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Ann Arbor, Michigan, poet and journal writer. Journals, manuscripts of poetry and short stories, photographs, scrapbooks and other materials documenting her struggles as a polio survivor to cope with her disability and to lead an independent life; papers concern in part her association with the youth culture of the 1960s and 1970s.

The Andrea Cappaert papers date from 1952 to 1980 and measure 3 linear feet. The papers document Andy's involvement in the youth culture of the late 1960s and 1970s, and reflect her struggles as a handicapped woman to be an active participant in the world she lived in.

American poet and novelist (some with anti-war themes), pacifist and women's rights advocate, participant in the International Congress of Women at The Hague in 1915 and subsequent activities of the Women's International League for Peace and Freedom. The author of numerous poems and other literary works, she "projected a clear vision of a new social order". Throughout her work runs the prophecy of the triumph of new moral values and a strong identification with the "downtrodden masses". The papers of Angela Morgan document her long career as a twentieth century writer and social reformer. Papers include extensive correspondence with leading pacifists, literary figures and women's rights activists, manuscripts of Morgan's poetry, novels and other writings, clipping and subject files on pacifist activities and photographs.

The Angela Morgan papers document her long career as a twentieth century writer and social reformer. The collection includes extensive correspondence files, biographical and personal files, drafts of writings, pamphlets, newspaper clippings and other papers relating to her activities as a pacifist and her literary interests; also material on World War I peace movement concerning International Congress of Women, Ford Peace Ship, American Neutral Conference Committee, Emergency Peace Federation, Fellowship of Reconciliation, Bureau of Legal First Aid, People's Council of America and New York City branch of the Woman's Peace Party; also scattered papers, 1861-1922, of her father, Albert T. Morgan, who came to Mississippi after the Civil War; and photographs.

The collection contains much information on organizations such as the General Federation of Women's Clubs, (she served as poet laureate of this organization in the 1930's), the League of American Pen Women (she served as president of the Philadelphia branch from 1929 to 1931) and the Poetry Society of America.

Throughout her long career Angela Morgan kept up a correspondence with ministers (such as Fred Winslow Adams, Charles F. Aked, Harry Emerson Fosdick, John Haynes Holmes, Jenkin Lloyd Jones, Frederick Lynch, John Herman Randall and Arthur Weatherly), journalists and magazine editors (such as Kendall Banning, William F. Bigelow, Sewell Haggard, and Franklin B. Wiley) and literary people (such as Anita Browne, Ralph Cheyney, Edwin Markham, Corinne Roosevelt Robinson, Lucia Trent and Ella Wheeler Wilcox).

Another valuable aspect of the paper is the material on Angela Morgan's involvement in the peace movement, especially during World War I. Her involvement was apparently due both to the fact that she agreed with many of the ideas of the pacifists and the fact that her office was in the same building (70 Fifth Avenue in New York) which housed the headquarters of almost every significant peace group in New York City. Included in her correspondence are letters from Crystal Eastman, Margaret Lane, Rebecca Shelley, Norman Thomas, the American Neutral Conference Committee, the Bureau of Legal First Aid, the Fellowship of Reconciliation, and the Woman's Peace Party. One folder from 1915 contains notes on interviews with German pacifists conducted by Angela Morgan and Rebecca Shelley. The collection also contains much information on the International Congress of Women in 1915 (a meeting of pacifists to which Angela was a delegate) and the Ford Peace Ship.

Grand Rapids, Michigan, high school teacher and author best known for her writing on Greek and ancient mythology. Papers include correspondence concerning her studies of classical subjects, poems, publications and excerpts from reviews.

The Cornelia Steketee Hulst papers include correspondence concerning her studies of classical subjects, poems, publications and excerpts from reviews.

The Helen Zell Writers' Program was established in the Department of English Language and Literature at the University of Michigan in 1982 as the Zell Visiting Writers' Series within the Master of Fine Arts (MFA) Program. The program hosts poets and fiction writers to the University of Michigan campus every year. The program changed its name from the Master of Fine Arts (MFA) Program to Helen Zell Writers' Program in 2013. The records contain audiocassettes and videotapes (VHS) for the Zell Visiting Writers' Series from Fall 1999 to Winter 2003, and digital videos (MiniDV) for Master of Fine Arts Program Alumni readings from 2002. Additional files containing correspondence, photographs, and publicity materials for the Zell Visiting Writers' Series are also included.

Audio and video recordings of the Zell Visiting Writers' Series from Fall 1999 to Winter 2003, and digital videos (MiniDV) for Master of Fine Arts Program Alumni readings from 2002. Also correspondence, photographs, and publicity materials for the Zell Visiting Writers' Series.

Special writer for the Detroit Free Press, poet, and lyricist. Scrapbooks containing copies of poetry published in newspapers, manuscripts of radio talks, fan mail, newspaper clippings of poems, greeting cards containing Guest verses, and miscellanea.

The Edgar Guest papers came to the library in two accessions. In 1938, Guest donated some galley proofs for his newspaper poetry, scripts from his radio program, sheet music containing lyrics written by Guest or based largely on his verse, and other miscellaneous publications and congratulatory correspondence. In 2003, Guest's grandson donated an extensive run of scrapbooks containing newspaper clippings of his Detroit Free Press column.

Magazine publishing company, principally Esquire magazine, originally edited by Arnold Gingrich, records include editorial files with drafts and manuscripts of articles and some correspondence with authors and some business records.

The records of Esquire Magazine detail the management and operation of one of the nation's principal literary and current events periodical of the middle decades of the twentieth century. The bulk of the material in the collection consists of research and editorial files for each article published in Esquire.

Although the records contained in the Esquire record group cover only a portion of the magazine's development, they can be used in conjunction with the Arnold Gingrich collection, also on file at the Bentley Historical Library to document one of the most influential publishing ventures of the twentieth century.

University of Michigan professor of Greek; Assistant to the President; papers include correspondence, writings, pencil sketches and photographs, topical files.

The papers of Frank Egleston Robbins consist of materials from his work as the assistant to the university president, and his other activities within the university. The series are: Correspondence, Miscellaneous, Writings, Visual Materials and Assistant to the President Topical Files.

First president of University of Michigan. Correspondence, essays, sermons, lectures, poetry, and photographs.

The Tappan papers include addresses, lectures, sermons, poems, biographical material, list of books in the Tappan library, and correspondence.

Swedish-American author and journalist, of Ironwood, Michigan. Correspondence, manuscripts of poetry and other writings, and scrapbooks containing correspondence, newspaper clippings, and other poetry, concerning the myths of Sweden and Scandinavia and Banér's studies of Michigan Indian lore; also photograph.

The Johan G.R. Banér collection is an especially valuable resource for the study of immigrants in Michigan; it also provides examples of popular folklore during the first half of the twentieth century. The collection is divided into six series: Biographical Information, Correspondence, Manuscripts, Scrapbooks, Publications and Photographs; the material is written in both English and Swedish.

John and Leni Sinclair were leaders of the counterculture movement in Michigan, organizers of radical social, political, and cultural endeavors primarily in the areas of music, poetry, graphic design, and community welfare projects. Papers and photographs (1957-1979) relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, and prison reform. Also material, 1979-2000, relating to John Sinclair's work as a writer, performer, radio show host and music promoter.

The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.

The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.

Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.

The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.