Collections : [University of Michigan Bentley Historical Library]

Leland, Michigan, journalist and author. Papers relating to his work as writer and editor for Reader's Digest; scripts and other papers concerning his activities as scriptwriter for radio, television, and motion picture production; copies of magazine articles; and material concerning the role of the United States in Mexican border troubles prior to World War I; also photographs.

The collections includes biographical and personal materials, correspondence, clippings, articles, motion picture and radio scripts, photographs, and copies of his writings from various magazines.

Edward Gearing Kemp was an attorney who served as legal adviser of Frank Murphy. The collection includes correspondence, photographs, and other materials related to Kemp's work with Murphy and other professional activities, and memorabilia.

Mainly correspondence related to Kemp's professional affairs, particularly his work with Murphy in the Philippines and Kemp's service as an Assistant to the U.S. Attorney General and at the U.S. Bureau of the Budget. Kemp's correspondents included Henry M. Bates, Thomas E. Dewey, Arthur S. Flemming, J. Edgar Hoover, Charles E. Hughes, Cordell Hull, Robert H. Jackson, J. Weldon Jones, George A. Malcolm, Frank Murphy, Chase S. Osborn, Franklin Delano Roosevelt, among others.

A scrapbook, 1933-1962, with photographs, clippings, and other memorabilia relating to Kemp's public career and his association with Frank Murphy. The Philippines-period photographs depict Murphy, his sister Marguerite Murphy, Kemp, other members of Murphy's staff (e.g., Murphy's secretary Eleanor Bumgardner) and their families, as well as scenes in the Philippines. Materials related to Kemp's career in Washington include mostly newspaper clippings, letters, invitations, and memorabilia.

The collection also includes a small amount of biographical information and miscellaneous material (personal applications and notes, work-related notes, summaries of reports, etc.)

Professor of music education at University of Michigan. Correspondence relating to his work in music education; also programs relating to music education, particularly the Summer Conference on Music Education; and photographs.

The David Earl Mattern Papers document Mattern's education and career from 1905 to his death in 1959. The collection is organized in four series: Biographical and Personal Materials, Education, Professional Career, and Photographs. Topics covered extensively in this collection include the University of Michigan Men's Glee Club, the Extension Orchestra, and Mattern's activities during the university's Summer Session.

Author based in Boston, Massachusetts and Ludington, Michigan. Scrapbooks containing news clippings and correspondence; copies of books; manuscripts of writings; and contracts with publishers.

The Doner papers relate mainly to her writing career and include scrapbooks containing clippings and letters about her various books. The collection also contains copies of her books and manuscripts of her writings.

Modernist architect based in New York City, 1929-1950, and professor of architecture at the University of Michigan, 1950-1972, where he also carried on an active private practice until shortly before his death in 1990. A graduate of MIT, Muschenheim studied further with Peter Behrens at the Vienna Academy of Fine Arts and was strongly influenced both by a visit to the Bauhaus in Weimar, Germany and by a period working in urban planning with Peter Korn in Berlin. Two major Muschenheim collections exist, one within the Avery Architectural and Fine Arts Library at Columbia University and another within the Bentley Historical Library at the University of Michigan. The Muschenheim collection at the Avery represents primarily his professional career from 1929 to 1957, and the Muschenheim collection at the Bentley concerns his later professional practice and teaching career at the University of Michigan, as of 1950. This finding aid describes both the Avery and Bentley collections.

Staffs of the Avery Architectural and Fine Arts Library and the Bentley Historical Library have prepared separate finding aids for their respective William Muschenheim collections. These have been merged to provide one integrated finding aid. This integrated finding aid lists all Muschenheim materials held by both repositories. All of the drawings, papers, photographs and other materials for each project are brought together in a single job-number/chronological sequence. The physical location of each item/folder is indicated by "A" for Avery and "B" for Bentley. The combined finding aid organizes the Muschenheim papers into four series:

1. Biographical and Professional Material [Bentley]
2. University of Michigan Teaching Career [Bentley]
3. Publications and research [Bentley]
4. Project Files [Avery and Bentley]

The project files of William Muschenheim are described according to Muschenheim's original filing system in which he interfiled the drawings, correspondence, specifications, and other papers for each job/client. Muschenheim typically assigned each client a single job number no matter how many projects he may have done for the client. There are a total of 130 numbered jobs in the Avery Collection (#1-130, with gaps between jobs 11-17, 25-26, 28-29) and 63 numbered jobs in the Bentley collection (#132-193, there are no materials for 22 of the jobs). There are also nine unnumbered projects (4 Avery and 5 Bentley) and several folders of miscellaneous material.

Each numbered job consists of one or more projects and each project is subdivided by format of material into Drawings, Papers, Photographs, and Presentation Boards as appropriate. There is some variance in the manner in which the two archives have arranged and described project material. The Avery has described its drawings at the item level while the Bentley provides only folder level descriptions for most projects. For this finding aid item level descriptions are provided for selected Bentley projects. Photographs are found in the "Papers" in some Avery project files but are listed separately in the Bentley finding aid.

At both the Avery and Bentley the oversize architectural drawings have been removed from their original folders and stored separately.

The William Muschenheim Architectural Drawings and Papers at the Avery Library span 1929-1957, with bulk dates 1931-1950. Muschenheim's papers document 130 separate jobs, and the visual material consists of 3081 sheets of drawings. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY),Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

William Muschenheim had numerous clients which included the following family members: Carl Muschenheim, Elsa Muschenheim, and Frederick A. Muschenheim. In addition to the many clients for whom Muschenheim did alteration work, he also worked with a wide variety of companies. Some of the companies include Bigelow Carpet Company, C.G. Flygare Inc., Excel Metal Cabinet Co., Inc., F. Schumacher & Co., Famaes Development, Hans Knoll, Howard & Schaffer, Inc., Kurt Versen Lamps, Inc., Ledlin Light Designers, Portland Cement Association, and Thonet Brothers, among many others.

The papers and drawings in the William E. Muschenheim collection at the Bentley Library span the years 1923 to 2004, however the bulk of the collection covers the years 1951 to 1985. The papers are primarily comprised of material documenting Muschenheim's research and teaching career from 1950 to 1973 at the University of Michigan, and the private practice he continued in Ann Arbor after leaving New York City. There are limited papers and drawings related to his life and professional work prior to 1950, although the Photographs Series includes beautiful black and white images of many of his important New York projects, and the Publications and Research Series is valuable for articles published in the thirties and the forties showcasing his work. Papers and drawings spanning the years 1929-1957 (bulk dates 1931-1950) are held at the Avery Library, Columbia University.

Muschenheim's early and lasting commitment to the modern movement and to an international view of architecture and architectural education is reflected in the collection, which consists of biographical and professional materials, research and course materials, publications related to his work, project files and drawings, and photographs and slides. The Muschenheim collection will interest researchers drawn to study the work of a pioneering modernist, well known for originality in working with color as an integral part of contemporary design, and those interested in the generation of architects involved in the fifties and sixties with legitimizing the modern period in an academic environment. Additionally, Muschenheim's efforts to illuminate the art of architecture as an important element and expression of culture to a broader segment of society renders the collection important to a wide range of disciplines and interests.

The papers are largely organized according to Muschenheim's original filing scheme, in which he interfiled material related to projects (including drawings) with professional papers, correspondence, and other documents, numbering them sequentially. The Bentley Library collection consists of material numbered 132 to 192. Many large original drawings were removed from folders, flattened, and are stored in drawers. Five series make up the collection: Biographical and Professional Materials; University of Michigan Teaching Career, College of Architecture and Design; Publications and Research; Project Files; and Digitization Project. Users should note that material related to a single project is often scattered throughout the collection. A Supplemental Guide to work produced after 1950 in the additional descriptive data portion of this finding aid. Also appended is Muschenheim's list of projects (numbered 1-189).

Aviator, civilian personnel officer with the U.S. Air Force; chronological and topical files, audio-visual materials, and clippings and scrapbooks.

The Chauncey Spencer collection is an accumulation of personal materials - correspondence, scrapbooks, photographs, sound and video recordings - relating to his lifelong interest in aviation, his career with the military, and the career of his mother, poetess Anne Spencer.

Detroit, Michigan, attorney, Democratic member of the U.S. House of Representatives, 1955-1974, and member of the House Ways and Means Committee. Congressional papers, arranged by term, include legislative files, bills files, topical files, schedules, sound recordings, photographs, motion pictures, and scrapbooks. The collection details relationship with colleagues and constituents and pertains to committee activities, legislation sponsored, and issues of the day. Topics of interest include civil rights, the war in Vietnam, Sleeping Bear Dunes, the humane slaughtering of animals, the economy and the fiscal policy of the federal government, women's rights, the Equal Rights Amendment, economic problems of women, and the need for national health insurance legislation.

The Griffiths collection consists primarily of correspondence exchanged with constituents and lobbying groups on matters of pending or proposed legislation and on topics of current interest. The collection's great value is its documentation of the workings of this one congressional office and its perspective on the issues confronting the nation in the period of 1955 to 1974. With the Democrats in control of the Congress, these years witnessed legislative efforts to use the power of the Federal Government to rectify the ills of society on matters of civil rights, assistance to the poor, health care for the aged, environmental protection, and so forth. It was also a time of strife in society resulting from the war in Vietnam, tension among the races, and the Watergate crisis. The Griffiths collection documents these issues with letters from constituents and her response to the concerns of the people.

Beyond general issues, the Griffiths papers have importance for their documentation of the specific contribution of this one woman member of Congress, who served for twenty years, and who was rewarded by her colleagues with increasingly responsible committee positions. Especially significant was her appointment to the powerful Ways and Means Committee under the chairmanship of Wilbur Mills. Griffiths' files from her work on W and Means Committee detail the major pieces of tax reform legislation of the 1960s, notably Griffiths' efforts to legislate some equity into the benefits accorded to American women.

The Martha W. Griffiths papers, with few exceptions, have been maintained in the arrangement scheme used by the Griffiths office.

Public health physician and director of the Division of Hygiene, Public Health, and Physical Education at the University of Michigan, 1921-1941, papers include correspondence, administrative reports and studies, working files, minutes of meetings attended, manuscripts of writings, and photographs.

John Sundwall was an important figure in public health education, and his papers reflect his broad interests in this area. As a University of Michigan administrator and educator and as an involved member of various professional groups, Sundwall was a thoughtful leader in discussions pertaining to the kind of education and course offerings individuals in various public health positions should receive. More an educator and administrator than a researcher, Sundwall was a responsible and dedicated thinker in the development of public health as a respected profession.

The John Sundwall papers, covering the years 1921 to 1944, consist mainly of records maintained by Sundwall in his capacity as director of the University of Michigan Division of Hygiene and Public Health. There are no papers prior to his coming to Michigan in 1921 and only scattered papers after 1941 when the School of Public Health was established.

The Sundwall collection consists of correspondence, administrative reports and studies, working files, minutes of meetings attended, manuscripts of writings, and photographs.

The collection has been grouped into the following series: Biographical/background information, Correspondence, University of Michigan Division of Hygiene and Public Health, University of Michigan Topical, Organizations, Topical file, Writings, and Photographs.

Professor of chemical and nuclear engineering and director of the Fission Product Laboratory at The University of Michigan. Professional correspondence and reports largely concerning his interest in the use of radiation for preserving food.

The Lloyd Brownell papers consist largely of materials documenting Brownell's food irradiation experiments at the University of Michigan from 1951 to 1954. Other topics include experiments on the effects of radiation on petrochemical processes and pharmaceuticals and Brownell's work in sugar beet processing techniques. Beyond his work as a scientist, the collection also depicts the social climate of mid-1950s America, characterized by popular and industrial faith in progress and the powers of science. The collection has been divided into six series: Biographical/Bibliographical, Correspondence, Conferences, Projects, Articles and Programs, and Clippings.

Jerald terHorst was a political reporter for the Detroit News and served as President Ford's first press secretary, before resigning in protest of the pardon of Richard Nixon. He also wrote a biography Gerald Ford and a history of Air Force One. The collection includes correspondence, speeches, newspaper articles by terHorst and about him, audiotapes, and video documenting his role in the Gerald Ford administration and his later literary and public career.

The Jerald F. terHorst papers consist of clippings, correspondence, speeches, audiotapes, and video related to terHorst, Detroit News reporter and President Gerald Ford's press secretary. Topics in this collection include his early life (particularly as a member of the Marine Corps), his work as a member of the Detroit News and White House, and other efforts (such as producing documentaries) that occurred after officially resigning as President Ford's press secretary in 1974.