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Soldier from Hart, Mich., member of Co. H, 339th U.S. Infantry who served in the Allied intervention in Russia, 1918-1920, the "Polar Bear Expedition." Collection includes diary, undated narrative, and newspaper clipping from the Hart Journal describing his military training at Fort Custer, Michigan, and his combat experience in Russia; also visual materials.

This collection contains physical files as well as digital material. In this finding aid, the collection has been arranged into two series, Papers and Visual Materials.

The Visual Materials consists of digitized images; the original papers and/or photographs are owned by the donor. The digital items in this collection were digitized from originals by the individual donors before being received by the Bentley Historical Library. Preservation copies of these files with their original file names and CD-ROM file structures intact have been submitted to Deep Blue. Access copies of these digital files can be viewed by clicking on the link next to the individual folder in the Content List below. Within this series, files are listed numerically according to the file arrangement they were given by the donor. The file in this collection is in TIF format. Includes a digitized portrait of Private Roy Paul Rasmussen, Co. H, 339th Infantry, in uniform, ca. 1918.

The Papers, all photocopied reproductions, include a diary, June 1918-July 1919, containing descriptions of his travels, the food and weather in Russia, and actions on the Onega front, especially fighting in and near Chekuevo, Sep. and Oct. 1918 and Jan. 1919, and at Bolshie Ozerki, March and April 1919; and a reminiscence covering the period June 1918-March 1919, probably written from the diary, that also contains a list of casualties in Co. H, descriptions of a numbered series of photos produced by the Red Cross, and two poems, "The Creation of Russia" and "The Day of Do or Die." Also included are newspaper clippings containing letters from Rasmussen describing his first days in Russia. The originals of the papers are owned by Dale Rasmussen, Shelby, Mich.

Papers of a soldier in the Allied intervention in Russia, 1918-1919, the "Polar Bear Expedition."

This collection contains digital records; the original papers and/or photographs are owned by the donor. The digital items in this collection were digitized from originals by the individual donors before being received by the Bentley Historical Library. Preservation copies of these files with their original file names and CD-ROM file structures intact have been submitted to Deep Blue. Access copies of these digital files can be viewed by clicking on the links next to the individual folders in the Content List below.

In this finding aid, the files have been arranged into two series, Papers and Photographs. Within each series, files are listed numerically according to the file arrangement they were given by the donor. The files in this collection are in JPG format.

Digitized files include Bandemer's enlistment record from 1917, his honorable discharge from 1919, and a letter citing his promotion to Sergeant dated 1919. Digitized photographs are of individuals and groups, including portraits of Bandemer, a photograph of Polar Bear Expedition medics ca. 1918-1919, also includes photographs of a Polar Bear Expedition reunion.

Born in St. Louis, Mo., member of Company D, U.S. 339th Infantry who served in the Allied intervention in Russia, 1918-1920, the "Polar Bear Expedition."

Portrait, group photo of 339th Infantry, and photo of his grave marker.

Author and social and religious commentator. Papers include correspondence, newspaper clippings, photographs, scrapbooks and drafts of articles and books, and other papers, including material concerning his student years at the University of Michigan, as Congregational minister, educational director of the Amalgamated Textile Workers of America, assistant editor of The Nation, chief of the New York City Department of Investigations and Accounts under Fiorello La Guardia in the 1930's, economic analyst for the Caribbean Committee of the U.S. State Department during World War II, and free lance writer noted for his observations on the Catholic Church in America and abroad.

The Paul Blanshard papers include correspondence, newspaper clippings, scrapbooks, drafts of articles and books, and speeches. The papers covering the period of 1912 to 1974 document the variety of Blanshard's life: his student years at the University of Michigan (1910-1914), his career as Congregational minister in East Boston, Massachusetts and Tampa, Florida (1917-1918), his work as educational director of the Amalgamated Textile and Clothing Workers of America in Rochester and Utica, New York (1900-1924), as secretary and lecturer of the League for Industrial Democracy (1924-1933), as correspondent and associate editor of The Nation (1928-1929), as director of the City Affairs Committee of New York (1930-1933) and head of the New York Department of Investigations and Accounts under Mayor Fiorello La Guardia (1934-1938), as director of the Society for the Prevention of Crime (1941-1942), as senior economic analyst and consultant to the director of the Caribbean Commission of the U.S. Department of State; and as freelance writer and critic of the Roman Catholic Church in America and abroad. The Blanshard collection also includes papers of his first wife Julia Blanshard and his second wife Mary Hillyer Blanshard.

The collection has been arranged into seven series: Correspondence; Writings and Related Materials; Biographical Information; Sound Recordings; Photographs; Julia Anderson Blanshard papers; and Mary Hillyer Blanshard papers.

Diary of a soldier with the 310th Engineers in the Allied intervention in Russia, 1918-1919, the "Polar Bear Expedition."

Printout of transcription of Rademacher's wartime diary.

Bacteriologist with the laboratories of the Michigan Department of Health, 1920-1951, and resident lecturer in epidemiology at the School of Public Health of the University of Michigan. Files relate to her discovery and testing of a vaccine for whooping-cough; files concerning activities with the American Public Health Association and the Michigan Public Health Association; consultant's files relating to her work with vaccination programs in foreign countries under the auspices of the World Health Organization; correspondence, course and research materials; and photographs related to her career; also papers of her father, Milton Kendrick, a Free Methodist clergyman.

The Pearl L. Kendrick papers date from 1888 to 1979 and measure seven linear feet. The papers are arranged in nine series: Personal, Correspondence, Correspondence--Foreign, Michigan Department of Health, University of Michigan, Consultant Files, Professional Associations, Speeches and Articles, and Visual Materials. The collection is strongest in its documentation of the national and international network of public health practitioners, physicians, and scientists who corresponded with each other about their studies of various diseases and their prevention, in particular whooping cough. This voluminous correspondence reflects Kendrick's reputation as one of the world's foremost experts on pertussis. The collection is relatively weak in its documentation of Kendrick's work as an instructor at the University of Michigan.

Publications produced by the School of Art and its subunits, including brochures, bulletins, calendars, college catalogs, exhibition catalogs, newsletters, and student publications.

The Publications series (1.0 linear foot) consists of two subseries: Unit Publications and Student Publications. The Unit Publications include brochures, bulletins, calendars, exhibition catalogs and student handbooks. Note that degree program requirements can be found in the Bulletin (Course Catalog) until 2001. Also note that the 1996 Bulletin covers the period from 1996 to 2001. After 2001, degree program requirements are contained within the Student Handbooks. Student Publications consist of catalogs and newsletters. Some publications (or their successors) may no longer be available in print but are available on the school s website.

The first classes in art at the University of Michigan were offered in 1906 by the Department of Architecture. In 1926, a program in decorative arts was housed in the College of Engineering and Architecture. Art evolved as a discipline, moving through the colleges of engineering and architecture to become the School of Art, an autonomous institution, in 1974. It became the School of Art & Design in 1996. The records focus on the evaluation and review of the program in the 1970s and early 1980s during the budget crisis faced by the university. The records also contain minutes of the Executive Committee and the Faculty Committee, from the mid-1970s to 1999.

The School of Art & Design records are composed of six series: Topical Files, 1970-1987; Committees; Correspondence; Topical Files, 1980-2000; Visual Materials; and Website. There is a separate collection of printed material. The majority of the records document the years from 1975 to 1999, a crucial period in the school's history as it was formally established as a school in its own right and later experienced serious budget reductions.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Collection documents the personal and professional life of Stanford R. Ovshinsky, Michigan inventor and pioneer in the field of amorphous materials; his work emphasized photovoltaics and batteries, among other areas. Includes correspondence, business files, technical publications and presentations, and related records documenting Ovshinsky's life, activities, accomplishments, and interests.

The Stanford R. Ovshinsky papers comprise materials documenting his long scientific career. Though the collection includes some information about his personal life, the files primarily provide insight into Ovshinsky's professional activities and involvement in the field of amorphous materials.