Collections : [University of Michigan Bentley Historical Library]

African American revolutionary communist and theoretician of Black nationalism, joined Communist Youth League in 1923 and later communist Party U.S.A., studied at Lenin Institute and worked for the Comintern, member of the Abraham Lincoln Brigade in Spanish Civil War, author of Black Liberation (1948) and Black Bolshevik (1977). Papers include correspondence, speeches, text and notes for his writing and Communist Party material.

The papers of Harry Haywood consist of two linear feet of materials dating from 1928 to 1985. The collection is arranged topically. It is divided into eight series, including: Autobiography; Articles and Manuscripts; Communist Party Material; Black Conditions and Responses; Speeches and Presentations; Correspondence; Book Contracts and Reviews; and Notes, Fragments and Miscellanea.

Naturalist, professor of zoology and paleontology at the University of Michigan. Autobiography and biographical material; correspondence, diaries and travelogues, and writings concerning in part his collecting expeditions for the University Museum to South America, China, the Philippines, and other parts of the Far East; also papers reflecting his thoughts on science, religion, philosophy and evolution; and photographs.

The papers of Joseph Beal Steere consist of four feet of manuscript and visual material, one oversize volume, and one oversize folder covering the years 1861-1941. The collection is organized into seven series: Autobiography/Biography, Professional and Published Correspondence, Diaries and Travelogues, Writings, Photographs, and Correspondence with family and friends (1861-1926).

The collection consists of an autobiography, portraits, and a steel engraving plate. His personal recollections of his and his division's part in the war were written for his family. The chapters include: "Preliminary--Enlistment--Rendezvous"; "Going to the Front"; "Washington to Fredericksburg"; "Fredericksburg, "with a vivid description of the "bloody and lamentable" battle of Fredericksburg, and an analysis of McClellan as a general; "From Fredericksburg to Louisville, "with an explanation of the demoralization of Col. A. W. Williams; "Louisville to Horse Shoe Bend," with an account of the squabble between Colonel Doolittle and Colonel Mausar over slaves to be or not to be returned to their owners, and the issuing of the paper Union Vidette; "The Battle of Horse Shoe Bend, Ky."; "Down the Mississippi to Vicksburg" and "The Jackson Campaign"; "From Mississippi to Tennessee" and "East Tennessee Campaign" with "The Battle of Campbell Station"; "Siege of Knoxville"; "The assault on Fort Saunders"; "some Incidents of the Siege of Knoxville"; "After the Siege of Knoxville"; "East Tennessee to Virginia" and "Back to the Army of the Potomac"; "Through the Wilderness"; "To Ny River and Spottsylvania"; "Hospital Experience"; "In Front of Petersburgh" and "The Battle of the Crater"; "Incidents of the Battle of the Crater"; "After the Crater"; "Weldon Railroad and Ream's Station." "Poplar Springs Church and Beyond"; "Peebles Farm to Fort McGilvery"; and "The Winter in the Petersburg Trenches."

Edward Ginsberg was born in Brooklyn in 1917 and graduated from the University of Michigan in 1938. Ginsberg was heavily involved in Israeli and Jewish activities in the United States and served as chairman and president of United Jewish Appeal. The collection primarily documents his travel to Israel on behalf of United Jewish Appeal and highlights his relationship with prominent Israeli leaders, including Golda Meir, Moshe Dayan, and David Ben-Gurion. The collection is especially strong in its visual documentation of life in Israel during the 1960s.

The Edward Ginsberg papers document Ginsberg's involvement with United Jewish Appeal and his relationship with prominent Israeli politicians, including Golda Meir, Moshe Dayan, and David Ben Gurion. The collection is primarily composed of photographs and films covering Ginsberg's travels to Israel on behalf of United Jewish Appeal. These photographs offer strong visual evidence of life in Israel during the 1960s and following the Six Days War.

The collection is organized in five series: Autographed Books (1 linear foot); Travel and Events (2 linear feet); Photographs and Slides (2 linear feet); Motion Pictures (2.5 linear feet and 12 reels), Audiotapes (.5 linear feet); and Awards and Memorabilia (.2 linear feet and 9 oversized items).

Charles A. Sink was president of University Musical Society. Photographs (mainly autographed portraits) of musical performers, many of whom appeared in performances of the University Musical Society.

The collection consists of photographs (mainly autographed portraits) given to Sink in his responsibility as president of the University Musical Society. There are over 550 photographs, most of them are 8" x 10" prints. They have been arranged into two alphabets, one for individual photographs and one for photographs which were originally in an album. The listing includes "see" and "see also" references so that every occurrence of a person can be located whether it is in a file for a different individual or located separately because of size. The exception to this is for some of the group photos for which the group is identified but individuals are not (or their signatures are not legible). Unidentified photographs (there are three) are in a folder at the beginning of Box 1. There is one photograph per folder unless otherwise indicated. Some of the multiples are duplicates.

Eastern Michigan University professor of history; University of Michigan student notebooks, research materials on the history of the automobile in Michigan.

The George May papers consists primarily of research files from his study of the history of the automobile. There is also a small series of student notebooks compiled while he was a student of history at the University of Michigan. The series in the collection are Automobile History Research and University of Michigan Student Notebooks.

Artist for the Detroit Times. Editorial cartoons and sketches relating to local political and social issues.

The Cromwell collection consists of ca. 570 original editorial cartoons intended for publication in the Detroit Times. The subjects of the cartoons are primarily Detroit and Michigan politics, government, and public issues. The topics are a reflection of the times: the automobile, traffic problems, gasoline prices, the impact of the Ku Klux Klan in local elections, prohibition, public transportation, and crime and law enforcement. Many of the cartoons concern the public personalities of the time: Mayor Frank Murphy, Henry Ford, Governor Alexander Groesbeck, Ty Cobb. The cartoons range in size from 14 1/2" x 11 1/2" to 14 1/2" x 20".

The television production studio and media services unit of the University of Michigan, commonly referred to as "Michigan Media." It was formed in 1978 through the merger of the university Television Center and the university Audio-Visual Education Center. The Television Center began producing educational programs for broadcast on commercial and public stations in 1950. The Audio-Visual Education Center produced films for the university and operated a film distribution library. The Media Resources Center closed in 1986. The collection consists of documentary type film and video and film and video of television programs produced by the Media Resources Center and its predecessors.

The University of Michigan Media Resources Center Films and Videotapes collection consists of "archives" film footage produced or collected by the Center and television programs and films produced by the Center. The "archives" films are divide into three series; Archives Film (Series AF), Film File (Series AF) and Audio-Visual Education Center Film File Series AVEC Film File. The television programs are organized based on the

Archives Films

The "archival films": consist of documentary style, 16mm film footage of a variety of University of Michigan events, buildings, and personalities. The series originated in 1959 when the Television Center began a project to create a "university film archives." Some of this footage was shot for the purpose of being incorporated into television programs, but much of the filming was done simply to create a film record of the university. Filming was done on a regular basis through about 1972. After that date the Michigan Media collection includes comparatively few "archival" films.

The subject matter of the archival films falls into several broad categories:

1. Series AF -- Archives Films and Series FF -- Film File
   • Ceremonial - including footage of awards ceremonies, inaugurations, graduations, building groundbreakings and dedications
   • Campus scenes - buildings and construction sites, students on the Diag, and general activity on campus
   • Athletic events and marching band performances
   • Student activities -- including protests, fraternity/sorority activities, homecoming, course registration, and social events.
   • Faculty and administrator interviews
   • Visiting dignitaries and participants in special programs and conferences on campus.
   • Films collected by the Television Center - these include several films from the 1920s and 1930s
2. Series AVEC Film File
   • Original footage shot for use in Audio-Visual Education Center films

Films in the three archival series range from a few minutes to more than an hour in length. The films may be negatives, original positives, or work prints. Some are identified as "trims," i.e. original footage edited out of finished productions. The work prints have often been cut and spliced and portions may be missing. Several titles were originally recorded on either two- or one-videotape reels or directly on 3/4-inch videotape cassette.

The early films, ca 1953-ca.1963, are generally black and white. After 1963 color film is more common. Many of the films, especially, from the early years, are silent. For some of these there are accompanying 16mm magnetic sound tracks or 1/4-inch reel-to-reel audio tapes.

The film description part of the finding aid is arranged by series film number or titles. Film numbers were assigned by the Television Center in an approximate chronological order. The description of individual films is based on a card File created by the Television Center and on a viewing of each film by Bentley staff.

The descriptive record for each film includes the film number; title; date; a brief summary of the content of the film; a listing of significant persons appearing in the film; and technical information on the color, sound, polarity, and length of the film.

The films are stored in canisters, usually on a core rather than a reel. A film number generally refers to an individual film title. There is sometimes more than one film number in a canister and occasionally more than one film number on a single reel or core. Alternate versions of a title are indicated by a lower case letter.

The Television Center gave the films titles which are more or less descriptive. These titles have been retained except for a few instances in which a more descriptive title was assigned or in which a uniform title was created for all parts of a multi-reel film. The individual reels of multi-part titles are designated by a lower case letter, e.g. 98a, 98b, 98c. For some titles the may be more than one film, possibly a negative, positive, work print, or other version. A few tittles have been digitized and are available on DVD and streaming files.

The listing for each film or program in includes a Title, date of production, and abstract/summary of the content of the film and ,when available, the names of persons or organizations featured in the film. University of Michigan faculty and staff are identified by departmental or administrative affiliation (e.g. Peter Gosling, UM-Geog. A list of abbreviations used is included in the Additional Descriptive Data Section of this finding aid.) Technical information for the films is provided in the format: Original: 16mm film, pos, b/w, sil, 343, 00:09:35. The order of the information is:

1. Format -- film / videotape / magnetic sound track
2. Polarity -- neg (negative) /. Pos (positive) / wp (work print)
3. Color -- b/w or color
4. Sound -- silent / sound / sof (sound on film)/ at (accompanying 1/4-inch audiotape)
5. Length -- expressed in feet (footage value is sometimes an estimate)
6. Running time -- in the form 01:33:25 (hours:minutes:seconds)
7. (in cases where there are several versions of a title, there may be multiple values for each category)

Television Programs and AVEC Films

The Television Programs consist of 16mm kinescope films and two-inch and 1-inch videotapes of programs produced by the Center for distribution to commercial and educational television stations. The collection represents only a portion of the television programs produced by the Center. There were no extant copies of some programs when the library acquired the collection.

The films and videotapes in the Michigan Media collection were appraised and only a portion have been selected for permanent retention by the Bentley Historical Library. A number of appraisal criteria were used in determining which television programs and films were retained:

1. subject matter relating to the University of Michigan;
2. subject matter relating to the state of Michigan;
3. subject matter of general, national interest;
4. participation of prominent UM faculty or staff;
5. participation of prominent Michigan personalities;
6. participation of persons of national or international significance;
7. programs marking significant technical or artistic developments at Michigan Media;
8. award winning programs.

The television programs are organized by series created by the Center. The series for the most part reflect different type of programming the Center produced, from the earliest "telecourses" to the independent programs produced under the title "Understanding Our World". to the multi-part programs that were the core of the "University of Michigan Television Hour. See the History section for details on the different series.

The description for individual programs includes the title and date of the program, a unique id number, and an abstract of the content of the program with listing of the host and guests on the program. A program may exist in one or more formats: kinescope negative, kinescope positive and 1-inch or 2-inch videotape. Technical information for each program is recorded in the format16mm kinescope film, neg. #511, Pos. #665, 2-inch video #458. (the negative number was treated as a production and for some programs recorded originally on videotape a negative was not actually produced). The television programs were generally either twelve, fifteen or thirty minutes in length Most are black and white and all have sound.

In 2009 a selection of television programs and films and tapes were digitized. for each tape or film selected a preservation Beta SP tape was made as well as a DVD use copy and a streaming file (mpeg4 and Flash). For some films a high resolution digital copy was made as well (mpeg2). The finding aid lists the original format(s) and the derivative formats for the digitized items.

Professor of Public Health at the University of Michigan from 1961 to 1988, noted for research in the field of quality assessment of public health and service. Papers contain biographical material, correspondence, and material related to his research and professional activities, including studies for the Community Health Association of Detroit, Michigan and background on various publications.

The papers of Avedis Donabedian document his career as professor at the University of Michigan School of Public Health and in the medical research field from 1946 to 1997. The papers are divided into three series: Correspondence, Research and Professional Activities, and Biographical.

Winning manuscripts of the University of Michigan's Avery Hopwood and Jule Hopwood Prizes, a creative writing scholarship program at the University of Michigan. The manuscripts, dated 1931-2019, are bound in volumes according to the corresponding competition category, and accompanied by an author index.

1931-2019 winning manuscripts of the University of Michigan's Avery Hopwood and Jule Hopwood Prizes competition (also known as the Hopwood Awards). The manuscripts are bound in volumes according to the competition category for each year (e.g., "Undergraduate Short Fiction," "Drama," "Summer Awards," etc.) The collection is accompanied by an author card index. Cards within the index are arranged in alphabetical order by last name and include information about the manuscript title, competition category, competition year, the number of the volume that contains the manuscript, and the awarded prize amount.