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Chairman of the National Commission of Fine Arts. Reminiscences, 1889-1909, relating in part to his activities as clerk of the U.S. Senate Committee on the District of Columbia, and including his impressions of U.S. Senators and prominent architects and artists; scrapbook of postcards depicting European scenes and art work; scrapbooks of correspondence and clippings, 1921-1922, largely concerning his biography of architect, Daniel H. Burnham; correspondence with friends, artists, editors, learned societies; articles, addresses, miscellaneous papers, and photographs.

The Moore collections include reminiscences, 1889-1909, relating in part to his activities as clerk of the U.S. Senate Committee on the District of Columbia, and including his impressions of U.S. Senators and prominent architects and artists; scrapbook of postcards depicting European scenes and art work; scrapbooks of correspondence and clippings, 1921-1922, largely concerning his biography of architect, Daniel H. Burnham; correspondence with friends, artists, editors, learned societies; articles, addresses, miscellaneous papers, and photographs. The collection has been arranged into the following series: Correspondence; Manuscripts of addresses and articles; Diary / Reminiscences; Other materials; Daniel Burnham materials; and Visual Materials.

Additional Charles Moore papers are located at the Library of Congress and the Detroit Institute of Art.

Progressive educator, student of Thomas Dewey at the University of Chicago, served as head of the state Normal School at Oshkosh, Wisconsin, superintendent of the Felix Adler School of Ethical Culture in New York City and as head of teacher education in the city of Baltimore. The papers include extensive personal correspondence, scrapbooks, journals, writings and other materials concerning his professional interests. Correspondence includes letters from distinguished authors and educators.

The papers consist of extensive personal correspondence, scrapbooks, journals, writings and other materials concerning his professional interests. Included are, letters from distinguished authors and educators. Much of the collection relates to the progressive education movement and to Manny's career as an educator in Grand Rapids, Chicago, and Boxford, Massachusetts.

Librarian at the Library of Congress, University of Michigan and Northwestern University, and bibliophile. Correspondence, articles and pamphlets, papers relating to his books and articles, and topical files relating to his interest in Carnegie Libraries, literary forgeries, the work of the American Library Association's Library War Service during World War I, library Americanization programs, 1919-1921, and the library building of University of Michigan; also photographs.

The Koch papers are very incomplete for the part of his career before he went to Northwestern. Much of the earliest correspondence deals with the gathering of material for his "A Portfolio of Carnegie Libraries," Very little material on his work at the University of Michigan has survived, although a few reports from Byron A. Finney on the operation of the library and copies of Koch's proposal for a new library in 1915 are included in the collection.

Although the collection is much larger for the years after 1919, it is apparent that even for these years many of his professional files were either retained by the Northwestern University Library or destroyed. There is surprisingly little information on the activities of the A.L.A. or other professional organizations. Much of the correspondence consists of family and personal mail rather than the activities of the Northwestern library.

A high proportion of the material from this period relates to the writing and publication of his many books and pamphlets. Although Koch's files on Carnegie libraries, literary forgeries, the A.L.A. Library War Service, and Americanization programs may be of interest to scholars, many of his publications involved the translation and publication of works aimed merely at bibliophiles. These works were often published by such groups as the Caxton Club of Chicago or the Roxburgh Club of San Francisco which are interested in printing as an art form.