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Architectural photographer based in Troy, Mich. Photoprints and copy negatives, chiefly a portfolio entitled "Man's Presence," a study of Michigan's manmade environment.

Representing but a tiny fraction of Korab's oeuvre, the collection held at the Bentley Library will nevertheless appeal to a broad range of researchers. Especially in a collective sense, Korab photographs are not only about architecture and architectural photography, but also about art, technology, modernism, photography's history, the environment, urbanism, ruralism, and the creative process itself. They also document one individual's spirited commitment to a life's work -- work expressed both analytically and emotionally.

The essence of the collection is a Korab portfolio entitled Man's Presence, a study of Michigan's man-made environment that drew him to dozens of towns, cities and rural areas in the upper and lower peninsulas. Photographs capture the quiet magnificence of silos and barns, the elegance of 19th century mansions, the utilitarian architecture of iron foundries and grain elevators. There are also pictures depicting ways man has wasted resources (an abandoned lumber mill, a barren tract of bulldozed land. A superb example of Korab's lifelong fascination with vernacular architecture, Man's Presence is a deliberate effort to capture on film Michigan worlds that otherwise might go unnoticed or become lost to future generations.

The collection is comprised of three series: Biographical Materials; Man's Presence Contact Sheets; and Man's Presence Copy Prints and Copy Negatives.

Charles W. Cares, Jr. was a professor of landscape architecture in the School of Natural Resources and Environment at the University of Michigan from 1959 to 1986. He was also Director of the Nichols Arboretum from 1968 to 1986. This collection consists of landscape drawings, drafted in pencil (and occasionally colored), of residences and parks in the Ann Arbor area and select projects outside of Ann Arbor that have special significance.

This collection covers most of Cares' professional career, although it is only a reflection of his style of work, and not a comprehensive view. The drawings are mostly of residential properties, although the collection also covers a few public parks, office buildings, and other non-residential buildings. The majority of the designs are in pencil, with a select few in ink or coloring materials (which are not consistently used throughout his career.) The paper used for the drawings includes tracing paper, drafting paper, and blueprint paper.

Cares' style of drawing is very soft, since he often worked in pencil and rarely used inks or colors for his drawings. However, the complexity of his projects could range from a simple sketch to a highly detailed mapping of a landscape, with labels indicating which trees and flora were to be placed in a given location. Occasionally a list of the plants to be used at the site would be provided along with the drawing. Cares was very consistent in labeling his projects, where information was commonly placed in the lower right corner of the drawing, such as the owner's name, site name, or site address (house number, street name, town name), as well as the date of the project.

The scope of this collection includes projects that were completed in the Ann Arbor area, with the exception of projects bearing special significance (see the "Other (Non-Ann Arbor)" folder.) The drawings were not received in any discernible order. As such they have been broadly categorized by location, and there is no item level control of the drawings. The collection consists of seven oversize folders.