Ann Arbor, Michigan photograph collection, 1860s-1970s
2 linear feet (UCCs) — 2 oversize folders (UCCm)
2 linear feet (UCCs) — 2 oversize folders (UCCm)
This collection of Ann Arbor photographs includes a wide variety of images of Ann Arbor buildings, street scenes, schools and classrooms, public events, and people. The images, dating from the 1860s to the 1970s, has been arranged into three series: Buildings, Houses, etc.; Views; and Activities, People, Events. Each folder may contain one or more images.
The researcher should be advised that this collection represents only a small portion of the library's Ann Arbor photos. The most complete access to the total holdings of the library is through the card catalog.
2 linear feet (UCCs) — 2 oversize folders (UCCm)
1 linear foot
The C. Howard Ross Collection covers the period from about 1955 to 1980, and is made up largely of material related to Dr. Ross' strongest interests: geriatrics and history. There is little in the collection dealing with his childhood, his years as a school teacher or his work in industry. The bulk of the material deals with his years as a doctor and after his retirement from practice, and consists largely of reprints of published articles on geriatrics and history, especially local history, and of unpublished manuscripts chiefly about history and biography. There are some clippings concerning his activities as a physician and as a speaker on medical and other topics, primarily gardening, local history, and the use of herbs and plants in medicinal treatment.
66.5 linear feet (in 82 boxes) — 1 oversize folder (UAl) — 1 oversize volume — 33 open reel videotapes — 727.7 GB (online)
The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.
The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.
Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.
The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.
66.5 linear feet (in 82 boxes) — 1 oversize folder (UAl) — 1 oversize volume — 33 open reel videotapes — 727.7 GB (online)
2 linear feet
The Joyce Jones Papers cover the period of her life in Ann Arbor, 1930-1980. While there is some material relating to her research on lichens, mostly articles from the 1930's and 1940's, the bulk of the collection concerns her passion for handweaving.
The collection has been divided into four series: Personal, Art Associations, Handweaving Associations, and Photographs.
5200 35mm negative strips (in 3 boxes; approximate)
The Peter Yates collection is made up of approximately 5200 negative strips, or 26,000 images, of photographs taken for the Ann Arbor Observer between 1978 and 1990. The collection documents both the ordinary and the eccentric in Ann Arbor, as photographs of politicians, professors and business people are interspersed with images of local "characters" and unusual events. Neighborhoods, parks and buildings are also represented in the collection. The negatives are stored in chronological order, according to the date of the issue in which they appeared.
The index is arranged in alphabetical order by subject, and each entry includes the date of the Observer issue in which the photograph was published. The index is not comprehensive, but provides access to photographs of notable people, institutions and trends in Ann Arbor. For example, not every restaurant review photograph has been indexed, but "institutions" such as the Fleetwood Diner and the Gandy Dancer do appear on the list.
For further subject access to the Ann Arbor Observer, please consult the Index to the Michigan Alumnus, LSA Magazine and Ann Arbor Observer in the Bentley Library reading room.
10 linear feet (11 boxes including 1 oversize box)
The Sam Sturgis collection consists of photographic prints and copy negatives of Washtenaw and Livingston County life from the 1860s through the 1970s. Collected by Ann Arbor photographer Sam Sturgis and Ypsilanti banker Hazel Proctor from a variety of known and unknown sources, the collection represents many aspects of life in Ann Arbor, Brighton, Chelsea, Dexter, Dixboro, Manchester, Saline and Ypsilanti. Main subject categories include churches, schools, businesses, buildings, University of Michigan buildings, staff, students and campus life, streets, panoramic views, rivers, recreation and family life, including residences, men, women, and children. Evolving modes of transportation, such as railroads, interurban streetcars, automobiles, and airplanes are also depicted.
Prints and negatives are divided into two parallel series, with negative use restricted to Bentley staff for preservation and security purposes. Each series is arranged alphabetically by city or town and, within each geographical grouping, in the order in which Sturgis collected the items. Sturgis began donating his collection to the Bentley in 1966, and, as items continue to be received, numbering is continued within each geographical grouping, in the original collecting and numbering order established by Sturgis. While some numbers were originally intended by Sturgis to designate the origins of the item, if known, this information has also been added to the item description under the heading "source" to facilitate patron and staff use. The Bentley does not hold a complete set of prints and negatives. Information on the current availability of both prints and negatives is included in each item listing.
Each photograph has a unique identifying number. The "Sturgis Number" consists of a one or two-letter series code, followed by a numerical number with decimal or alphanumeric number, such as AA 267.21 or AA 35A. the collection is arranged by city as follows
City Sturgis Code Number of Images Ann Arbor AA ca. 1500 Brighton BB 148 Chelsea C 156 Chelsea-Manchester CM 119 Dexter D 124 Dixboro DI 45 Manchester M 123 Saline S 57 Ypsilanti Y 150
An item list of all photographs with description, date (if known), source and photographer, if known, follows the summary contents list on page three of the introduction.
Information on whether the photograph has been published and therefore has further information provided elsewhere is also included in each item description. Unless otherwise noted, all photographs listed as "published" have been published in a series by the Ann Arbor Federal Savings Bank (AAFSB), with editorial supervision by Sam Sturgis and Hazel Proctor. Availability of the respective print and negative concludes each item entry.
The following books, published by the AAFSB in the early 1970s, are annotated with Sturgis' photograph numbers and may be used as a partial guide to the collection. While two copies of each publication are available for consultation in the reading room, only one of each set has annotations. Descriptive captions in these publications as well as the annotated numbers may differ from actual photograph numbers and other information about the photographs. Any reference to these annotations should be verified with the item lists and vice versa to assure accuracy because of occasional inconsistencies. The AAFSB publications with Bentley call numbers are listed as follows:
5.4 linear feet (in 7 boxes)
The records of the University Cellar have been arranged into three series: History and background; Administrative records; and Former employees files. The bulk of the records concerns the administration of University Cellar with extensive documentation of its financial operations and labor negotiations with the Industrial Workers of the World. Included are board of directors minutes and minutes of the Store, Retail, and Operations Councils.