Collections

Professor of English in the College of Engineering at University of Michigan, and student of songs and folklore of the Great Lakes. Correspondence, 1931-1956, bibliographic notecards on Great Lakes and Michigan folklore, unpublished manuscript entitled, "The Great Lakes", recordings of Great Lakes folk music, transcribed lyrics for the folksongs, notes, books and newspaper clippings on topics relating to folklore and history of the Great Lakes; and photographs.

The Ivan Walton collection documents Professor Walton's persistent efforts over a period of several decades to gather and preserve the cultural heritage of the Great Lakes, and to make its existence and significance known to his colleagues and the general public.

The collection is organized into eleven major series: Correspondence; Michigan Folklore Society; Field notes and logs; Student class notes; Research materials; Research notes (paper slips); 3x5 card files; Walton manuscripts; Transcripts; Photographs; and Sound recordings. In addition, Box 1 contains the Introductory series that includes the 1979 finding aid to the collection, prepared by Wil Rollman and Cheryl Baker under the auspices of the Michigan Sea Grant Program. Researchers should be advised that the 1979 finding aid contains some inacuracies.

Ann Arbor, Michigan, photography firm. Photonegatives, and some photoprints, of images largely relating to Ann Arbor and the University of Michigan, but including Ypsilanti and other Michigan cities: buildings, businesses, houses, street scenes, community activities, and organizations; also photos of automobiles, storm damage, etc. taken to support insurance claims.

The Ivory Photo collection consists of an impressive array of negatives and prints taken by Ann Arbor photographer Mel Ivory from the 1920s to the early 1970s. Most of the photographs were taken by Ivory for customers, whether the University of Michigan, local businesses, or private citizens. The collection is probably most valuable for its extensive documentation of Ann Arbor and the University of Michigan, the two areas in which it bulks largest. However, because it spans a relatively long time period, the collection is also useful for illustrating changes in photography as an art and as a business, and for documenting social trends in twentieth-century America. Finally, the collection documents the career of a commercial photographer.

As a photographer for the University of Michigan in the 1920s and 1930s, Ivory took the standard pictures of campus events, buildings, and people, but the value of many photographs from this period is as much aesthetic as informational. Producing cover art for the Michigan Alumnus allowed him to experiment with unusual angles, lighting, and subject matter. (See, for example, photographs of the Clements Library and of students strolling through the Diag in the 1930s.) In stark contrast to these images is a large group of photographs of car wrecks that Ivory took for insurance companies between 1937 and 1969.

Besides providing thorough documentation of the physical plant of the University of Michigan, the Ivory collection evokes the flavor of life on campus in the 1930s and 1940s through photographs of football games and crowds, dance bands, social events, professors at work in laboratories, the Michigan Daily staff at work, and students in classrooms, libraries, and dormitories.

The Ann Arbor subseries includes numerous photographs of houses and businesses, filed by address to facilitate research into a particular building or site, as well as a rich assortment of photographs depicting life in Ann Arbor through more than four decades. There are numerous photographs of men and women at work in factories, stores, and other settings. Some show women at work in unusual settings (as cab drivers for Ace Cab Company, for example) while others depict women in stereotypically female occupations (as secretaries, store clerks, and ditto machine operators). Photographs of drug and department store display windows and of products in grocery stores illustrate trends in merchandising.

The Ivory collection is also remarkable for its documentation of social mores. Wedding photographs taken from the 1930s to the 1960s depict a variety of settings, fashions, wedding rituals, and even fads, such as a 1940 wedding at a roller rink. There is also a small group of photographs of funerals and an extensive series of portraits of children, families, and individuals.

Photographs of a depression-era hobo cooking near a railroad car, of lawn parties and country clubs, of the soap box derby and sports teams reflect diverse aspects of life in Ann Arbor. The home front during World War II is documented in views of an aluminum drive, a blitzkrieg game in a local tavern, a commuter bus with a female conductor, and the Judge Advocate General's school exercises in the Law Quad.

Although the Ypsilanti subseries is considerably smaller than the Ann Arbor and University of Michigan subseries, it contains a number of valuable photographs, such as the Cleary College photographs showing rows of students at typewriters, students relaxing on boarding house steps and in Cleary lounges and recreation rooms, and annual graduation processions. The Washtenaw County subseries contains rural scenes such as farms, country roads, and a county fair. The remaining subseries consist of businesses, street scenes, railroad stations, and a variety of other photographs representing Michigan towns and counties.

A few copy negatives made by Ivory from existing photographs are scattered throughout the collection. A late nineteenth or early twentieth-century anatomy lesson in the Medical School, for example, is filed in the "Colleges, Schools, and other Divisions" section of University of Michigan 5"x7" negatives.

The contents of the various subseries and sub-subseries are for the most part self-evident, but a few words of explanation about the Ann Arbor subseries are in order. "Buildings and Views" consists largely of exterior views of buildings. However, there are many interior scenes of people and activities in the "Churches," "Hospitals," and "Schools" sections. For example, photographs of Ann Arbor churches include views of the pastor and congregation, choirs, recreation rooms, meetings, and athletic teams in addition to interior and exterior views of the buildings. "Schools" contains photographs of sports teams, classroom scenes, social events, and buildings representing Ann Arbor public and parochial schools, but also Ann Arbor Secretarial School and Concordia College.

Researchers seeking images of commercial enterprises will find material in the "Buildings and Views" sub-subseries (listed under the street address in the "Houses and Businesses" section) and in the "Businesses" sub-subseries (under the name of the enterprise).

The "Houses and Businesses" negatives within the "Buildings and Views" sub-subseries are arranged alphabetically by street name and then numerically by address. Most of these photographs are exterior views, but interior scenes of businesses have been filed here in order to keep exterior and interior views of a particular business together. Photographs of products, equipment, people at work, and special events are filed in the "Businesses" sub-subseries when no building exteriors exist or when the address of the business was unknown. Researchers should look both places for photographs of businesses. Although some "see also" references have been added, they are by no means exhaustive. Researchers may also wish to examine the "Motor Vehicles" sub-subseries, which contains photographs of trucks owned by Ann Arbor businesses.

In the University of Michigan subseries, "Buildings and Views" consists of exterior and interior views of buildings, whereas "Colleges, Schools, and Other Divisions" contains photographs of professors and students in laboratories and classrooms as well as group photographs of staff and students.

Jack D. Cheesman, a resident of Ann Arbor, Mich., served in the V Amphibious Corps of the U.S. Marine Corps during the World War II. He fought in the Battle of Iwo Jima between February 19-March 26, 1945. The collection consists of photographs of American soldiers, a bound photograph album from Japanese island of Iwo Jima from 1945, a Japanese map of Iwo Jima, and some correspondence in Japanese with an enclosed photograph. The album includes photographs taken by Marine Corps photographer Douglas H. Page that were compiled into a photo album by Cheesman, entitled "Iwo Jima." The album has been scanned and is available online.

The collection consists of photographs of American soldiers, a bound photograph album from Japanese island of Iwo Jima from 1945, a Japanese map of Iwo Jima, and some letters in Japanese with an enclosed photograph. The photo album includes photographs taken by Marine Corps photographer Douglas H. Page that were compiled into a photo album by Cheesman, entitled "Iwo Jima." The album has been scanned and is available online. Loose photographs include portraits of Cheesman, group photos in front and inside of military buildings, military camps, and in the field. Miscellaneous items include Japanese art, a few newspaper clippings, and Cheesman's military ID.

Unitarian minister, anti-imperialist, and advocate of independence for India. Extensive professional and family correspondence, diaries, sermons, manuscripts of books and articles, research notes, topical file on India, printed material, newspaper clippings, and miscellanea; also papers concerning his career first as a Baptist minister, later a Unitarian minister in Ann Arbor, Michigan and elsewhere, including his involvement in the Western Unitarian Conference.

The Sunderland papers are very complete for the early years of his career (1868-1887). The collection is divided into the following thirteen series: Correspondence, undated and 1868-1936, Visual Materials, Student papers and notebooks, Church and Ministerial Activities, Western Unitarian Conference, Diaries, Notebooks, etc., Sermon file, Manuscripts of Books and Articles, Research Notes and Manuscripts, Printed Materials, Topical Files on India, Miscellaneous Papers and Notebooks, Biographical/Autobiographical Material, and Topical File.

This collection of pamphlets and reprints was gathered from different sources. Many of these, in addition to others, will be found in the Jabez T. Sunderland collection.

Jack Flechsig (1922-2011) served as the Art Director for WXYZ-TV Channel 7 in Detroit, Mich. for 39 years. This collection includes station publications, copies of his work (set designs, advertisements, promotional items, etc.), as well as papers of various family members.

Jack Flechsig (1922-2011) was the Art Director of WXYZ-TV Channel 7 in Detroit for 39 years. The majority of this collection covers his time working at the station; however, part of the collection contains papers of the families of Flechsig and his wife, Constance. The collection is divided into two series: the Personal series and the Business series.

Jack Kausch was a photographer who specialized in family portraits and historical photography. The collection includes still and moving images created and collected by Kausch throughout his career.

This collection highlights a portion of the projects that Jack Kausch completed during his photographic career. A range of subjects is covered and both original and historical photography is included. The collection is divided into two series: Photographs and Other Visual Materials.

Papers of Dr. Jack Kevorkian (1928-2011), medical pathologist, social activist, advocate for the terminally ill patient's right to die and physician-assisted suicide (which Kevorkian called "Medicide"), author, artist, and musician. By his own estimation, Dr. Kevorkian assisted in the suicides of more than 100 terminally ill people between 1990 and 1998. Kevorkian was acquitted in three physician-assisted suicide trials, and a mistrial was declared in the fourth. In a fifth trial, he was convicted of second-degree murder after administering a lethal injection and served eight years in prison. The collection includes materials related to the Kevorkian family (personal and business records, correspondence, photographs, and audiovisual recordings); Jack Kevorkian's research files and files related to Medicide (files related to the physician-assisted suicides and recordings of Kevorkian's consultations with the terminally ill); and miscellaneous papers (his personal and professional correspondence, published works and manuscript drafts, records related to his court trials, photographs, recordings of news coverage and interviews, audio recordings of Kevorkian's music, and images of his art).

The Jack Kevorkian Papers are arranged into five series: Kevorkian Family, Research and Practice, Morganroth & Morganroth, Personal Interests, and Medicide Files.

The Kevorkian Family papers mostly include correspondence, recollections, photographs, and video and audio recordings of family gatherings. The Research and Practice series contains Kevorkian's correspondence on scientific subjects, his research files, and Kevorkian's articles on various medical, ethical, and bioethical topics. Also included are recorded interviews and media segments featuring Kevorkian as well as media reports about his activities and court trials. Materials in the Personal Interests series include sheet music of Kevorkian's musical compositions, recordings of Kevorkian playing music, reproductions of his paintings, publicity regarding exhibits of his art, and a sample of collected books. The Morganroth & Morganroth series includes materials used during the court trials, such as correspondence and Kevorkian's research as well as the script of the HBO film, You Don't Know Jack, annotated by Mayer Morganroth. The Medicide Files series contains the files of the terminally ill patients who had asked him assist in ending their lives and who he helped in doing so. Medicide files include correspondence between Kevorkian and his consulting "patients" and their families, photographs, and forms developed by Kevorkian as well as recordings of consultations.

Physician, proponent of abortion law reform; correspondence and other papers relating to his efforts to enact abortion reform.

The Stack collection consists of correspondence and other papers concerning his efforts to enact abortion law reform in Michigan. Several files relate to the National Association for the Repeal of Abortion Laws.

Detroit Free Press outdoor writer and later faculty member in the University of Michigan School of Natural Resources. Files of Detroit Free Press outdoor pages and conservation articles, clippings, and photographs, correspondence, and notes on Michigan conservation history, pesticides, pollution, plants and animals, hunting and fishing, parks, rivers and lakes, conservation writing, and ecology; also manuscript of history of conservation in Michigan with background information; and materials gathered for intended biographical study of Michigan conservationists.

As a long-time observer of the Michigan conservation scene, Van Coevering collected a wide range of materials to document the history of hunting, fishing, and wildlife management, the development of state parks and forests, political development of the Department of Conservation and Conservation Commission, concerns about pollution and pesticide poisoning, and other conservation and environmental matters in Michigan. This collection is made up of his writings and background materials on all these topics.

The collection contains only a part of Van Coevering's papers. His "personal" papers were destroyed by his widow after his death. Included here are "historical" papers collected in the course of his work as an outdoor writer. The papers include press releases, clippings, memoranda, reports, and other documents collected by Van Coevering as well as correspondence. Van Coevering's outgoing correspondence is generally of the information-seeking type, and provides little insight into his ideas.

The collection is divided into five major series: Publications, Reference file, School of Natural Resources file, Michigan conservation history file, and Photographs. There is also a small folder of obituaries and other personal information in Box 1. In 1996, the library received an addition to the collection. This 1996 accession from Frank Angelo includes the manuscript of "A Brief History of Conservation in Michigan," and the accompanying research as well as background research for a proposed history of prominent Michigan conservationists.