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The Gary M. Olson papers largely document the work done at the University of Michigan and Carnegie Mellon University, during the mid-1980s, to create a computer application called the Experimental Research in Electronic Submission (EXPRES). The goal of the work was to create a collaborative, networked application, which would allow researchers - using different hardware and software environments - to electronically share research. The EXPRES application was intended for electronic submission of grant proposals to the National Science Foundation (NSF).

The Gary M. Olson papers largely document the work done at the University of Michigan and Carnegie Mellon University, during the mid-1980s, to create a computer application called the Experimental Research in Electronic Submission (EXPRES). The papers do not fully document Olson's career. Rather they give insight a key collaborative project. The papers have been organized into four series: Meetings and Reports; Publicity and Presentations; Publications; and Subject Files.

Performer and professor of modern dance at the University of Michigan. Collection contains subject files relating to Delanghe's activities as a choreographer, dancer, teacher and department chair. Collection also contains photographs and audiovisual material documenting productions with which Delanghe was involved.

The Gay Delanghe papers document a range of Delanghe's professional activities, with particular focus on choreography, teaching, and performing. The bulk of the records originate from the time of her graduation from the University of Michigan in 1965 through the first twenty years of her tenure in the University of Michigan Dance Department. There are few records from her childhood and college years, or from her late career. The records serve to illuminate her engagements as a dancer, and as a teacher, as well as the processes that went into her choreography and the staging of her work. In addition to this finding aid, a performance list exists which attempts to compile information on all of Delanghe's performances for which documentation exists in the collection. This list is available in Performance and Publicity series and upon request.

The collection is divided into ten series of materials relating to various aspects of the professional and artistic activities of Gay Delanghe. These series are: Biographical Materials, Choreography, Correspondence, Funding and Awards, Notebooks, Photographs, Programs and Publicity, Teaching, University of Michigan Department of Dance, and Audiovisual Materials.

Scholar and professor of English at University of Michigan. Diaries, manuscripts of dramas and other writings, Shakespearean notes and lecture materials and personal and professional correspondence, including correspondence and other material relating to his service with the British Infantry during World War I.

The collection contain diaries, personal and professional correspondence, articles, lectures, research notes, and literary manuscripts; material relates extensively to Shakespearean, Elizabethan, and Jacobean literary scholarship and the teaching thereof, to Catholicism (including the English liturgy), and to Harrison's service with the British Infantry in India and Mesopotamia (Iraq) during World War I. There is also material relating to feminism, publishing and copyright, rare books, and staging Elizabethan plays. Noteworthy is the extensive and substantive correspondence with Guy Hamilton and Gerald Cullinan, which ranges over literature, scholarship, politics, and personalities in the U.S. and England.

The G.B. Harrison collection is divided into the following series: Diaries; Correspondence; Religious Activities; Addresses and Lectures; Articles, Reviews, and Pamphlets; and Manuscripts of writings.

Architect; professor of architecture at the University of Michigan. Client files, topical file, and miscellaneous presentation drawings.

The George Brigham collection consists of three linear feet and 10 oversize drawers of architectural drawings, photographs, correspondence, and subject files relating to his career as a practicing architect in southeastern Michigan (mainly Ann Arbor), but also including some materials when he was based in Pasadena, California.

The collection has been arranged into five series: Client Files; Client Drawings Files; Prefabrication Drawings Files; Miscellaneous Drawings Files; and Topical Files

The Client Files and the Topical Files have been placed together in the collection (boxes 1-3). The Client Drawings Files, the Prefabrication Drawings Files, and the Miscellaneous Drawings Files, consisting of oversized architectural materials, have been placed together in flat storage drawers.

The Client Files and the Client Drawings Files will be discussed here together as the distinction between them is primarily one of size rather than content. Each of these series is arranged alphabetically by the name of the client for whom Brigham either designed a structure (mainly private residences), additions to existing structures, or proposed a design for which the structure was never built. As a rule, the Client Files consist of photographs, specifications, smaller original drawings, correspondence, and other materials relating either to the project or to the client, while the Client Drawings Files, as the name states, consists of the original designs from conception to final revisions as given to the contractor. There is some mixing of materials between the two series with an occasional oversize photograph located in the Client Drawings Files and with some smaller-sized drawings located in the Client Files. The researcher should also note that while the lists of names for the two series are basically the same they are not identical. The disparities depend upon whether a structure was actually built or not and whether all of the materials have survived. As a group, these two series document Brigham's creative process from first contact with a client through to the construction phase. The series also documents the introduction of a new style of domestic architecture into the Ann Arbor community, particularly areas where the faculty of the University of Michigan resided such as Barton Hills.

The Prefabrication Drawings Files and the Miscellaneous Drawings Files are not client-based files and instead concern Brigham's design innovations in the area of low-cost, prefabricated structures. Unfortunately with the passage of time and the transfer of material about, the original order of these drawings has been lost. An attempt has been made to put the drawings into a subject arrangement but there are still many items imprecisely identified or fragments that were once part of a series of drawings. Some identification is of course possible with clearly defined units of material carrying such labels as 12 panel recreation shelter, a square folding portable shelter and plank wall construction. The largest grouping of drawings here is for Brigham's modular designs, which he called "Unit Built Structures." Perhaps the most significant portion of the Miscellaneous Drawings series relates to the Youtz Unit System of building on which Brigham worked during World War II.

The final series - Topical Files - contain a miscellanea of personal materials, speeches and articles, subject files on his general interest in architectural design. Of interest here in this series are several files relating to Brigham's work with Philip Youtz and his design work on the Youtz Unit House. As mentioned previously, there are also complementary drawings on the Youtz system.

This collection contains sketches, manuscripts, printed music and writings by George Cacioppo, American composer, founder of the ONCE group, and faculty member at the University of Michigan.

The collection contains sketches, manuscripts, printed music and writings by George Cacioppo, as well as correspondence (business and family), press clippings, programs and ONCE Festival memorabilia. The materials were arranged in logical sequence rather than "original order" so that research and performance of the materials would be facilitated. Details of the series arrangement have been provided below. Books and music by others have been removed from the collection, but lists of these materials have been retained. Many of Cacioppo's manuscripts were reproduced in different ways. The term "reproductions" was used in the finding aid to refer to ozalid copies and photocopies. Duplicates of the reproductions were removed.

Law professor at the University of Michigan; the collection includes lecture notes, course materials, correspondence, writings, and topical files.

The George E. Palmer collection primarily contains notes and materials that Palmer used in teaching his classes. Several of his writings, as well as various pieces of correspondence that give insight into his research interests and personal character (especially his correspondence with Jack Dawson), can be found scattered throughout the collection. The collection is divided into four series: Trusts and Estates, Restitution, Guest Lecturing, and Topical Files.

Professor of Near Eastern Languages and Literature at the University of Michigan; personal and professional correspondence relating to archeological expeditions and discoveries in Iran and the Near East.

The George Cameron papers consist of personal and professional correspondence mainly in the 1960s and 1970s. Very little of the materials relates to his work as founder and professor of the U-M Department of Near Eastern Studies. The bulk relates to his interaction and communication with other scholars in the field. The collection has been arranged into three series: Biographical, Correspondence, and Other materials.

Professor of economics and psychology, and research coordinator for the Survey Research Center, Institute for Social Research, at the University of Michigan. Research reports, addresses and speeches, miscellaneous correspondence, personal material, and photographs.

The George Katona Collection consists primarily of reports and speeches (in typewritten manuscript form) produced during his association with the Institute for Social Research at the University of Michigan, and with the United States Government. Also included are reviews of his published works, and reprints of those articles of his not listed in his bibliography. In addition, there is a small amount of correspondence concerning the relationship between the Institute for Social Research and various departments at the University of Michigan.

Professor of geography at the University of Michigan. Series include correspondence, subject files, professional societies, geography courses, reprints, manuscripts, notes as a student, and photographs; files relate to his professional interests and to the subject of geography.

The George Kish papers are divided into eight series: Correspondence, Subject Folders, Professional Societies, Geography Courses, Reprints, Manuscripts, Notes as a Student, and Photographs. These eight sections correspond, more or less, to the order that Kish maintained for his own files. The collection documents the academic career of Kish, from his Paris days as a student and his years at the U-M as a professor to his retirement and beyond. The collection's focus is not strictly on the university, as it also reflects Kish's prolific writings and his work in professional societies.

Professor of zoology at University of Michigan. Correspondence, mostly of a professional nature, with students and scholars in the field of zoology; also manuscripts, addresses, lecture notes, and other papers.

The LaRue papers consists of professor correspondence, 1910 to 1951 and a few of the lecture that he came about the work of the Biological Station and his expertise in the area of parasitology.