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The Harmonie Society of Detroit, also known as the Harmonie Club of Detroit, was an organization that allowed German American members of the Detroit community the opportunity to come together and sing traditional German music. The building, which still stands at 267 East Grand River, became a gathering place for German Americans. The collection consists of organizational records, sheet music and songbooks used by the members of the club. Also included are photographs, audio recordings, and programs from German music festivals.

The materials within the Harmonie Society of Detroit (or, the Harmonie Club) records cover the organizations operations and history. The bulk of the collection consists of sheet music that was used by the Society members.

Papers of Dr. Jack Kevorkian (1928-2011), medical pathologist, social activist, advocate for the terminally ill patient's right to die and physician-assisted suicide (which Kevorkian called "Medicide"), author, artist, and musician. By his own estimation, Dr. Kevorkian assisted in the suicides of more than 100 terminally ill people between 1990 and 1998. Kevorkian was acquitted in three physician-assisted suicide trials, and a mistrial was declared in the fourth. In a fifth trial, he was convicted of second-degree murder after administering a lethal injection and served eight years in prison. The collection includes materials related to the Kevorkian family (personal and business records, correspondence, photographs, and audiovisual recordings); Jack Kevorkian's research files and files related to Medicide (files related to the physician-assisted suicides and recordings of Kevorkian's consultations with the terminally ill); and miscellaneous papers (his personal and professional correspondence, published works and manuscript drafts, records related to his court trials, photographs, recordings of news coverage and interviews, audio recordings of Kevorkian's music, and images of his art).

The Jack Kevorkian Papers are arranged into five series: Kevorkian Family, Research and Practice, Morganroth & Morganroth, Personal Interests, and Medicide Files.

The Kevorkian Family papers mostly include correspondence, recollections, photographs, and video and audio recordings of family gatherings. The Research and Practice series contains Kevorkian's correspondence on scientific subjects, his research files, and Kevorkian's articles on various medical, ethical, and bioethical topics. Also included are recorded interviews and media segments featuring Kevorkian as well as media reports about his activities and court trials. Materials in the Personal Interests series include sheet music of Kevorkian's musical compositions, recordings of Kevorkian playing music, reproductions of his paintings, publicity regarding exhibits of his art, and a sample of collected books. The Morganroth & Morganroth series includes materials used during the court trials, such as correspondence and Kevorkian's research as well as the script of the HBO film, You Don't Know Jack, annotated by Mayer Morganroth. The Medicide Files series contains the files of the terminally ill patients who had asked him assist in ending their lives and who he helped in doing so. Medicide files include correspondence between Kevorkian and his consulting "patients" and their families, photographs, and forms developed by Kevorkian as well as recordings of consultations.

Musical score for Michigan Union Opera production of "Froggy Bottom" used originally by Sumner Howard.

Willis C. Patterson, the first African American professor at the University of Michigan's School of Music, was an active faculty member from 1968 to 1999. He was a professor of voice and associate dean for academic affairs. Patterson directed the Men's Glee Club from 1969 and 1975 and spent summers as a faculty member at the National Music Camp at Interlochen, Michigan. While maintaining an active concert career and fulfilling teaching duties, Patterson organized a Black American Music Symposium and compiled several works on African American composers. Patterson played an active role in securing funding and mentorship for students of color and disadvantaged students both at Michigan and in the Ann Arbor community. The collection includes some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. It includes correspondence, research, photographs, clippings, publications, and topical files.

The Willis C. Patterson papers include some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. The collection includes correspondence, publications and research material, photographic material, posters, student records, clippings, and topical files.