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Student papers, 1930-1987 prepared for classes in history at the University of Michigan (primarily Michigan history class taught by Lewis G. VanderVelde, but also including research papers for classes taught by Sidney Fine and others); topics concern Michigan social and political history; Michigan biography and bibliography; and local community history.

The student papers are organized alphabetically by author in two series, which are similar in date range and topics covered. Topics of papers concern Michigan social and political history; Michigan biography and bibliography; local community history and University of Michigan history. A topical index to the papers is available in the first box of the collection.

Ann Arbor-based artist specializing in images of local businesses and sites. The collection has been arranged in three series. The Artwork series includes drawings of buildings and other projects, publications containing reproductions of his work, and files relating to galleries, exhibits, auctions, and art fairs. The Supplemental Materials series concerns the art organizations and associations of which Kemnitz was a member, correspondence, and files pertaining to other activities, notably the Bird Hills Park controversy. The third series, Southern White Migration to Detroit in the 1930s, consists of research materials and reports resulting from Kemnitz' research as a member of a University of Michigan sociology seminar on metropolitan community organization. A portion includes Elmer Akers' research on the Black Legion.

The papers of Milt Kemnitz have been divided into three series. The first series, ARTWORK, focuses on the artwork itself, and its reproduction and dissemination. This includes the following subseries: Drawings of Buildings, Other Projects, Publications and Galleries, Exhibits, Auctions & Art Fairs. The second series, called SUPPLEMENTAL MATERIALS, has three subseries, Art Organizations & Associations, Correspondence and Miscellaneous Personal Material. Much of this material concerns his career as an artist but relates less directly to the actual artwork than the material in the first series. The third series, SOUTHERN WHITE MIGRATION TO DETROIT IN THE 1930s, consists of research materials and reports resulting from Kemnitz' research as a member of a University of Michigan sociology seminar on metropolitan community organization.