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Collection

Harmonie Society of Detroit records, 1881-1993 (majority within 1922-1993)

2.3 linear feet — 1 banner

The Harmonie Society of Detroit, also known as the Harmonie Club of Detroit, was an organization that allowed German American members of the Detroit community the opportunity to come together and sing traditional German music. The building, which still stands at 267 East Grand River, became a gathering place for German Americans. The collection consists of organizational records, sheet music and songbooks used by the members of the club. Also included are photographs, audio recordings, and programs from German music festivals.

The materials within the Harmonie Society of Detroit (or, the Harmonie Club) records cover the organizations operations and history. The bulk of the collection consists of sheet music that was used by the Society members.

Collection

Willis C. Patterson papers, 1896-2019

19.4 linear feet (in 24 boxes) — 2 oversize boxes (online) — 1 digital audio file

Online
Willis C. Patterson, the first African American professor at the University of Michigan's School of Music, was an active faculty member from 1968 to 1999. He was a professor of voice and associate dean for academic affairs. Patterson directed the Men's Glee Club from 1969 and 1975 and spent summers as a faculty member at the National Music Camp at Interlochen, Michigan. While maintaining an active concert career and fulfilling teaching duties, Patterson organized a Black American Music Symposium and compiled several works on African American composers. Patterson played an active role in securing funding and mentorship for students of color and disadvantaged students both at Michigan and in the Ann Arbor community. The collection includes some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. It includes correspondence, research, photographs, clippings, publications, and topical files.

The Willis C. Patterson papers include some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. The collection includes correspondence, publications and research material, photographic material, posters, student records, clippings, and topical files.