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Collection

Wilfred Kaplan papers, 1936-2002

5.5 linear feet

Professor of mathematics at the University of Michigan, officer and long-time member of the American Association of University Professors, especially its University of Michigan chapter. Papers relate to his career as a mathematics professor at the University of Michigan, his active involvement with the University of Michigan Chapter of the American Association of University Professors (AAUP), as well as a series regarding his involvement with the Ann Arbor Unitarian Fellowship. Materials also include the personal correspondence of the Kaplan family.

The papers of Wilfred Kaplan consist of five and a half linear feet of materials. Those relating to his career at the University of Michigan Department of Mathematics date from 1958 to 1986. The materials involving the University of Michigan Chapter of the American Association of University Professors date from 1972 to 2000. The most heavily documented of these are from the years 1980 to 1995. The personal correspondence of the Kaplan family covers the years 1936-1956, 1958, 1962-1970, 1980-1981, and 1985. The papers are divided into three series with fifteen sub-series.

Collection

William A. Werner papers, 1956-1998 (majority within 1978-1998)

2 linear feet

Ann Arbor architect and faculty member at the University of Michigan's College of Architecture and Urban Planning from 1956 to 1998. Includes correspondence and course materials with an emphasis on structural principles, including load, flexure, and force; administrative files related to Werner's teaching and his role as an undergraduate program advisor; and visual materials utilized for educational purposes.

The William A. Werner papers consist of course materials, topical files, correspondence, and 35 mm slides dating from 1978 to his retirement from the University of Michigan in 1998. The collection is a valuable resource for lecture notes, drawings, and example problems pertaining to courses taught on architectural structures. Administrative files highlight the College's undergraduate program admissions statistics and criteria. The collection consists of two series: Course Materials and Faculty Records and Correspondence.

Collection

William Bolcom and Joan Morris papers, circa 1950-2014, 2018, undated

69 linear feet (in 82 boxes including oversize) — 31 bundles — 1 oversize folder — 3 oversize posters — 387.3 GB (online)

Online
William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Collection

William Charles Parkinson Papers, 1950-1997 (majority within 1950-1980)

5.25 linear feet

Professor of physics at the University of Michigan (1947-1988); director of the cyclotron laboratory, 1962-1977; inventor of method and apparatus for measuring the velocity of a projectile and of an automatic timing and sequence-indicating system used in swimming. Series in the collection relate to cyclotron laboratory and research; department of physics activities, including history; professional organizations; swimming judging and timing system; University of Michigan committee assignments; and photographs.

The William C. Parkinson Papers consist of 5.25 linear feet of documents relating to the professional career of physics professor William C. Parkinson, spanning years 1950 through 1990 with the bulk of the material dating from 1950 to 1980. The papers were received in two major accession in July 1991 and May 2012.

The first accession was broken into five series: Cyclotron, Physics Department, Professional Organizations, Swimming Judging and Timing System, and University Committees. There is also a folder entitled "Biographical/Historical Information" at the beginning of the collection which includes a 1974 vita and a publication on the cyclotron laboratory of which Parkinson was director.

The 2012 Accession included additions to the Cyclotron and Physics Department series and two new series: Consulting and Visual Materials.

Collection

William G. Dow Papers, 1927-1999 (majority within 1930-1960)

16 linear feet

Professor of electrical engineering at the University of Michigan. Files documenting his scientific research and professional activities, notably his studies of high-frequency power welding, vacuum tube development, gas discharge plasma, microwave electron tubes, use of rockets and satellites in investigations of the upper atmosphere, missile guidance systems, and military electronics; files relating to his involvement with various University of Michigan research centers and institutes; and photographs.

The William G. Dow Papers document his career as a faculty member of the University of Michigan Department of Electrical Engineering, his scientific research, his participation in professional organizations, and his other professional interests and activities. The collection also contains copies of published and unpublished technical and professional papers written by Dow, and two unpublished books. The papers include lecture notes taken by Dow, texts of lectures given by Dow and others, course materials used in Dow's classes, correspondence, minutes, reports, raw data, photographs, and other material relating to Dow's research. The papers are composed of six series: University of Michigan Activities, Research, Professional Organizations, Articles, Books and Talks, Topical Files, Correspondence, and Photographs. There is a great deal of overlap between theses series, as Dow was often engaged in educational, research, publishing, and professional activities simultaneously. Researchers are advised to consult the entire collection. A small group of biographical and bibliographical materials begins the collection.

Collection

William J. Johnson papers, 1953-2015, undated

23.6 linear feet (in 25 boxes) — 4 oversize boxes — 306.94 MB (online)

Online
Landscape architect, University of Michigan Professor Emeritus of Landscape Architecture, and Dean Emeritus of the School of Natural Resources. Includes correspondence, photographic material, project files, publications, reports, reference and research files, teaching materials, topical files, and notes.

The William J. Johnson papers document the professional and academic career of U-M faculty member and landscape architect William J. Johnson. Material is dated from 1953-2015 and includes clippings, correspondence, notes, photographic material, project files, publications, reports, reference and research files, teaching materials, and topical files.

Collection

William Muschenheim papers, 1923-2004 (majority within 1951-1985)

13.5 linear feet (in 15 boxes) — 7 folders

Online
Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

  1. Biographical and Professional Material [Bentley]
  2. University of Michigan Teaching Career [Bentley]
  3. Publications and research [Bentley]
  4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).

Collection

William S. Benninghoff papers, 1943-2000 (majority within 1968-1986)

3.5 linear feet

Botany professor and Director of the Matthaei Botanical Gardens at the University of Michigan; records include administrative and research files related to his positions with the university.

The W. S. Benninghoff collection consists of three series: Botany Department, Matthaei Botanical Gardens, and University of Michigan Biological Station. The strength of the collection is its documentation of the administrative aspects of the Botany Department and Matthaei Botanical Gardens in the 1970s and 1980s.

Collection

Willis C. Patterson papers, 1896-2019

19.4 linear feet (in 24 boxes) — 2 oversize boxes (online) — 1 digital audio file

Online
Willis C. Patterson, the first African American professor at the University of Michigan's School of Music, was an active faculty member from 1968 to 1999. He was a professor of voice and associate dean for academic affairs. Patterson directed the Men's Glee Club from 1969 and 1975 and spent summers as a faculty member at the National Music Camp at Interlochen, Michigan. While maintaining an active concert career and fulfilling teaching duties, Patterson organized a Black American Music Symposium and compiled several works on African American composers. Patterson played an active role in securing funding and mentorship for students of color and disadvantaged students both at Michigan and in the Ann Arbor community. The collection includes some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. It includes correspondence, research, photographs, clippings, publications, and topical files.

The Willis C. Patterson papers include some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. The collection includes correspondence, publications and research material, photographic material, posters, student records, clippings, and topical files.

Collection

Women of the University Faculty (University of Michigan), records, 1939-2003

1 linear foot

Records, 1939-1983, of the Women of the University Faculty. Includes constitution, history, membership rosters, minutes, financial reports, and correspondence.

Most of the records, 1939-1983, of the Women of the University Faculty have been arranged in chronological order by academic year. The first files contain basic information -- such as a history, various revisions of the constitution, publicity, duties of officers, and summaries of activities. There are also files relating to the group's clubroom and the hosting of the Senate and House Club (wives of Michigan legislators) on two occasions. The general files, arranged by academic year, include membership rosters, lists of officers and committee members, minutes, financial reports, and correspondence.