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Michigan Republican Party official, 1961-1969, assistant chairman of the national Republican Party, 1963-1964 and 1969-1970, candidate for, U.S. senate in 1964, and co-chair of ERAmerica, a national organization promoting the ratification of the Equal Rights Amendment. Papers consist of correspondence, reports, speeches, organizational records of ERAmerica, scrapbooks and photographs.

The Elly McMillan Peterson papers document the career of a Republican party activist and official, an advocate of the Equal Rights Amendment, and candidate for the U.S. Senate. The papers, comprised largely of correspondence, reports, and memoranda, are organized into seven series: Republican Party Activities, ERAmerican, Other Organizational Activities, Personal/Biographical, Speeches, Photographs, Scrapbooks/Clippings.

Curator of the University of Michigan Botanical Gardens and professor in the Department of Botany; journals, films, photographs, plant list, and drawings of plant habitats from the 1938 Nevill's Colorado River Expedition and following travels in 1939; also articles written about the expedition.

The Elzada Clover collection consists almost entirely of material relating to the 1938 Nevill's Colorado River Expedition. Included are Clover's journals, motion pictures of the trip, photographs, plant list, and drawings of plant habitats both from the 1938 Expedition and from later travels in 1939. There are also articles written about the expedition.

In 2009, DVD use copies were made of the motion pictures.

Graduate of University of Michigan and ordained Methodist minister. Correspondence; Sermons and other inspirational writings; Course materials, Published materials; and Photographs.

The collection includes correspondence, student papers, sermon outlines, newspaper clippings, and religious and inspirational writings by Mrs. Teed, Ralph W. Sockman, Seth C. and Paul S. Rees, Joseph H. Smith, and others relating to preaching, the role and activities of women in the church, the holiness movement within Methodism, and personal affairs. There is also information concerning the Women's Society of Christian Service of the Methodist Church, the American Association of Women Ministers, the Detroit Holiness Tabernacle, and the Michigan Association for the Promotion of Holiness. The photographs consist of one ambrotype and four daguerreotypes of Schleicher family children, ca. 1860-1890.

Michigan-born lawyer, judge, politician and diplomat, served as Detroit Recorder's Court Judge, Mayor of Detroit, Governor General of the Philippines, Governor of Michigan, U. S. Attorney General and U.S. Supreme Court Justice. Papers include extensive correspondence, subject files, Supreme court case files, scrapbooks, photographs, newsreels and audio recordings, and other material.

The Frank Murphy Collection documents in detail the life and career of one of Michigan's most distinguished public servants. Through correspondence, subject files, scrapbooks, visual materials, and other documentation, the collection traces Murphy's life from his years as Detroit judge, later Mayor, to his service in the Philippines, his tenure as governor, his stint as U.S. Attorney General, and culminating in his final years as U.S. Supreme Court Justice.

The Frank Murphy Collection consists of eight series: Correspondence, Other Papers, Supreme Court Case Files, Speech File, Speech Material, Miscellaneous, Visual Material, and Newsclippings/Scrapbooks.

Amateur photographer; sixty-two reels of film shot by Benz on various trips.

When the University of Michigan Media Resources Collection was accessioned by the Bentley Historical Library, a number of films were discovered in the vault that were not related to that collection. Within that material were travel films shot by Fred E. Benz. These films document Benz's travels around the world between 1929 and 1950. The films had been edited together and were probably used by Benz for presentation to local groups and as home entertainment.

The Fred E. Benz Collection contains sixty-two, 400 foot reels of silent 16mm film. It is made up of eight series, one for each trip taken. The series are: Africa, Australia/New Zealand, Guatemala, Havana, Mexico, Russia, South America, and a World Cruise. The contents of each reel are described in the finding aid. Benz has included handwritten descriptions of the images found on the Russian and World Cruise series attached to the inside lids of each can of film. Benz was careful to document most of the locations with a handwritten note displayed before the camera. When cities or natural markers are noted in the finding aid, the identifying information was taken from that supplied by the film maker on the screen or from his notes in the can lids. The spelling of geographic locations in the finding aid reflect the information on the film and not current spellings.

Short notes found with the Mexican footage indicate it was the result of two different trips. The reels retain their original numbering because the numbered reels (1,2,3,4) appear to comprise one trip and numbered/lettered reels (1a, 3a, 4a) comprise the second trip.

The value of the collection is that it captures moments in time, documenting lifestyles, architecture and modes of travel which no longer exist or have evolved over time. Footage exists of London on the eve of war and Shanghai one year before being destroyed by the Japanese invasion.

Perhaps the greater value lies in the depiction of the indigenous lifestyles captured on film. Benz, as an amateur photographer, was interested in the common events that he experienced as he traveled. The collection features extensive recordings of people working or playing, and children of different cultures going about their daily activities. The films show barren huts in remote areas of Russia in the 1930s, families living under stone bridges outside of Buenos Aires, life-saving competitions in Sydney and the plethora of street markets found in most cultures and countries that he traveled through.

Because these are travel films, the scope of the footage included often extends beyond the geographic area used to identify the series. For example, the Australia footage includes material filmed on various Pacific islands, the Asian continent and Japan. The Russian trip contains footage of England and Northern Europe, and the South American films contain shots of the departure from New York. Each series should be examined for additional geographic content.

Special attention should be given to the Mexican series containing film recordings of Mt. Rushmore with construction only partially complete. Included as well are extensive shots of bullfighting in addition to other Mexican scenes. Also of note is the extensive depiction of women throughout all of the series. On the canister containing reel 5 in the Russia series is a receipt from United States Navy Department stating that this reel was being forwarded to Chicago for study of the shots of Kirkenes, Norway.

The color in the Africa, Guatemala, Havana, Mexico and South America series is excellent. The wide, clean, lush cityscapes of Havana and Capetown are richly captured in color and give an indication why they were popular travel destinations at this time.

In addition to the eight travel series, the collection also included one reel of World War II footage assembled by Castle Films from public domain footage. This type of film was sold through camera stores and mail order houses and Benz probably purchased a reel for his own use. The identifying writing on the film can is in Benz's handwriting and clearly belonged with his collection.

University of Michigan graduate (A.B. 1909, LL.B. 1911), President of the University of Michigan Women's League; civic leader in Kalamazoo, Michigan. Correspondence primarily concerning the efforts of the Women's League of University of Michigan to raise money for Palmer Field and for a women's dormitory at University of Michigan. Group portraits and photos depicting student life at the University of Michigan.

Correspondence primarily concerning the efforts of the Women's League of University of Michigan to raise money for Palmer Field and for a women's dormitory at University of Michigan. Correspondents include: James B. Angell and Myrtle E. White; also photographs.

Group portraits of University of Michigan Class of 1909 and Law School Class of 1911 (some are of women only); also a photograph of the May Pole Dance, and various snapshots.

Prohibitionist from Bay City, Michigan, dean of Bay City Junior College. Correspondence, 1930-1940; memoranda of various prohibition organizations, 1927-1941; materials relating to revision of the constitution of the Central Association of Congregational Churches of Michigan; other materials concern the Bay City Council of Churches, Crystal Falls, Michigan, and the Michigan Association of Junior Colleges; and photographs.

The Butterfield papers include correspondence, 1930-1940; memoranda of various prohibition organizations, 1927-1941 and materials relating to revision of the constitution of the Central Association of Congregational Churches of Michigan. Other materials concern the Bay City Council of Churches, Crystal Falls, Michigan, and the Michigan Association of Junior Colleges; and photographs.

The papers have been arranged into the following series: Correspondence; Prohibition Organizations; Clippings and published material; Topical Files: Other organizational activities and historical interests; and Other Materials.

Grace H. Miller was a school teacher in the Philippines during the 1920s. Her brother, James M. Miller, was a U.S. Army physician in Manila during the same period. The collection includes Grace H. Miller's diaries about life in the Philippines and her travel accounts; and correspondence of James M. Miller describing his life and work in Manila. Visual materials include photographs and an untitled oil painting depicting three indigenous Filipino women. The painting was attributed to Fernando Amorsolo by Ana Maria Theresa P. Labrador in 2022.

Diaries of Grace H. Miller (1921-1922) describing life in the Philippines and travel in China, South Asia, and Europe; correspondence of James M. Miller (1924-1926) describing life in the Philippines; and one letter (1938) from Miller's wife Bess describing life in the Canal Zone; and visual materials. Photographs of hospital and hospital staff, the Philippine people, and local and scenery.

The collection includes an untitled oil painting on wood panel that depicts three indigenous Filipino women in Baguio. The painting is signed and dated 1925. In 2022, the painting was attributed to Fernando Amorsolo (1892-1972). To learn more about the attribution, see Processing Information.

Traverse City, Michigan, free-lance writer and conservation editor of Field and Stream magazine; correspondence, manuscripts of writings, diaries, topical files, and photographs.

The collection includes correspondence, manuscript articles, and conservation columns; materials collected by the Michigan Writers' Program concerning Michigan logging; also diaries, speeches, newspaper clippings, notebooks, genealogy, photographs, and miscellaneous material concerning Titus' interest in conservation, forestry, and fishing.

Graduate of the University of Michigan, class of 1889. Group portraits of female class members as well as a group portrait of students at a boarding house.

The Harriet Crosby Jennings photograph collection is comprised of group portraits of female class members as well as a group portrait of students at a boarding house.