collection. While two copies of each publication are available for consultation in the reading room, only one of each set has annotations. Descriptive captions in these publications as well as the annotated numbers may differ from actual photograph numbers and other information about the photographs. Any reference to these annotations should be verified with the item lists and vice versa to assure accuracy because of occasional inconsistencies. The AAFSB publications with Bentley call numbers are listed as follows:

1. Proctor, Hazel. Old Ann Arbor Town. 1974. Copy 1 annotated. EC 2 A216.5 P964
2. Sam Sturgis. Memories of Old Ann Arbor Town, 1967. Copies 1 and 2 annotated. EC 2 A613.5 S935
3. Proctor, Hazel. Old Brighton Village. 1974. Copy 1 annotated. EC 2 B856.3 P964
4. Proctor, Hazel. Old Chelsea Village. 1972. Copy 2 annotated. EC2 C516.5 P964
5. Proctor, Hazel. Old Dexter Village. 1973. Copy 1 annotated. EC 2 D526.5 P964
6. Proctor, Hazel. Old Manchester Village. 1974. Copy 2 annotated. EC 2 M268.5 P964
7. Proctor, Hazel. Old Saline Village. 1975. Copy 1 annotated. EC 2 S165.5 P964
8. Proctor, Hazel. Old Ypsilanti Town. 1974. Copy 2 annotated. EC 2 Y86.5 P964