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Bright Sheng, a composer born in China, is also renown as a conductor, pianist, and researcher. The Bright Sheng Collection contains the papers of University of Michigan composition professor Bright Sheng. In addition to Sheng's own files and correspondence, it includes manuscript, printed, and published versions of his scores (printed scores are for musicians' use, while published scores are for a wider audience), published and unpublished recordings of his works, interviews, programs and reviews featuring his works, and work from Sheng's students. Also included are field recordings and an audio diary from the 2000 Silk Road project in China.

The Bright Sheng Collection contains the papers of University of Michigan composition professor Bright Sheng. It is comprised of 17 series: Biographical, 1982-c2000; Correspondence, 1962-2004; Professional, 1997-1998; Career, 1988-1995; Program Notes [undated]; Awards and Citations, 1984-2003; Photographs, 1985-2004; Reviews, 1986-2004; Programs, 1973-2003; Libretti, 1999-2003; Published Scores, 1988-1999; Printed Scores, 1982-2002; Manuscripts and Revised Scores, 1985-2004; Audio Recordings [undated]; Student Works, 1996-2004; Silk Road Trip, 2000; and Moving Images, 1985-2003. Together, these series document Sheng's career from his early days as a student to his current status as world-renowned composer and professor.

The first six series in the Bright Sheng Collection are extremely short, with a combined physical extent of approximately .5 linear foot. The Biographical, 1982-c2000 series is comprised of a single folder containing biographical material about Sheng. The Correspondence, 1962-2004 series contains topical files of Sheng's correspondence with colleagues in China, with his professors, and with his family, as well as a partial chronological file of correspondence falling outside of those three categories. The Professional, 1997-1998 series includes an article written by Sheng, as well as articles in Chinese about Sheng's music. The Career, 1988-1995 series contains materials related to Sheng's various appointments and positions over the years. The Program Notes series contains an article about the Sung Dynasty and the work Two Poems from the Sung Dynasty. The Awards and Citations, 1984-2003 series includes materials related to various honors Sheng has received in the course of his career, including a MacArthur 'Genius' grant and the University of Michigan's Leonard Bernstein Distinguished University Professorship.

The Junior Girls' Play was an annual play written and performed by women in the junior class at the University of Michigan. The collection includes musical scores, programs, and scripts of the various plays.

The Junior Girls' Play collection includes musical scores, programs, scripts, and sound recordings of the various plays produced by the girls of the junior class at the University of Michigan. The collection has been organized into the following series: Musical Scores, Programs, Scripts, and Sound Recordings.

Michael Daugherty is a composer and Professor of Composition at the University of Michigan School of Music, Theatre & Dance. Papers include compositions and original scores, correspondence, reviews, previews, programs and brochures for performances of Daugherty's work, and notes and collected materials documenting Daugherty's education, awards, and grants.

The Michael Daugherty papers document the career of composer Michael Daugherty. The collection consists of thirteen series: Biographical Materials, Compositions and Original Scores, Programs, Previews, Reviews, Brochures and Other Promotional Materials, Education and Awards, Correspondence, Contacts and Calendars, Media, Published Scores, Teaching Materials, and Miscellaneous. The collection includes compositions and original scores, programs, previews, brochures, other promotional materials, reviews of performances of Daugherty's compositions, notes and compositions from Daugherty's education, lecture notes and ideas, biographical materials, correspondence, and material documenting awards and fellowships received. The strength of the collection lies in the compositions and original scores and the collected programs, previews, reviews, and promotional materials that document performances of Daugherty's compositions.

Publications of the Michigan Union includes miscellaneous annual reports, brochures, constitutions, directories, histories, manuals, newsletters, organizational charts, programs, regulations, reprints, schedules of the Michigan Union; as well as musical scores and programs from the Michigan Union Opera, Mimes, and Musket productions.

Publications of the Michigan Union includes miscellaneous annual reports, brochures, constitutions, directories, histories, manuals, newsletters, organizational charts, programs, regulations, reprints, schedules of the Michigan Union; as well as musical scores and programs from the Michigan Union Opera, Mimes, and Musket productions. The Publications series is divided into two subseries: Unit Publications and Sub-Unit Publications

William Albright--organist, composer, and University of Michigan faculty member--was born in Indiana in 1944 and died in 1998. Albright earned three music composition degrees from the University of Michigan before becoming a member of the composition faculty at the U. of M. School of Music. Albright is probably best known for his piano and organ performance. He helped to bring about a revival of ragtime, and sought inclusion of ragtime and other types of popular music in many of his compositions. He composed for many single instruments--especially the organ--and ensembles, and for orchestra. He also composed hymns, and was the music director for the First Unitarian Universalist Church of Ann Arbor, Michigan. He studied composition with Ross Lee Finney, George Rochberg, and Olivier Messiaen, among others, at Michigan and at summer workshops, and organ with Marilyn Mason. The collection includes biographical materials, correspondence, programs, professional files, University of Michigan School of Music files, and scores and recordings of William Albright works (including notes, sketches, and manuscripts) and works by his friends, students, and teachers.

The William Hugh Albright Papers consist of 77 boxes of musical scores, recordings, and textual documents such as correspondence and lecture notes. Albright's extensive collection of scores and recordings by his friends, students, and mentors is also included. His own works are represented by recordings, original handwritten scores and published versions, and by penciled notes and sketches. The William Hugh Albright Papers are divided into ten series: Photographs, Biographical Materials, Correspondence, Programs, Professional Files, School of Music, The Magic City, Scores, Recordings, and Videocassettes.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

Willis C. Patterson, the first African American professor at the University of Michigan's School of Music, was an active faculty member from 1968 to 1999. He was a professor of voice and associate dean for academic affairs. Patterson directed the Men's Glee Club from 1969 and 1975 and spent summers as a faculty member at the National Music Camp at Interlochen, Michigan. While maintaining an active concert career and fulfilling teaching duties, Patterson organized a Black American Music Symposium and compiled several works on African American composers. Patterson played an active role in securing funding and mentorship for students of color and disadvantaged students both at Michigan and in the Ann Arbor community. The collection includes some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. It includes correspondence, research, photographs, clippings, publications, and topical files.

The Willis C. Patterson papers include some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. The collection includes correspondence, publications and research material, photographic material, posters, student records, clippings, and topical files.

University of Michigan radio station, founded 1948. Administrative records documenting the development of radio broadcasting at the University of Michigan; radio scripts, transcripts of talks given by faculty, publicity, scrapbooks, and photographs; and sound recordings of radio programs produced and broadcast by WUOM, as well as recordings of various University conferences, ceremonies, etc.

The records of radio station WUOM document the development of radio broadcasting at the University of Michigan from the 1920s through the 1960s. The bulk of the material dating from the founding of the campus radio station WUOM in 1948. The records include administrative files; scripts, publicity material, course guides and other program related material; and recordings of select broadcasts. the WUOM records are organized into three subgroups: Paper Records (including visual materials), Audio Materials (sound recordings) and Printed Material. The content description and arrangement idiosyncrasies of each are presented below. Though the dates of the current accession continue only into the early 1980s, with the bulk of materials concentrated in the 1940s-1960s, WUOM is a continuing unit of the university, and future accessions are anticipated.