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Folder

Dr. Addison Ray Stone (1828-1888)

The papers of Dr. Addison Ray Stone include some of his medical school notes and theses on such topics as the medicinal uses of opium and the symptoms, diagnosis and treatment of measles. Also included are his letters to his wife Ellen "Nellie" Gertrude Jenness Stone describing daily life and the battle activities of his regiment during the Civil War. His wife's papers contain letters written to her husband during his Civil War service.

Collection

Drama Season (University of Michigan) records, 1929-1966

3 linear feet

The Drama Season of the University of Michigan is a theater group on campus. Prior to 1952 known as the Ann Arbor Drama Season; the organization did not function from 1943 to 1948. The records collect scrapbooks, 1938-1942 and 1949-1961, containing clippings, programs, and production photographs; also correspondence files, legal and financial papers relating to operation of this Ann Arbor, Michigan, professional theater program, during the directorships of Robert Henderson, John O'Shaughnessy, and Valentine Windt.

The Drama Season records span the years 1929-1966. The material consists of scrapbooks from 1938 to 1942 and 1949 to 1961 (2 linear ft.) which contain mainly clippings from local and national newspapers, along with some programs and photographs.

Also included are alphabetically arranged administrative files relating to the operation of the theater and the performances. Materials include correspondence, legal and financial files and press releases. The bulk of this material is from the 1950s and 1960s.

The photographs series includes a photo album and production photographs, mostly from the 1950s and autographed photos of Lillian Gish and Billie Burke.

Collection

Dramatic Arts Center Records, 1954-1966 (majority within 1955-1960)

2 linear feet

Corporation established in 1954 to operate a center for dramatic and theater arts in Ann Arbor, Michigan. DAC also sought unsuccessfully to establish repertory theater in Ann Arbor. The Center dissolved in 1967. records accumulated by DAC secretary and president Wilfred Kaplan. Included are background information consisting of bylaws and chronology of DAC; administrative records; activities materials concerning work of the Steering Committee for a Repertory Theater; publicity, programs, and other materials relating to DAC productions; and scrapbooks containing clippings, programs, and one photograph.

The records of the Ann Arbor Dramatic Arts Center were accumulated and maintained by DAC secretary and president Professor Wilfred Kaplan. The records cover the period 1954 to 1966, are arranged in five series: Background, Administrative, Activities, Production, and Scrapbooks. The records, consisting of correspondence, memoranda, and other files, detail the formation of the Dramatic Arts Centers, its activities, its planning for a theater in Ann Arbor, and its eventual demise.

Folder

Drawings

Online

The Architectural Drawings series, containing over 1,700 drawings representing more than four hundred and sixty Jensen projects (including approximately thirty Chicago parks projects), are arranged alphabetically by project title, foldered, and stored in flat file drawers. The project title includes the geographic location when known and, for some projects, the name of the building architect. The item descriptions include the identifying code assigned by Jensen, drawing title, date of the drawing, and information on the format, size, medium (the material or process used to produce an image) and support (material on which drawing is produced) of the drawing. Some drawings have been scanned (from copy negatives) and are available online through the Bentley Library Image Bank.

Jensen drawings are most frequently black ink or graphite on linen, sometimes with lines in red ink and borders, stepping stones, council rings and other features filled with yellow or brown ink. There are also a large number of drawings and sketches executed on tracing paper with graphite or black ink, sometimes combined with colored pencil and occasionally embellished with watercolor. Blueprints are rarely from Jensen's office, although they frequently have a few pencil markings. Nearly all of the linen and tracing paper plans hold Jensen's distinctive signature, and many include a note warning that "composition will suffer" if changes are made to the plan. Researchers interested in more item-level detail, including size of a drawing and description of its contents, will want to refer to the index cards prepared by the Art and Architecture Library, which are in box 3 of the collection. There is also a photocopy version of the index, which is available for use from the reference archivist.

There are nearly one hundred drawings of Chicago Parks in the collection. Of particular note for those interested in Jensen's contributions to conservation and his visionary concepts in urban planning are two projects: Proposed Park Extension: West Chicago Park Commission (1918) and A Greater West Park System (1919). Also important are drawings for Jensen's celebrated Columbus Park, which he considered his most successful. Humboldt Park, Douglas Park and Garfield Park, executed earlier, are equally significant for tracing the evolution of Jensen's career in the public realm. Among the parks represented beyond the Chicago area are designs for the Lincoln Garden, Springfield, Illinois; Racine, Wisconsin; Benton Harbor, Michigan; Oak Park, Illinois; Pasadena, California (blueprints only); Glencoe, Illinois; and River Forest, Illinois. Unlike most of Jensen's public work, the Racine park system (thirty original drawings) survives today much as Jensen planned it, as does the Lincoln Garden, Jensen's last major public design. While there are thirteen original drawings and six prints for various Springfield, Illinois projects, there are, unfortunately, only two prints in the collection of the Lincoln Garden.

The most fully documented Residential projects are two that Jensen executed for Edsel Ford -- Grosse Pointe, Michigan (1926-1932), Albert Kahn, architect; and Seal Harbor, Maine (1922-1926), Duncan Candler, architect. The two together total forty-one original drawings and six blueprints. The Grosse Point Shores estate has been reported to be the most expensive and extensive of any of Jensen's residential designs. The Seal Harbor project is of particular interest because it was the only major work Jensen ever undertook in the East, where he worked to create a garden that would fit into "the ruggedness and mystery" of the coast. Another important residence is the Henry B. Babson house, Riverside, Illinois (1909-1911), a collaboration with Louis Sullivan. Drawings include a topographical survey, grading plan, designs for entrance and grape arbors, and planting plans. The landscape scheme reflects and accentuates the horizontal lines of the prairie house; crab apples are sited to frame a view of it and of the nearby open "prairie" space. The prairie style as a collaboration is also evident in two projects with Frank Lloyd Wright -- the Avery Coonley house in Riverside, Illinois (1908-1917) and the Sherman M. Booth place in Glencoe, Illinois (1911-1912). In addition, researchers will find the sixteen original drawings for the Harry Rubens estate in Glencoe, Illinois (1902; George Maher, architect) a particularly fine example of an early integration of design elements that came to signify the Jensen style. Other relatively early and important projects undertaken with prairie school architects for which there are significant drawings are the I.B. Grommes house in Lake Geneva (1902), Richard Schmidt, architect; and the August Magnus house in Winnetka, Illinois (1905), Robert Spencer, architect.

Additional notable residential work in the collection includes the E.L. Ryerson Estate, Lake Forest, Illinois, (1912); the Wallace W. Gill Place, Glencoe, Illinois (1922); the Harold Florsheim Place, Highland Park, Illinois (1926-1928); the Harley Clark Place, Evanston, Illinois (1928); the Julius Rosenwald Estate (1911), and the E.F. Simms Estate, Paris, Kentucky (1915). The Gill Place is of particular interest because it is a smaller project than most, yet a carefully designed example of landscape art; the Florsheim estate is an excellent illustration of the skillfulness Jensen brought to rock work -- in this case overlooking a Lake Michigan ravine.

Jensen's interest in Schools and Education spanned his career, from his notion of the underutilization of schools as a center for lifelong learning while designing for Chicago parks, to the establishment of The Clearing, the school he developed in Wisconsin. Influenced by his experiences in Danish folk schools, Jensen believed that the grounds of schools and educational settings could -- and should -- play a major role in enhancing learning. The collection illustrates his theories in designing for very young children with the Avery Coonley Kindergarten in Downer's Grove, Illinois, a project undertaken with Frank Lloyd Wright as one example, to settings for adolescents, such as the Manitowac, Wisconsin High School with architect Dwight Perkins as another. Drawings for Manitowac include a council ring, a court of debates, a rock of wisdom, play rings, campfire areas, study rings, and a player's hill with torch. Researchers interested in Jensen's orientation to the landscape as it intersects with education and urban planning will also want to look at his Chicago park work, particularly the neighborhood centers, such as those he designed for Lloyd and Logan schools. The Helen Pierce School of Chicago and the theater area of the University of Wisconsin are also a part of the collection. Researchers should note that a distinguishing characteristic of Jensen's work for children (he was a charter member of the Chicago chapter of the Playground Association of America) are his playgrounds, which were comprised of a variety of settings and types of spaces deliberately designed to encourage creativity, imaginative play, dreaming and reflection, and open-ended interaction with the natural world.

Jensen's unwavering belief in the restorative power of nature is evident in his designs for Hospital grounds. Plans generally include curving footpaths, flower gardens, council rings and tranquil water systems, and often incorporate orchards, vegetable gardens, "picking" gardens into the landscape -- all intended to provide a restful setting and aid in the healing process. The drawings for the grounds of the Chicago Municipal Tuberculosis Sanitarium include details for campsites and campfire areas. The collection also has drawings for Decatur Memorial Hospital, Decatur, Illinois; Edward Hines, Jr. Hospital in Maywood, Illinois; the Henry Ford Hospital in Detroit; and the Milwaukee Convalescent Home.

Miscellaneous types of projects Jensen undertook include highways, golf courses, hotels, office complexes, government centers, suburban subdivisions, and monuments. There are examples of each in the collection. Of special note is his landscape work for the Lincoln Highway Association -- plans for the "ideal section," which he designed to reflect a prairie setting. Jensen included wide hiking trails that wound across the prairie and among the native grasses, flowers, hawthorns, crabapples. His plans incorporated a rest area, campsites, and council rings. There are twenty-three original drawings in the Lincoln Highway file, along with a number of prints. Drawings include suggested planting along a mile of prairie, a Lincoln Way concrete bridge, a detail for lamp post and memorial seat, and plans for the ideal section tourist camp.

Collection

Druids (University of Michigan) records, 1915-1923, 1936-1942

0.1 linear feet

University of Michigan honorary society. The collection consist of minute books dated from 1915-1923 and 1936-1942.

The Druids (University of Michigan) records consist of minute books dated from 1915-1923 and 1936-1942.

Collection

Dudley Maynard Phelps papers, 1920-1990 (majority within 1939-1961)

3 linear feet

Dudley Maynard Phelps was a student in the University of Michigan School of Business Administration's first graduating class, a University of Michigan faculty member (1926-1966), and an American diplomat during, and immediately following, World War II. His papers consist of correspondence, memoranda, research notes, Department of State records, publications, and photographs.

The Dudley M. Phelps papers contain substantial information related to reparations calculations after World War II and the study of marketing and distribution practices in the Soviet Union during the Cold War. Researchers will also be interested in information regarding the first graduating class of the University of Michigan School of Business Administration. The collection comprises of 2.6 linear feet composed mainly of correspondence, memoranda, research notes, reports, and photographs. The collection is arranged into four series: UM School of Business Administration, Department of State, Post-Retirement, and Visual Materials.

Collection

Dudley Randall papers, 1900-2002 (majority within 1960s-1980s)

11.5 linear feet (in 12 boxes) — 20 audiocassettes — 14 magnetic tape reels — 1 videocassette — 10 digital audio files

Online
African American Detroit poet and librarian, and founder of Broadside Press in Detroit, Michigan which supported and published black and African American poets and authors. Poet laureate of Detroit, 1981. Materials consist of personal and business correspondence, topical files, photographs, drafts and publications, audio recordings, and film reels.

The papers document the personal and professional life of Dudley Randall as an independent African American poet and founder of the Broadside Press in Detroit, and span the years 1900-2002. Material includes drafts and publications of original works, correspondence, photographs, sound recordings on audiocassettes and audio reels, and films featuring Randall, his family, and poets connected to the Broadside Press. Series in the collection may have overlapping subjects, as original folder contents were maintained. Folders are arranged first by date, and then alphabetically by original title where applicable. The collection is divided into four series: Biographical (1900-2002), Broadside Press (1939-1999), Topical Files (1908-2002), and Writing (1933-1983).