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Founder of the University of Michigan Gilbert and Sullivan Society. Sound recordings (tape and disc) of productions, videocassettes, scrapbooks, slides, and posters.

The Gloria Bennish collection consists of materials collected relating to the Gilbert and Sullivan Society. This includes photographic slides of productions, posters, sound tapes and sound discs of productions, and scrapbooks containing programs and photographs.

James F. Coakley was an assistant professor in the Department of Speech at the University of Michigan from 1966 to1971. Focusing mainly in theatre and literary interpretation, he was responsible for directing and managing many of the plays that were put on by the University Players during his time at the University of Michigan. Notable productions include The Homecoming, Lysistrata, Much Ado About Nothing, and Arthur Miller's After the Fall. Includes photographs from a 1967 production of After the Fall where Arthur Miller was present. Also scrapbooks, photos, and slides from other productions by the University of Michigan's University Players during 1966-1971.

The collection provides some documentation of plays Coakley staged with the University Players, notably Arthur Millers After the Fall, and lecture notes for courses he taught. The collection is organized into three series: "After the Fall", Photographic Slides, Speech 230 "The Arts of the Theatre" and Scrapbooks.

Professor of drama at University of Michigan, chairman of the Committee on War Activities of the American Educational Theatre Association, and secretary of the Theatre for Victory Council during World War II. Files concerning his war activities, including correspondence, scripts, course materials and printed matter; and photographs.

The Kenneth Rowe Collection, though covering the period 1940-1953, largely concerns the years of World War II and the activities of Rove as chairman of the Committee on War Activities for the American Educational Theatre Association (AETA); as secretary of the Theatre for Victory Council; as consultant to the National Theatre Conference (NTC), official agency for all dramatic activities of the Combined Armed Forces; and as drama consultant to the U.S. Department of Treasury, the Office of Civil Defense, and the Office of Education. Rowe's work in all of these efforts concerned the use of drama as a propaganda tool to raise morale and to define America's goals.

The Rowe collection consists of two linear feet of correspondence, reports, newsletters, play scripts, and printed material. The collection begins with general correspondence followed by files which have been arranged by the name of theatre organizations in which Rove was involved.

Minutes of meetings, scrapbooks, financial records, reports, and other papers; and photographs.

The Ladies Literary Club of Ypsilanti (LLC) Records (1882-2008) documents the development and changes of the activities of the LLC for more than a century. The record group consists of Historical/foundational documents, Regular Meeting Minute Books, Board of Trustees papers, Membership and Program books, Financial Records, Presidents' Files, History of building addition, LLC Magazines, Scrapbooks, and Miscellaneous files.

Leonard Studios of Lowell, Michigan. Photographs of the showboat, "Robert E. Lee X", and of the cast and crew.

The Leonard Studios photograph collection is comprised of photographs of the Lowell showboat "Robert E. Lee X" and of the cast and crew.

Battle Creek, Michigan, African American singer and music teacher, member of the Battle Creek Chapter of the National Association for the Advancement of Colored People. Correspondence, newspaper clippings, and other material relating to her professional career, diaries recording daily activities and personal thoughts, and photographs.

The collection has been arranged into the following series: Personal / Biographical; Writings, speech notes, compositions; Community activities; and Diaries.

Papers, 1962-1985 of the Professional Theatre Program at the University of Michigan. Contain executive director's file, including correspondence, newspaper clippings and related theatrical material of Robert C. Schnitzer, and publicity files of clippings and press releases concerning play productions and other programs.

The Professional Theatre Program records include executive director's files (1962-1972), Professional Theatre Program Fellows Tour files (1966-1972), publicity files (1962-1985, films and photographs. Planning for the Power Center and the early years of its operation are also covered.

Visual materials includes films of classical drama programs for schools, and photos of PTP directors. Recordings consist of uncompiled sound clips, background music, and sound effects for a film entitled "Conjuror."

Student at the University of Michigan, later professional stage actor. Playbills from Detroit and University of Michigan productions, theatrical publications, miscellaneous correspondence, clippings, and writings; and photographs.

The Forsyth collection includes some correspondence, journals (1914-1917), playbills from productions in the Detroit and Ann Arbor area, clippings about his theatrical career, and miscellaneous photographs.

Professor of speech and drama at the University of Michigan, 1904-1949; papers document Hollister's teaching and development of the speech and drama programs at the university, include correspondence, course material and lecture notes, papers and photographs relating to dramatic productions, and some family material.

The Richard D. T. Hollister papers, 1887-1960, document his career as a professor of speech and theater and the development of the Department of Speech and theatrical productions at the University of Michigan. Correspondents include: Thomas E. Black, Marion L. Burton, John R. Effinger, Edward H. Kraus, J. Raleigh Nelson, James M. O'Neill, Theodore Roosevelt, Alexander G. Ruthven, and Thomas C. Trueblood. The Hollister papers are divided into three series; Richard D. T. Hollister, Hollister family and Photographs.

Professor of speech communication and theatre at the University of Michigan. Correspondence and other materials relating in part to his interest in university theatre productions.

The William P. Halstead papers consist of correspondence, clippings, theater programs and other materials relating to his work in the Speech Department and to his interest in university theater productions. (Halstead bound most of his papers in chronological order. The bound volumes and additional unbound materials are separated into five series: Personal, Production Materials, University of Michigan, Department of Speech, Miscellaneous, and Photographs.