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The Earl V. Moore collection consists of the personal and professional papers of a noted musician, composer and director. Moore taught music at the University of Michigan from 1916 and served as director of the School of Music from1923 until his retirement in 1960.

The papers of Earl V. Moore document his career as professor and dean of the School of Music of the University of Michigan, as well as his career as a composer and performer. Though some of the papers and visual images date from the 1870s, the bulk of the collection dates from the 1920s through the 1960s. Consisting of three linear feet of papers and visual materials, the collection reflects Moore's many accomplishments as conductor, composer, lecturer, organist, and participant in professional societies.

The Moore papers have been divided into seven series: Biographical/Personal Materials, Correspondence, Topical Files, Newspaper Clippings, Musical Scores, Sound Recordings, and Visual Materials.

Professor of physiology at the University of Michigan; correspondence, speeches, and other materials concerning U-M Medical School activities, the Ann Arbor Red Cross, the Ann Arbor Art Association, and Lombard’s interest in art and etching.

The Warren P. Lombard papers have been arranged into the following series: Biographical/miscellaneous; Correspondence; Organizational and other interests; Physiology and related materials; and Photographs. Much of the collection relates to Lombard's organizational activities, notably the Ann Arbor Red Cross and the Ann Arbor Art Association. Some of Lombard's correspondents include: James B. Angell, William W. Bishop, Marion L. Burton, James J. Couzens, John G. Curtis, Joseph Erlanger, Frederick R. Green, Charles W. Greene, Granville S. Hall, Yandell Henderson, Donald R. Hooker, Frederic S. Lee, Carl Ludwig, Graham Lusk, George W. Norris, Reuben Peterson, William T. Porter, Henry Sewall, Albert A. Stanley, Langdon C. Stewardson, and Victor C. Vaughan.