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Berkley, Michigan insurance executive, poet and composer, and active alumnus of the University of Michigan; contain papers relating to activities of the class of 1911, to his involvement in the University of Michigan Club of Detroit, and to his interest in Michigan football, especially the career of coach Fielding H. Yost; also scrapbooks, and manuscripts of poetry and song lyrics.

The papers of J. Fred Lawton contain material relating to activities of the class of 1911, to his involvement in the University of Michigan Club of Detroit, and to his interest in Michigan football, especially the career of coach Fielding H. Yost; also scrapbooks, and manuscripts of poetry and song lyrics. The collection has been arranged into the following series: Correspondence; Poetry, musical compositions, and other writings; University of Michigan Class of 1911; University of Michigan Club of Detroit; Topical files; Photographs; Scrapbooks; and Sound Recordings.

Hugh "Jeep" Holland was the founder of the A-Square Record label in Ann Arbor in 1967, and consequently became an integral part of the southeast Michigan music scene in the late 1960s and early 1970s. The collection documents, in papers, photographs and sound recordings, Jeep's personal life, interests, and career.

The Jeep Holland papers date from his youth in the late 1940s up to his death in 1998, and document his personal life, his education, and his career, particularly the record label and production company he founded, A-Square Records. The collection is comprised of the following series: Administrative, Artist Files, Personal Files, Realia, Sound Recordings, and Visual.

John and Leni Sinclair were leaders of the counterculture movement in Michigan, organizers of radical social, political, and cultural endeavors primarily in the areas of music, poetry, graphic design, and community welfare projects. Papers and photographs (1957-1979) relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, and prison reform. Also material, 1979-2000, relating to John Sinclair's work as a writer, performer, radio show host and music promoter.

The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.

The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.

Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.

The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.

Research materials used by Laurie Palazzolo in writing of her book Horn Man: the Polish-American Musician in Twentieth-Century Detroit (Detroit, Mich.: American-Polish Music Society, 2003). The collection sheds light on the history of 20th century Polish-American musical landscape of greater Detroit.

The collection documents the history and repertoire of Polish folk music bands in the greater Detroit area as well as professional careers of musicians. The records date primarily from the 1940's until 1980s. Materials dated 1990s-2000s are primarily transcripts of interviews taken by Gomulka Palazzolo. Records include correspondence, business contracts, performance schedules and programs, sheet music, scanned copies of photographs, copies of Keynote magazine, biographical information and interviews of musicians, performance advertisements, and recordings. The records are arranged into five series as follows: Research files, Detroit Federation of Musicians, Sheet music, Sound recordings, and Visual materials.

Author and political consultant from Charlotte, Michigan who wrote a book on the Milo Radulovich Case; records include interviews, correspondence, newspaper clippings, Radulovich military records, research notes, and documentation relating to the writing and publication of To Strike at a King: The Turning Point in the McCarthy Witch-Hunt.

The collection consists of six series: Milo Radulovich Research materials, Writing and Publicity, Later Milo Radulovich materials, Other articles, Video materials, Sound materials, and Posters. The collection's strength lies in Ranville's interviews with Milo, his sister, and other's involved in Radulovich's Air Force Security Hearing, as well as in the other accumulated research materials.

Publications and other printed material produced by the University of Michigan Museum of Art and its sub-units including annual reports, newsletters, brochures, press releases, posters, ephemera and, most notably, exhibition catalogs.

The University of Michigan Museum of Art Publications (12.4 linear feet) include annual reports, brochures, bulletins, calendars, catalogs of museum holdings, directories, exhibition catalogs, newsletters, and press releases. These publications are divided into three series: Unit Publications, Exhibition Publications, and Sub-Unit Publications. The bulk of the publications document the exhibits mounted by the Museum of Art and those developed by other museums that were exhibited at the museum. The Docent Program, Friends of the University of Michigan Museum of Art, and the Museum Practice Program are also documented in the Museum of Art Publications.

Includes miscellaneous newsletters, bulletins, programs, brochures, articles, calendars, histories, sound recordings, video recordings, and posters produced by or for the University of Michigan School of Music, Theatre & Dance.

The School of Music, Theatre & Dance Publications (8 linear feet, 57.3 GB, 1 oversize boxes, and 1 archived website) contains newsletters, bulletins, programs, sound recordings, video recordings, and other materials produced by the School of Music, Theatre & Dance.

Music, theatre, and dance education unit of the University of Michigan. Also represented in this collection are its predecessor organizations, the Ann Arbor School of Music and the University School of Music, and its departments. Includes records of students and instructors, correspondence, topical files, and materials related to student and faculty performance groups. Archived versions of the School's websites provide additional documentation of academic programs, research, events, people, and policies.

The School of Music, Theatre, & Dance (University of Michigan) records document music education in Ann Arbor and the University of Michigan and student and faculty musical production beginning in 1885. The records include student ledgers listing names, tuition, and instructors; correspondence and clippings, 1924-1953, concerning the University Band, including correspondence of William D. Revelli; files relating to musical programs, particularly the Michigan Singers' Spring Tour, the Union Opera, and Musket productions; minutes of the executive committee and faculty; and digitized audio and video recordings of performances, including performances at the Interlochen Center for the Arts, by the Michigan Youth Ensembles, and other groups associated with the School of Music, Theatre & Dance. Also included are files associated the Department of Dance and Department of Theatre and Drama.

1. Topical Files -- Boxes 1-5, 25-30, 35-41, online
2. Student Ledgers -- Volumes 1-7
3. Dean's Files -- Boxes 6-8, 30-31
4. Faculty Records -- Boxes 9-24
5. Donor Files -- Box 31
6. Executive Committee -- Boxes 32, 34
7. Department of Dance -- Boxes 44-46, online
8. Department of Theatre and Dance -- Box 33
9. Archived Website -- online
10. Audio recordings (original audiotapes and digital recordings) -- Boxes 42-43, online
11. Video recordings -- online

Private society affiliated with the University of Michigan, sponsors music, opera, theatrical and other performances. Contains brochures or pamphlets, flyers and other publicity publications. The two volume history One Hundred Years of Great Performances, 1879-1979 is included in addition to the newsletter UMS Notes. Also contains programs of various performances sponsored by the University Musical Society.

The UMS Publications, 1874-2010 (13 linear feet) were received from the University Musical Society staff in periodic transfers. Additional publications, collected by the Graduate Library, have been interfiled to fill gaps in the series. Publications is composed of two series: Unit Publications and Sub-Unit Publications.

The Unit Publications series contains printed material published specifically by the University Musical Society. These publications are defined as being widely distributed and may be published at regular intervals. They are arranged by genre of the publication.

The University of Michigan Hillel records cover the student organization's contribution to Jewish campus life. The collection consists primarily of calendar of events, newsletters, some correspondence, newspaper clippings, board minutes, brochures, programs, and posters.

The records of the University of Michigan Hillel cover the period between 1935 and 2008. The collection consists primarily of calendar of events, newsletters, some correspondence, newspaper clippings, board minutes, brochures, programs, and posters. The collection contains the following series: Administrative/Background, Scrapbooks, Press/Publications, and Events.