Collections

Professor Emerita of the University of Michigan's School of Information and Library Studies. Files of materials received from various University of Michigan committees and commissions on which she served, notably the Commission for Women; the Advisory Committee on Recreation, Intramurals and Club Sports; the Alumnae Athena Award Committee; and the University Club of Ann Arbor, Michigan. Also includes audiovisual material, biographical material (including an oral history transcript), correspondence, photographs, press releases, and publications.

The Gwendolyn S. Cruzat papers reflect Dr. Cruzat's involvement with several committees dedicated to regulating university athletics and maintaining equality for both men's and women's athletics, notably the Commission for Women; the Advisory Committee on Recreation, Intramurals and Club Sports; the Alumnae Athena Award Committee; and the University Club of Ann Arbor, Michigan. Also included are audiovisual material, biographical material, correspondence, photographs, press releases, and publications that document Dr. Cruzat's professional work, her retirement, and University of Michigan sports.

Harry B. Benford was professor and chair of the department of naval architecture and marine engineering at the University of Michigan. The Benford collection includes professional correspondence and topical files relating to his work, teaching, and research.

The Harry B. Benford Papers consists of correspondence and topical files relating to his work, teaching, and research.

Writer, journalist, news broadcaster, radio host, television producer, creative consultant, and teacher in Detroit, Mich. Includes materials related to Ovshinsky's founding of Detroit's first underground newspaper, The Fifth Estate, as well as photographs, correspondence, writings, personal memorabilia, legal materials, press articles, topical files, transcripts and audiovisual materials representing Ovshinsky's work in radio and television from the 1960s through the 2000s.

The collection traces Harvey Ovshinsky's personal and professional development as a writer, journalist, news broadcaster, radio host, television producer, creative consultant, and teacher. The Personal files include autobiographical writings providing insights into the events in Ovshinsky's childhood and adolescence that led to his early interest in writing and journalism. The Professional files contain the first issues of The Fifth Estate, and extensive memorabilia and press coverage on various radio stations and video and television production companies where Ovshinsky was employed. This series encompasses material on the history of Detroit's counterculture in the 1960s and 1970s. The Project files also include topical files on Detroit culture and history, which inspired many of Ovshinsky's documentaries and creative writing.

Materials from Ovshinsky's teaching career and transcripts from his speaking engagements in the Professional files reveal his approach to teaching writing, while drafts for films, stories, and television series in the Project files offer a view into Ovshinsky's creative process. Files named "War Dances" appear throughout both the Professional files and the Project files series. "War Dances" were an integral part of Ovshinsky's approach to both problem solving and the creative process. "War Dances" were personal notes and reflections in which Ovshinsky assessed his present situation, identified his goals and imagined paths to the solution of a problem or to the final stages of a project. Materials from the subseries Educational and children's properties in the Project files include extensive topical files from Ovshinsky's research on how children learn through play. Samples of Ovshinsky's work in radio, television, educational programming and public speaking are available in Audiovisual materials.

Graduate School of the University of Michigan. Records include dean's topical files, 1892-1996; files of associate deans; minutes of the executive board; project and grant files detailing faculty and student research; lists of degrees granted; records of fellowships and awards granted by the graduate school and university; and files relating to academic departments and programs, including reviews of degree programs.

The records of the Horace H. Rackham School of Graduate Studies document the administration of the school, its academic programs and research projects and fellowships funded by the school and outside sources. The records include Dean's Files, minutes of the Executive Board and Administrative Council, Academic Unit and Program Evaluation files, and grants administration records.

Records of the Graduate School have been received by the library in numerous accessions, some large others quite small. Some accessions represent continuations or complements to previously received materials. This finding attempts to intellectually integrate continuing or similar record series received in multiple accessions.

The records are organized into a number of series. Among the more significant are:

1. Deans' Topical File
2. Research Records
3. University Units
4. Program Evaluations
5. Faculty Research Grants
6. Degree Lists
7. Faculty Fellowships, Grants and Awards
8. Graduate School Executive Board and Administrative Council

In 2008, the Rackham School of Graduate Studies announced that it would become a 'paperless' office and that future accessions to the Bentley Library would be electronic. The materials from 1990 to 2003 were thus digitized by Rackham staff (from the original paper records) and saved as PDF (Portable Document Format) files. As of 2012, these digital accessions comprise two subseries within the Graduate School Executive Board and Administrative Council series and Program Evaluation series.

Hugh Acton (1925-), the "Cowboy-Designer," was a furniture designer, specializing in mid-century modern furniture, and artist in Augusta, Mich. He is best-known for his 1973 Acton Stacker chair for American Seating, as well as for his 1954 Suspended Beam Bench. This collection includes a brief history of the designer through articles and resumes, with a primary focus on his designs--including photographs (with negatives, transparencies, and online), catalog information, sketches, and design boards for his various furniture designs.

The Hugh Acton papers includes a brief history of the designer through articles and resumes, with a primary focus on his designs--including photographs, catalog information, sketches, and design boards for his various furniture designs. The collection is divided into two series: the Personal series and the Designs series. All materials are dated in the 1960s-1970s, unless noted otherwise.

Ian Bund is an American venture capital professional. He was involved with numerous, often Michigan-based, venture capital limited partnerships, companies, and corporations, including Doan Associates, Innovation Capital, the Michigan Investment Fund L.P. (MIF), MBW Venture Partners Limited Partnership (MBW), and the Plymouth and White Pines families of funds. Includes correspondence, financial records, presentations, reports, speaking and teaching materials, and topical files.

The Ian Bund papers primarily document the professional, speaking, and teaching activities of venture capital professional Ian Bund. Material in the collection is dated from 1969-2019 and includes correspondence, financial records, presentations, reports, speaking and teaching materials, and topical files.

The Institute for Social Research (ISR), an interdisciplinary center for social science research, was created in 1949 when the Research Center for Group Dynamics (founded at Massachusetts Institute of Technology) joined the university's Survey Research Center. ISR houses the Center for Political Studies (CPS), Interuniversity Consortium for Political and Social Research (ICPSR), Population Studies Center (PSC), Research Center for Group Dynamics (RCGD), and the Survey Research Center (SRC). Records document the founding and development of ISR and its related centers and programs and include audiovisual materials, minutes, correspondence, topical files, reports, and proposals. Administrative records include governance committees and director's files. Records of the Program for Research on Black Americans (PRBA) consist of grant proposals, survey instruments, focus group transcriptions, correspondence, bulletins, and internal governance records created under the auspices of PRBA and its various projects. Records of the Research Center for Group Dynamics are primarily the papers of director Kurt Lewin, including manuscripts and talks. Survey Research Center records consist largely of proposal and project files, although they also include faculty oral histories. The records of the Population Studies Center consist of lectures from its founder, Dr. Ronald Freedman, while the Center for Political Studies contains one binder of material from the American National Election Survey conducted in 1980.

The Institute for Social Research (ISR) records are dated from 1936-2017 (scattered) and consist of 143.8 linear feet (in 146 boxes) and digital files (online). Materials in this record group include audiovisual material, committee files (which include minutes and agendas), correspondence, directors' files, oral histories, publications, reports, and topical files. These records document the founding and subsequent development of ISR as well as its centers and programs, particularly the Program for Research on Black Americans (PRBA) and the Survey Research Center (SRC). The records also provide an overview of ISR's administration and the evolution of social science survey research methodology.

There are gaps in the records, which can be addressed in part through the papers of Rensis Likert, Angus Campbell, Dorwin P. Cartwright, and Philip E. Converse—all of which are held at the Bentley Historical Library (BHL). When viewed in conjunction with other ISR-related personal papers in the Bentley Historical Library, a rich and detailed picture of the growth of ISR as a center and the social science research discipline emerges.

Includes annual reports, brochures and pamphlets, course bulletins, calendars, and the newsletters Humanities and Notes from the Institute for the Humanities at the University of Michigan.

The Publications includes annual reports, brochures and pamphlets, course bulletins, calendars, and the newsletters Humanities and Notes from the Institute for the Humanities at the University of Michigan. The publications are organized into three series: Unit Publications, Sub-Unit Publications, and Topical Publications.

The Unit Publications series includes annual reports, brochures and pamphlets, and bulletins describing course offerings from the Institute. This subseries also contains calendars and flyers describing the various programs, presentations, and events sponsored by the Institute for the Humanities. These are arranged chronologically and broken down by the Institute's annual themes. There are two newsletters Humanities and Notes, which cover the activities of the unit from 1989 to the present.

The Sub-Unit Publications series contains brochures from the Humanities Camp. The Humanities Camp is an event which brings together alumni and supporters with University of Michigan faculty to discuss and explore current issues and themes in the humanities.

The Topical Publications series includes Development brochures.

Irving Tobocman (1933-2017) was a University of Michigan alum and Birmingham, Michigan, architect whose Bauhaus-influenced works—while primarily concentrated in the Metro Detroit area—can be found throughout the world. Tobocman was active from circa 1956 to 2017. The collection documents Tobocman's professional career designing commercial, religious, and residential buildings, and includes architectural drawings, contracts, correspondence, legal documents, notes, photographs, publications, reports, and specifications.

The Irving Tobocman papers document Tobocman's professional career designing commercial, religious, and residential buildings, primarily in Metro Detroit. The materials in this collection, which are dated from 1955 to 2017, include large architectural drawings—such as elevation, floor, framing, and mechanical drawings—as well as topographical surveys and smaller materials that were originally rolled with the larger drawings. Also included are contracts, correspondence, drawings, legal documents, notes, photographs, publications, and specifications.

Researchers interested in specific projects should consult materials in both series. Project job numbers have been indicated when possible, although many drawings and files lack job numbers.

Papers of Dr. Jack Kevorkian (1928-2011), medical pathologist, social activist, advocate for the terminally ill patient's right to die and physician-assisted suicide (which Kevorkian called "Medicide"), author, artist, and musician. By his own estimation, Dr. Kevorkian assisted in the suicides of more than 100 terminally ill people between 1990 and 1998. Kevorkian was acquitted in three physician-assisted suicide trials, and a mistrial was declared in the fourth. In a fifth trial, he was convicted of second-degree murder after administering a lethal injection and served eight years in prison. The collection includes materials related to the Kevorkian family (personal and business records, correspondence, photographs, and audiovisual recordings); Jack Kevorkian's research files and files related to Medicide (files related to the physician-assisted suicides and recordings of Kevorkian's consultations with the terminally ill); and miscellaneous papers (his personal and professional correspondence, published works and manuscript drafts, records related to his court trials, photographs, recordings of news coverage and interviews, audio recordings of Kevorkian's music, and images of his art).

The Jack Kevorkian Papers are arranged into five series: Kevorkian Family, Research and Practice, Morganroth & Morganroth, Personal Interests, and Medicide Files.

The Kevorkian Family papers mostly include correspondence, recollections, photographs, and video and audio recordings of family gatherings. The Research and Practice series contains Kevorkian's correspondence on scientific subjects, his research files, and Kevorkian's articles on various medical, ethical, and bioethical topics. Also included are recorded interviews and media segments featuring Kevorkian as well as media reports about his activities and court trials. Materials in the Personal Interests series include sheet music of Kevorkian's musical compositions, recordings of Kevorkian playing music, reproductions of his paintings, publicity regarding exhibits of his art, and a sample of collected books. The Morganroth & Morganroth series includes materials used during the court trials, such as correspondence and Kevorkian's research as well as the script of the HBO film, You Don't Know Jack, annotated by Mayer Morganroth. The Medicide Files series contains the files of the terminally ill patients who had asked him assist in ending their lives and who he helped in doing so. Medicide files include correspondence between Kevorkian and his consulting "patients" and their families, photographs, and forms developed by Kevorkian as well as recordings of consultations.