Charlotte LeBreton Johnson Baker photograph collection, circa 1890-1923
1 envelope
The collection consists of individual and group photographs of Baker and family members.
1 envelope
The collection consists of individual and group photographs of Baker and family members.
0.5 linear feet — 155 negatives
The David LeFavour glass negatives collection documents a variety of activities, individuals, groups, and buildings in Ann Arbor and Bay City. As a member of the class of 1895, a year which was, coincidently, the first year of formal recognition for a Department of Engineering at the University of Michigan, LeFavour participated in an annual event for engineering students. A summer camp was set up outside the University to conduct field projects. The camp was periodically relocated and in 1895 a change was made from a grove on the outskirts of Leland, Michigan, at an outlet of Carp Lake (now Lake Leelanau), to a point further up the lake near the Fountain Point Hotel.
The scenes of the camp and the engineers depict several projects undertaken by the group, their campsite and equipment, and members of the entourage, including Professor Joseph B. Davis (Geodesy and Surveying) who was in charge of the operation. LeFavour also captured his peers at play, as a print of a baseball game at nearby Sutton's Bay reveals.
As a student, David LeFavour was also a member of the Alpha Delta Phi Fraternity. He photographed his fraternity house, his room, an unidentified ceremony, and several group portraits of his fraternal brothers and their dates.
Although there is no indication of any personal participation by LeFavour in university athletics, he did photograph members of the university track team and local football games. Other negatives and prints detail several university buildings and more "artistic" views of the Huron River and local Ann Arbor streets.
Those negatives and prints focusing on Bay City, Michigan, provide an insight into another facet of LeFavour's life and interests. Several exterior views are present, which detail the various Shearer homes in the city as well as those of other prominent residents. Interior views of the James Shearer home (where David grew up), reflect the style of life and living conditions of a prosperous Michigan family at the turn of the century.
Many Bay City buildings, including schools, hospitals, and government structures are identified. As was done in Ann Arbor, LeFavour also photographed street views and individuals. Two favorite subjects for LeFavour were children and women. He frequently photographed young relatives and used his photographic skills to show his sister Helen in particular. Often the young lady (or ladies) were posed with bicycles.
The LeFavour negatives were randomly described and dated. Available information has been provided when possible, however. All negatives were produced between 1894 and 1895, but no dates have been attempted for undated negatives or prints. The print collection is numbered so that one can refer back to the appropriate glass negative. There are over 155 glass negatives and a corresponding number of prints.
9 linear feet
Photos of women involved in athletics and other physical activities, including dance, Lantern Night, and Freshman Week; also photos of Barbour Gymnasium, Women's Athletic Building, the Health Service, and the Michigan League.
2 linear feet
The papers of Dorothy Kemp Roosevelt relate to her political and social interests and activities. The collection is divided into three series: Biographical materials, Correspondence, and Personal.
5 linear feet
The records of the Eastwood Church of God (5 linear feet) span the years 1937 to 1989. The papers contain four series: General Files, Bulletins, Scrapbooks, and Audiotapes. The majority of records consist of minutes from the many committees at Eastwood.
1 envelope
The collection consists of postcard views of Comins, Michigan, as well as photos of farming, lumbering, and related activities.
4 linear feet
The Edward W. Staebler papers consists primarily of correspondence and subject files from the period when he was mayor of Ann Arbor. Smaller portions of the papers concern the family automobile dealership, Staebler and Son, and his involvement with the Ann Arbor Board of Education.
1 linear foot
The Donnelly collection (1 linear foot) contains a wide variety of materials relating to her political activities. The collection has been arranged into two series: Topical Files and Women in the Military. The Topical Files series is arranged alphabetically by topic, and composed of clippings, correspondence, articles, press releases, newsletters, brochures, and schedules. There are four folders dealing with Donnelly's anti-ERA efforts (1973-1986). Also included here material concerning her endorsement of political candidates, including Ronald Reagan (1980, 1984), Jack Kemp (1986-1988), and Richard Chrysler (1986).
The Women in the Military series documents her work as executive director of the Center (formerly Coalition) for Military Readiness and her activities as a member of the Presidential Commission on the Assignment of Women in the Armed Forces.
4.4 linear feet — 1 oversize folder
The collection consists of materials accumulated by Dr. Mosher's niece Sarah Searing. It includes both letters received from Eliza to her niece, general family correspondence, and other Mosher materials which came into Sarah Searing's possession upon the death of Dr. Mosher. The collection has been arranged into the following series: Correspondence; Personal and biographical; Writings, speeches and lectures; Miscellaneous; Travel; Clippings and scrapbooks; Realia; and Photographs.
240 glass negatives (approximate; in 2 boxes) — 0.5 linear feet (contact prints and collected information)
This collection of visual images taken by Ella Fuller who was not a professional photographer provide a unique glimpse of daily rural life. Through her camera, Fuller recorded the activities of family and acquaintances. She had a natural talent to capture people as they were, at work and at play, thoughtful, interested in what they were doing. As May Davis Hill wrote, "The Fuller photographs provide an unselfconscious, direct view of rural life in a seemingly idyllic period. Reflecting a genre quality, the images record ordinary scenes from everyday life."