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5 linear feet

Director of the University of Michigan Museum of Art, professor of art and art history. Subject files relating to his University of Michigan activities and to his involvement with various art museums and art associations; and photographs.

Sawyer's papers document the range of his professional activities as well as his post-retirement projects. The collection spans the years of 1930, when Sawyer was curator at Phillips Academy, to 1997, almost twenty-five years after his retirement from the University of Michigan. Sawyer's correspondence, speeches, and research compose much of the collection; there are also photographs, course descriptions, and committee meeting minutes.

The collection is arranged into the following series: University of Michigan, Organizational Affiliations, Personal, Germanic Architecture, and Photographs.

1 result in this collection

1 oversize folder

Charles H. Vial was an alumnus of the University of Michigan. Consists of photographs of student activities, including Forestry Field Day, Cap Night, Senior Sing, a Block M at a football game, and the Union Opera.

The collection consists of photographs of student activities, including Forestry Field Day, Cap Night, Senior Sing, a Block M at a football game, and the Union Opera.

1 result in this collection

7 linear feet (in 9 boxes) — 1 oversize folder — 2 portraits

Professor of sociology at University of Michigan. Papers contain correspondence, including letters, 1881-1884, written to his family while traveling in Europe, and correspondence with his parents, Mary E. and Thomas M. Cooley, and his wife, Elsie Jones Cooley; addresses, notes, essays, book reviews, notes and material for sociology courses; student notebook, 1893-1894, on lectures given by John Dewey; diary of a trip through the Smokey Mountains in 1883; and journals detailing his personal thoughts and tracing the evolution of his ideas on sociology and democracy; and photographs.

The Charles Horton Cooley papers consist of correspondence, journals, Cooley's notes for lectures, student notebooks, various writings by Cooley, articles about Cooley and reviews of his books and photographs. The papers, particularly the correspondence, reveal much about Cooley's personal and family life. The journals and lecture notes provide insight into the development of Cooley's ideas and his place in the field of sociology. Though the collection includes only a small amount of correspondence with other leading sociologists, the journals and lecture notes record Cooley's comments on and critiques of the theories and methods in the developing discipline.

1 result in this collection

2 items

Charles H. Sackrider (1833-1881) was a physician who graduated from the University of Michigan in 1856. Includes portraits as well as a daguerreotype and an ambrotype.

The collection includes portraits as well as a daguerreotype and an ambrotype.

1 result in this collection

1 folder

Charles K. Adams (1835-1902) was a University of Michigan graduate (B.A. 1861, M.A. 1862) and a U-M professor of history. Adams later served as president of Cornell University and the University of Wisconsin. Portraits collected from various sources.

The collection consists of portraits collected from various sources.

1 result in this collection

0.8 linear feet — 1 oversize folder

Charles Khalil Alawan is a leader in the Arab American and American Muslim community of Southeastern Michigan, as well as a leader of the Michigan Republican Party. The collection documents the development of the Islamic Center of America, Dearborn, Michigan, of which Alawan is a founding member, as well as other community activities.

The papers of Charles Alawan document his work as a leader in the Arab American community in Southeastern Michigan as well as in the Republican Party of Michigan. The collection is divided into three series: Correspondence, Topical files, and Photographs.

1 result in this collection

5 linear feet

Papers, 1925-1979, of Charles L. Stevenson, professor of philosophy at the University of Michigan, and his wife, Louise Destler Stevenson. Correspondence with philosophers George E. Moore and Ludwig Wittgenstein; Stevenson-Destler courtship letters; student letters from Yale in the 1920's; also manuscripts and lecture notes on philosophy; diaries of Louise Stevenson; draft of her novel; and sermon books 1841, 1845-1846 of his great grandfather, the Rev. Isaac D. Williamson, New York state clergyman.

The Charles L. Stevenson papers consist of his student notebooks from Yale, Cambridge and Harvard Universities; course materials and notes for his lectures in philosophy courses at the University of Michigan and professional correspondence, including letters with Ludwig Wittgenstein and George E. Moore; professional writings; and personal and family papers. The collection is divided into the following series: Personal/biographical; Correspondence; Education: Yale, Cambridge, Harvard; Course materials and lecture notes: Yale, University of Michigan; Writings and Research Notes; Miscellaneous; Louise Destler Stevenson Papers; and Other Family Members.

1 result in this collection

1.3 linear feet

Chairman of the National Commission of Fine Arts. Reminiscences, 1889-1909, relating in part to his activities as clerk of the U.S. Senate Committee on the District of Columbia, and including his impressions of U.S. Senators and prominent architects and artists; scrapbook of postcards depicting European scenes and art work; scrapbooks of correspondence and clippings, 1921-1922, largely concerning his biography of architect, Daniel H. Burnham; correspondence with friends, artists, editors, learned societies; articles, addresses, miscellaneous papers, and photographs.

The Moore collections include reminiscences, 1889-1909, relating in part to his activities as clerk of the U.S. Senate Committee on the District of Columbia, and including his impressions of U.S. Senators and prominent architects and artists; scrapbook of postcards depicting European scenes and art work; scrapbooks of correspondence and clippings, 1921-1922, largely concerning his biography of architect, Daniel H. Burnham; correspondence with friends, artists, editors, learned societies; articles, addresses, miscellaneous papers, and photographs. The collection has been arranged into the following series: Correspondence; Manuscripts of addresses and articles; Diary / Reminiscences; Other materials; Daniel Burnham materials; and Visual Materials.

Additional Charles Moore papers are located at the Library of Congress and the Detroit Institute of Art.

1 result in this collection

2 linear feet — 9 oversize volumes — 1 oversize folder

Republican State Highway Commissioner, 1943-1957. Correspondence, scrapbooks and other papers concerning the highway department, Republican politics, and his interest in the Michigan Republican League, the Michigan Indian Foundation, and the construction of the Mackinac Bridge; also photographs.

The collections includes the following series of papers: Correspondence; Campaign and Republican Party Activities; Michigan Highway Department; Topical files and miscellaneous; and Scrapbooks and clippings. Much of the correspondence relates to his first campaign in 1943 for Highway Commissioner.

1 result in this collection

24 oversize volumes — 4 linear feet (in 6 boxes) — 1 oversize folder

Charles ("Charlie") Rasch was a professional pianist, talented photographer, and graduate of the University of Michigan. The collection contains scrapbooks, photographs, and negatives documenting his life in Michigan. The majority of photographs and negatives are labeled with the date and location.

The Charles Rasch Collection (23 oversize volumes and 5 linear feet) is primarily composed of photographs and negatives documenting Michigan scenery. There is particularly strong coverage of Birmingham, MI, Harsen's Island, MI, the Island Lake Recreation Area in Brighton, MI, and the Bald Mountain Recreation Area in Oakland, MI. Many of these photographs, especially his early black and white work, display his artistic training and sensibilities. Rasch's scrapbooks also offer a rich representation of the ragtime music scene in Michigan and the Ann Arbor area. This collection is also notable for the care Rasch took to annotate his photographs. Many negatives and prints are individually labeled, and all include some information relating to the date and location.

The collection has been arranged in the following series: Scrapbooks and Albums, Papers, Individual Photographs, Photographs, and Photographic Negatives.

1 result in this collection