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Professor of music and director of the University Musical Society at University of Michigan. Correspondence, articles, lectures, speeches, autobiography, and photographs.

The Stanley collection consists mainly of manuscripts of his articles, lectures, and speeches on musical topics. There is, in addition, Stanley's research material, including musical notes and analyses, notes intended to accompany illustrations of musical instruments found in the Stearns Collection of Musical Instruments at the University of Michigan, and scrapbooks containing concert programs featuring Stanley and his work. Stanley's autobiography, "Echoes of a busy life or reminiscences of a professor emeritus" is a valuable source of personal information.

Ann Arbor German-American family, owners of the Allmendinger Organ Company which later became the Ann Arbor Organ Company. Correspondence, scrapbooks, family genealogy, photographs concerning family affairs, materials on Helene Allmendinger's radio show, examples of spirit messages received by Helene Allmendinger from deceased family members; information pertaining to the Ann Arbor Organ Company, and family members still living in Germany.

The collection is divided into the following series: Family records and correspondence; Helene Allmendinger papers; Ina Allmendinger papers; Ann Arbor Organ Company; Harriet Birch papers, Other family members; Miscellaneous, and Photographs.

This record group contains the records of the Ann Arbor Symphony Orchestra, the Women's Association for the Ann Arbor Symphony, and partial records for the Michigan Civic Orchestra Association. The record group includes administrative and functional records, photographs, and audio/visual concert recordings.

The Ann Arbor Symphony Orchestra (AASO) records document the founding and development of the orchestra and the Women's Association for the Ann Arbor Symphony. There are also some records of the Michigan Civic Orchestra Association. The records include administrative and functional records, photographs, and audio/visual concert recordings. The records are arranged into 11 series, History, Board of Directors, Symphony Business, Youth Activities, Fundraising, Publicity, Women's Association of the Ann Arbor Symphony (WA3S) Records, Michigan Civic Orchestra Association, Visual Materials, Scrapbooks, and Audio Materials.

Established by students in 1896, the University of Michigan Band had its first salaried director in 1915. The William Revelli era (1935-1971) brought the Band to prominence as the marching, concert, and symphony bands toured and performed extensively, including a tour of Eastern Europe and the Soviet Union by the Symphony band in 1961, the Jazz Band's 1965 tour of Latin American, and the Symphony Band 2011 tour of China. Records include scrapbooks of band activities (including photographs); bound volumes ("Blue Books"), 1936-present, containing band formations, newsletters, and announcements of band activities, also topical files relating to band tours and concerts. The Marching Band is best documented, although concert band, symphony band, and related ensembles are represented.

The University of Michigan Band records are divided into eight series: Tours and Concerts, Yearbooks, Photographs and Posters, Audio-Visual Material, Band Books ("Blue Books"), Scrapbooks, Publications, and Director's Records. The majority of the records consist of bound volumes of band formations, announcements, and publications, and oversized scrapbooks of band activities. Additional material includes topical files documenting tours and performances. The bulk of the documentation pertains to the Marching Band.

Music critic for the Ann Arbor News and musical composer. Manuscripts of musical compositions, scrapbooks with newspaper clippings of his criticisms, and sound recordings of performances of his compositions, and microfilm of his compositions.

The Gehring collection consists of manuscripts of musical compositions, scrapbooks with newspaper clippings of his criticisms, and sound recordings of performances of his compositions, and microfilm of his compositions. The collection is organized into four series: Correspondence, essays and other materials; Scrapbooks; Musical Compositions; and Sound Recordings.

Republican member of the state house and the state senate; president of the University Musical Society. Legislative and campaign files, 1919-1935, detailing his election campaigns, his activities within the legislature, and his various responsibilities as a member of the Republican State Central Committee; general correspondence files, 1922-1960, largely pertaining to his work with the University Musical Society and other civic activities; topical files; family history and memoirs; diaries and appointment books; papers of wife Alva Gordon Sink; and visual materials.

Kansas City, Missouri, banker, first director of athletics, and secretary of the University of Michigan Athletic Association. Correspondence relating to his association with the University of Michigan and its athletic program.

The collection, arranged into two series, Correspondence and Miscellaneous, documents the association of Charles Baird and the University of Michigan, first through his activities as director of athletics and then as active alumnus and benefactor to the University. Much of the correspondence in the collection is with Football coach Fielding H. Yost and track coach and trainer Keene Fitzpatrick.

Professor of music education at University of Michigan. Correspondence relating to his work in music education; also programs relating to music education, particularly the Summer Conference on Music Education; and photographs.

The David Earl Mattern Papers document Mattern's education and career from 1905 to his death in 1959. The collection is organized in four series: Biographical and Personal Materials, Education, Professional Career, and Photographs. Topics covered extensively in this collection include the University of Michigan Men's Glee Club, the Extension Orchestra, and Mattern's activities during the university's Summer Session.

Student papers, 1930-1987 prepared for classes in history at the University of Michigan (primarily Michigan history class taught by Lewis G. VanderVelde, but also including research papers for classes taught by Sidney Fine and others); topics concern Michigan social and political history; Michigan biography and bibliography; and local community history.

The student papers are organized alphabetically by author in two series, which are similar in date range and topics covered. Topics of papers concern Michigan social and political history; Michigan biography and bibliography; local community history and University of Michigan history. A topical index to the papers is available in the first box of the collection.

The Earl V. Moore collection consists of the personal and professional papers of a noted musician, composer and director. Moore taught music at the University of Michigan from 1916 and served as director of the School of Music from1923 until his retirement in 1960.

The papers of Earl V. Moore document his career as professor and dean of the School of Music of the University of Michigan, as well as his career as a composer and performer. Though some of the papers and visual images date from the 1870s, the bulk of the collection dates from the 1920s through the 1960s. Consisting of three linear feet of papers and visual materials, the collection reflects Moore's many accomplishments as conductor, composer, lecturer, organist, and participant in professional societies.

The Moore papers have been divided into seven series: Biographical/Personal Materials, Correspondence, Topical Files, Newspaper Clippings, Musical Scores, Sound Recordings, and Visual Materials.