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University of Michigan group established in 1946 devoted to production of Gilbert and Sullivan operettas. Records include production files with programs, photographs, reviews and newspaper clippings, and scattered production notes and memoranda; topical files relating to the Society, its friends organization, and its publication; slides of productions; Society newsletter, "Gasbag"; posters; phonorecords, tapes, and videos of productions.

The records of UMGASS have been divided into ten series: Slides, Topical Files, Production Files, Posters, Memorabilia Volumes, Magnetic Tape Recordings, Sound Recordings, Audiotapes, Videotapes, and Scrapbooks. Because materials on one production can include photographs, scrapbooks, recordings, or slides- all of which live within different boxes of the collection -- a directory has been compiled in the Production Files series. The directory lists the year and title of the UMGASS production for which the library has materials and a lettered key exists that denotes the physical existence and location of materials within the collection.

Writer, journalist, news broadcaster, radio host, television producer, creative consultant, and teacher in Detroit, Mich. Includes materials related to Ovshinsky's founding of Detroit's first underground newspaper, The Fifth Estate, as well as photographs, correspondence, writings, personal memorabilia, legal materials, press articles, topical files, transcripts and audiovisual materials representing Ovshinsky's work in radio and television from the 1960s through the 2000s.

The collection traces Harvey Ovshinsky's personal and professional development as a writer, journalist, news broadcaster, radio host, television producer, creative consultant, and teacher. The Personal files include autobiographical writings providing insights into the events in Ovshinsky's childhood and adolescence that led to his early interest in writing and journalism. The Professional files contain the first issues of The Fifth Estate, and extensive memorabilia and press coverage on various radio stations and video and television production companies where Ovshinsky was employed. This series encompasses material on the history of Detroit's counterculture in the 1960s and 1970s. The Project files also include topical files on Detroit culture and history, which inspired many of Ovshinsky's documentaries and creative writing.

Materials from Ovshinsky's teaching career and transcripts from his speaking engagements in the Professional files reveal his approach to teaching writing, while drafts for films, stories, and television series in the Project files offer a view into Ovshinsky's creative process. Files named "War Dances" appear throughout both the Professional files and the Project files series. "War Dances" were an integral part of Ovshinsky's approach to both problem solving and the creative process. "War Dances" were personal notes and reflections in which Ovshinsky assessed his present situation, identified his goals and imagined paths to the solution of a problem or to the final stages of a project. Materials from the subseries Educational and children's properties in the Project files include extensive topical files from Ovshinsky's research on how children learn through play. Samples of Ovshinsky's work in radio, television, educational programming and public speaking are available in Audiovisual materials.

Educational administrator, Michigan Superintendent of Public Instruction, 1957-1965, and official with the Johnson administration. Correspondence, reports, and newspaper clippings concerning his public career, political campaigns for state office, work in the constitutional convention, and interest in educational topics.

The Lynn M. Bartlett papers have been arranged into six series. The first three series were accumulated in his capacity as State Superintendent of Public Instruction, Deputy Assistant Secretary of Defense for Education, and Assistant Secretary for Education within the U.S. Department of Health, Education, and Welfare. The researcher should note that although these series have been designated with the title of the office that Bartlett held, these series do not include the official files from those agencies. Records for the state office will be found in the Michigan State Archives; and records for the two federal positions held either reside within the agency itself or have been transferred to the National Archives. These three series consist of personal materials, such as speeches, personal letters (e.g., letters of congratulation, and thank yous), and other files not deemed to be part of the agency's files.

The final three series consist of Biographical/Personal, the papers of Bartlett's wife Josephine, and Collected Material.

Richard Solomon was a professor of political science at the Univerity of Michigan, a White House staffer who worked on "ping-pong diplomacy" under Henry Kissinger during the Nixon administration, and a scholar of Chinese history and politics. This collection consists primarily of interviews with Chinese refugees and subsequent computer data printouts and analysis of these interviews.

This collection is organized into two series: Interview Materials and Professional Materials, and primarily documents interviews conducted by Solomon and his associates, likely for Solomon's dissertation on Chinese political culture. The majority of the materials are written in Chinese, although there are some interview transcriptions, interview analyses, and reports written in English.

The Interview Materials series is divided into two subseries: (1) Interviews; and (2) Data and Analysis. The Interviews subseries is comprised of interview responses and transcripts; various tests, evaluations, and score sheets; and handwritten materials. The Data and Analysis subseries is comprised primarily of computer data printouts, although it also contains some reports authored by Solomon on changing Chinese culture, as well as a magnetic data tape.

Researchers may find the folder "Interview Materials, General," located in Box 3 of the Interviews subseries, helpful in understanding some of the abbreviations used throughout the papers, the reasoning behind the interviews, and how the interviews were written up. Some commonly used acronyms are: "RT," which stands for Rorschach Test; a T or H preceding a number stands for either Taiwan or Hong Kong; "Trad-Mod" stands for "Traditionality - modernity," which was an attitude scale used by Solomon to quantitatively measure degrees "of modernity."

The Professional Materials series is comprised of a single folder titled "Ping Pong" that contains handwritten notes and various newspaper clippings related to the Chinese ping pong team's visit to the United States in 1972.

Audiovisual materials, archived web content, and other files pertaining to films produced by Sue Marx, a prolific documentary filmmaker who operated her own studio in Detroit between 1980 and 2011. Collection includes completed documentaries in analog and digital form, raw footage in various audiovisual formats, production background information, scripts, and transcripts, among other items.

Materials in the Sue Marx papers, which primarily consist of audiovisual formats, address Marx's career as a filmmaker after leaving network broadcasting, spanning more than two decades of documentaries and advertisements created by Marx's eponymous production company. While the collection includes polished versions of various films, including Marx's Academy Award-winning short subject "Young at Heart," the bulk of the analog and digital materials contain raw footage from which Marx later constructed her completed documentaries and promotional pieces. Also included are files containing background research materials, production releases, scripts, transcripts of interviews, and audio files.

William Albright--organist, composer, and University of Michigan faculty member--was born in Indiana in 1944 and died in 1998. Albright earned three music composition degrees from the University of Michigan before becoming a member of the composition faculty at the U. of M. School of Music. Albright is probably best known for his piano and organ performance. He helped to bring about a revival of ragtime, and sought inclusion of ragtime and other types of popular music in many of his compositions. He composed for many single instruments--especially the organ--and ensembles, and for orchestra. He also composed hymns, and was the music director for the First Unitarian Universalist Church of Ann Arbor, Michigan. He studied composition with Ross Lee Finney, George Rochberg, and Olivier Messiaen, among others, at Michigan and at summer workshops, and organ with Marilyn Mason. The collection includes biographical materials, correspondence, programs, professional files, University of Michigan School of Music files, and scores and recordings of William Albright works (including notes, sketches, and manuscripts) and works by his friends, students, and teachers.

The William Hugh Albright Papers consist of 77 boxes of musical scores, recordings, and textual documents such as correspondence and lecture notes. Albright's extensive collection of scores and recordings by his friends, students, and mentors is also included. His own works are represented by recordings, original handwritten scores and published versions, and by penciled notes and sketches. The William Hugh Albright Papers are divided into ten series: Photographs, Biographical Materials, Correspondence, Programs, Professional Files, School of Music, The Magic City, Scores, Recordings, and Videocassettes.