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Executive with the F. W. Woolworth Co., member of the Executive committee of the Board of Foreign Missions of the Methodist Episcopal Church. Photoprints, 1926, of his trip to Europe to investigate the Methodist Church's foreign mission; include photoprints taken in France, Sweden, Finland, Germany, Austria, Rumania, Bulgaria, and Yugoslavia; also brief reminiscences, 1955, and mimeographed travel letters, 1929-1930, of trip around the world.

The Edwin M. McBrier collection consists of photographs and travel journals of Edwin Merton McBrier, executive with the F.W. Woolworth Company. The 207 photographs were taken by Mr. McBrier during a European trip in 1926 on the behalf of the Methodist Church. McBrier was, at that time, the chairman of a commission to investigate the foreign missions work of the Methodist church. The purpose of this trip was to visit various missions in Europe. The photographs were taken in France, Sweden, Finland, Germany, Austria, Rumania, Bulgaria and Yugoslavia. The majority was shot in Germany and Eastern Europe. Many are of buildings and places which were not often visited or which have since been war damaged. Each photograph is dated and recorded in captions.

The McBrier photographs are interesting for several reasons. In addition to their historical value as records of architecture and scenes which have subsequently been damaged, they depict Europeans engaged in occupations and activities which no longer exist. Many are dressed in native costumes. The photographs are also interesting for their connection with the Methodist Church since McBrier photographed the churches and missions he visited. Finally, they are well-composed photographs with considerable artistic merit.

Two journals are included in this collection. Our Trip Abroad is the diary from a trip around the world taken by Mr. and Mrs. McBrier in 1929. Some Reminiscences of Edwin Merton McBrier includes recollections of friends, an early history of the F.W. Woolworth Company (McBrier retired in 1921 as Buyer of Merchandise) and an account of an incident which took place during the 1926 European trip. Some of McBrier's many honors for his missionary work are listed, including the order of the Jade. This honor was conferred on him by Chiang Kai Shek. Two large group photographs from the European trip are enclosed in this journal.

Amateur photographer; sixty-two reels of film shot by Benz on various trips.

When the University of Michigan Media Resources Collection was accessioned by the Bentley Historical Library, a number of films were discovered in the vault that were not related to that collection. Within that material were travel films shot by Fred E. Benz. These films document Benz's travels around the world between 1929 and 1950. The films had been edited together and were probably used by Benz for presentation to local groups and as home entertainment.

The Fred E. Benz Collection contains sixty-two, 400 foot reels of silent 16mm film. It is made up of eight series, one for each trip taken. The series are: Africa, Australia/New Zealand, Guatemala, Havana, Mexico, Russia, South America, and a World Cruise. The contents of each reel are described in the finding aid. Benz has included handwritten descriptions of the images found on the Russian and World Cruise series attached to the inside lids of each can of film. Benz was careful to document most of the locations with a handwritten note displayed before the camera. When cities or natural markers are noted in the finding aid, the identifying information was taken from that supplied by the film maker on the screen or from his notes in the can lids. The spelling of geographic locations in the finding aid reflect the information on the film and not current spellings.

Short notes found with the Mexican footage indicate it was the result of two different trips. The reels retain their original numbering because the numbered reels (1,2,3,4) appear to comprise one trip and numbered/lettered reels (1a, 3a, 4a) comprise the second trip.

The value of the collection is that it captures moments in time, documenting lifestyles, architecture and modes of travel which no longer exist or have evolved over time. Footage exists of London on the eve of war and Shanghai one year before being destroyed by the Japanese invasion.

Perhaps the greater value lies in the depiction of the indigenous lifestyles captured on film. Benz, as an amateur photographer, was interested in the common events that he experienced as he traveled. The collection features extensive recordings of people working or playing, and children of different cultures going about their daily activities. The films show barren huts in remote areas of Russia in the 1930s, families living under stone bridges outside of Buenos Aires, life-saving competitions in Sydney and the plethora of street markets found in most cultures and countries that he traveled through.

Because these are travel films, the scope of the footage included often extends beyond the geographic area used to identify the series. For example, the Australia footage includes material filmed on various Pacific islands, the Asian continent and Japan. The Russian trip contains footage of England and Northern Europe, and the South American films contain shots of the departure from New York. Each series should be examined for additional geographic content.

Special attention should be given to the Mexican series containing film recordings of Mt. Rushmore with construction only partially complete. Included as well are extensive shots of bullfighting in addition to other Mexican scenes. Also of note is the extensive depiction of women throughout all of the series. On the canister containing reel 5 in the Russia series is a receipt from United States Navy Department stating that this reel was being forwarded to Chicago for study of the shots of Kirkenes, Norway.

The color in the Africa, Guatemala, Havana, Mexico and South America series is excellent. The wide, clean, lush cityscapes of Havana and Capetown are richly captured in color and give an indication why they were popular travel destinations at this time.

In addition to the eight travel series, the collection also included one reel of World War II footage assembled by Castle Films from public domain footage. This type of film was sold through camera stores and mail order houses and Benz probably purchased a reel for his own use. The identifying writing on the film can is in Benz's handwriting and clearly belonged with his collection.