Collections : [University of Michigan Bentley Historical Library]

University of Michigan professor of anthropology; professor of botany; curator of ethnology; and former director of the University of Michigan Museum of Anthropology. Well-known for his innovative research in archaeology, ethnobotany, and paleoethnobotany, as well as a long and distinguished teaching career and dedication to public and professional service.

The Richard I. Ford Papers document the professional and personal life of one of the country's most prominent paleoethnobotanists, curator and former director of the University of Michigan Museum of Anthropology, and longtime University of Michigan professor of Anthropology and Botany. The records in this collection measure 27 linear feet, and date from 1968 to 2005, with the majority of the records from the period 1970 to 1990. The Ford papers are primarily comprised of correspondence, legal filings and consulting materials, lectures and conference presentations, publications, committee and service records, administrative materials, teaching files, and mixed media. The records are arranged into seven series: Correspondence, Legal Consultations, Professional Service and Activities, Teaching, University of Michigan Museum of Anthropology, Audio-Visual Materials, and Research, Publications, and Projects.

General secretary of the Alumni Association of the University of Michigan and editor of the Michigan Alumnus; correspondence, drawings and etchings, photographs and other visual materials

The Shaw collection is an assemblage of personal materials such as correspondence, essays and student notebook, and of Shaw's work as an artists including drawings, etchings, and other examples of artistic expression that he used in connection with his work with the University's Alumni Association and its publications. Records of Shaw's activities with the university will be found in the record groups for the Alumni Association and the Bureau of Alumni Relations also located at the Bentley Library. The collection has been divided into five series: Correspondence, Essays, Drawings and Etchings, Miscellaneous, and Photographs and other Visual Materials.

Corporate records of C.J.L. Meyer of Fond du Lac, Wisconsin and Hermansville, Michigan, manufacturer of doors, lumber for sashes, hardwood flooring, and related products; records of the William Mueller Company of Escanaba and LaBranche, Michigan, a firm taken over by Wisconsin Land and Lumber in 1909. Financial journals, ledgers, inventories, payroll ledgers; letterbooks of C.J.L. Meyer, Edwin P. Radford, company superintendent, and of other company officials; office correspondence files; and photographs.

This record group which came from the Wisconsin Land and Lumber Company in Hermansville, Michigan is in fact an accumulation of records from three distinct business enterprises. First, there are records of C.J.L. Meyer business enterprises in Chicago and Fond du Lac, Wisconsin. Next are records maintained in Hermansville with the establishment of the Wisconsin Land and Lumber Company in the 1870s. A third, smaller portion of the records are from the William Mueller Company, which WLL purchased in 1909.

When originally received in 1948, the records consisted of nearly 500 volumes of business journals and ledgers, time books, and letterpress books. During 1979-1981, the library began a program of microfilming to reduce the size of the record group. With the permission of the company, records that had been microfilmed were discarded. Also discarded were records duplicative in content of the records on microfilm. Other records were retained in the original without filming. The record group then consisted of 53 reels of microfilm representing approximately 112 volumes of business records, 65 oversized volumes, and 42 linear feet of boxed records (volumes, letterpress books, and correspondence files). In 2006, the library received additional microfilm (18 rolls) and computer disks containing scanned images of the photographs in the possession of the IXL Museum, which is the repository for the records of the company not received with the first accession. These records, which were retained, include personal correspondence of C.J.L. Meyer, some records of Meyer prior to the establishment of WLL, and records then considered current or of continuing value to the operation of the company.

The record group has been arranged as much as possible into series, but the researcher should note that identification of individuals volumes or files was not as certain as one would like. Thus, for example, there are various ledgers and journals, some with overlapping dates, but it was not always clear where these records were created or what function or division within the firm they documented. The fact that the company retained some of the earlier records accounts in part for what appear to be broken series. Further complicating the structure of the following finding aid is the interspersing of microfilmed materials and oversize volumes. Similar kinds of records (such as time books), for example, are thus found both in original and on microfilm.

As much as possible, like kinds of records have been kept to together (letterpress books, etc.). These are followed by records known to be created by a specific organization or maintained in a specific locale (e.g. Fond du Lac). The series in the record group are: Letterpress books (mainly business correspondence); Letterpress books (mainly business correspondence); Inventories, order books, etc.; C. J. L. Meyer Business Records; Wisconsin Land and Lumber Company; William Mueller Company; Photographs; and IXL Museum additions.

In 2007, the IXL Museum of Hermansville, Michigan, successor to the company and custodian of additional records of the Wisconsin Land and Lumber Company, entered into agreement with the Bentley Library to exchange microfilm of selected portions of the records housed in the other's repository. In addition, the two repositories agreed that the Bentley Library would place on indefinite loan to the IXL Museum the originals of WLL photographs in its possession, and that the IXL Museum would donated to the Bentley Library digital copies of all of the many hundreds of photographs in its collection.

Historian and archivist at the University of Michigan, archivist of the United States, dean of the University of Michigan School of Information and Library Studies. Records, 1980-1985, detailing his activities as Archivist of the United States; documentation prepared by Warner in 1972 and submitted to the Indian Claims Commission relating primarily to Indian land claims in Michigan and Ohio; files detailing archival career interests, as director of the Michigan Historical Collections (now Bentley Historical Library) and as a member of the Society of American Archivists.

The Robert M. Warner Papers date from 1945 to 2007. These materials primarily highlight Warner's lengthy professional career, documenting his various teaching and administrative positions at the University of Michigan, his appointment as Archivist of the United States and the subsequent administration at the National Archives. Also documented is the appointment of his successor at the National Archives, his return to the University of Michigan as Dean of the School of Information and Library Science, and his activities on various boards and foundations after his retirement. Much of the records documenting his tenure as the director of the Michigan Historical Collections (now the Bentley Historical Library) can be found under the official Bentley Historical Library record group.

The Robert M. Warner collection has been divided into ten series: Biography; Correspondence; Indian Court Claims; National Archives; School of Information and Library Science and Dean of the Michigan Library Systems; Teaching Materials and Scholarly Research; Professional Activities, Speeches; Scrapbooks and Scrapbook Materials, and Audio-Visual Material.

Ann Arbor, Michigan, businessman and attorney, chairman of the Michigan Democratic Party State Central Committee, U. S. Congressman-at-large, 1963-1964, gubernatorial candidate in 1964, member of the U. S. Federal Election Commission, 1975-1978. Chronological, congressional and topical files relating to political and personal activities; include political files detailing state election campaigns 1948-1964, particularly the campaigns of G. Mennen Williams and John B. Swainson; also photographs and transcript of oral interview, 1979.

Neil Staebler first began donating his files to the Michigan Historical Collections of the University of Michigan in 1961 following his eleven year tenure as chairman of the Democratic Party State Central Committee. Periodically thereafter and continuing into the 1970s, Staebler continued to add to his collection with Congressional papers (1963-1964), campaign files when he ran for governor in 1964, topical records created from his years of service with the Democratic National Committee (see attached vita), and records from his term as commissioner on the Federal Election Commission (1975-1978).

This collection comprised of twelve series documents Staebler's career and the course of Democratic politics since World War II. Since Staebler was principally an organizer of campaigns, a behind-the-scenes manager who preferred to handle the details of an election rather than to step into the candidate's spotlight himself, the collection concerns all phases of a successful campaign not just the posturings of the party's candidates. There is, for example, much information relating to the day-to-day operations of the party, i.e. fund-raising activities, the annual Jefferson-Jackson Day Dinner, the formulation of the party's platform and related resolutions at the Spring and Fall conventions, and the activities of party-related special interest organizations.

The Finnish Collection consists of 100 reels of microfilm concerning Finnish-American Churches, Labor Societies, Temperance Organizations, and other materials from the United States and Canada. The collection is the result of a joint project between the Bentley Library, Suomi College (now Finlandia University), and the University of Turku, Finland, coordinated in 1974-75.

The Suomi College Finnish-American Collection is comprised of 100 reels of microfilm containing records from 151 separate organizations (68 of which are located in Michigan). These organizations are comprised of the following kinds of records:

1. Church materials: 62 record groups (32 from Michigan)
2. Labor societies: 9 record groups (0 from Michigan)
3. Temperance materials: 61 record groups (26 from Michigan

Other organizations, including educational, relief, musical, athletic, national, historical societies, publishing companies, and some personal: 19 record groups (10 from Michigan)

Because the materials have been filmed in a random order, an index at the end of the container listing has been prepared to guide the researcher to specific kinds of records: church, temperance, etc.

Reports and administrative records of WPA project to survey historical records in Michigan; includes correspondence, drafts of guides to county archives, proceedings of county boards of supervisors, field reports of workers, and copies of land patents for some counties; also material relating to the history of Blacks in Michigan.

The Historical Records Survey record group documents the activities and the product of the legions of depression era workers who inventoried the records held in county courthouses, municipal offices some private repositories. The records include correspondence, drafts of guides to county archives, proceedings of county boards of supervisors, field reports of workers, and copies of land patents for some counties; also material relating to the history of Blacks in Michigan.

Originally the H.R.S. records transferred to the Michigan Historical Collections measured about 121 linear feet. After processing, the collection consisted of 26 feet of records relating to the H.R.S. and 65 feet of transcripts of county and municipal records. Of the remaining 30 feet, 29.5 feet of duplicate, extraneous, or insignificant materials were discarded (described in more detail further on) and approximately half of a linear foot of printed material was transferred to the library's printed collection.

The H.R.S. material has been divided into the following series:

1. Survey of County Records
2. Survey of Municipal Records
3. Survey of Federal Records
4. Survey of State Records
5. WPA Project Files
6. Manuscripts Survey
7. Inventory of Negro Manuscripts
8. Transcripts of County Records
9. Transcripts of Municipal Records
10. Photographs
11. Historical Records Survey Correspondence
12. Survey Forms of 1987 Survey of Records in Counties and Municipalities.

Architectural firm founded by Gunnar Birkerts, headquartered in Bloomfield Hills, Michigan. Textual records, architectural and engineering drawings and photographs document fourteen of the firm's major buildings including the Federal Reserve Building (Minneapolis, MN), Corning Glass Museum (Corning, NY) and the University of Michigan Law School Library Addition.

The Gunnar Birkerts and Associates Collection offers researchers a rich perspective on the work of one of the masters of American modern architecture whose career spans the second half of the twentieth century and into the twenty-first. The initial accessions of Birkert's material encompassed 69 linear feet of the firm's textual records, which are associated with 14 of Birkerts' distinguished buildings, and 7158 original drawings and prints documenting the evolution of the architectural design process for each project. In 2008, the records and drawings of 74 more projects were included in the collection, bringing the total amount of textual material to 82 linear feet and the number of drawings to over 10,000. Altogether, these visual materials detail many of the expressive elements for which Birkerts' architecture is renowned, including his bold forms, simplification of detail, innovative selection of surface materials and dramatic use of indirect light. Although six of the buildings in the original collection of 14 projects are located in Michigan, along with the offices of the firm, nine other structures were built in New York, Indiana, Mississippi and Minnesota, testimony to the national scope of this architectural practice. The following buildings were selected for inclusion in the collection by Birkerts and Bentley Historical Library staff because they represent the significance, diversity and evolution of the architect's work:

1. Haley Funeral Home (1960-1961)
2. University Reformed Church (1960-1964)
3. Freeman Residence (1964-1966)
4. Lincoln Elementary School (1965-1967)
5. Tougaloo College Master Plan, Library and Dormitories (1965-1972)
6. Federal Reserve Bank of Minneapolis (1967-1973)
7. Duluth Public Library (1969-1980)
8. S.U.N.Y., Purchase, Dance Instructional Facility (1970-1976)
9. Corning Municipal Fire Station (1973-1974)
10. Calvary Baptist Church (1974-1977)
11. University of Michigan Law Library Addition (1974-1981)
12. Corning Museum of Glass (1976-1980)
13. Ferguson Residence (1980-1983)
14. St. Peter's Lutheran church (1981-1988)
15. Additional Projects (added in 2008)

The initial accessions Gunnar Birkerts and Associates Collection are arranged in 14 series, each of which contains the business records and architectural drawings for one building. The finding aid begins with a description of the narrative records in chronological order in each series. An item-level description of the architectural and engineering drawings follows, grouping drawings in folders according to design phases, as described above. The finding aid lists the titles of drawings, when they exist, as well as title bar information including original dates, revision dates, numeric sequencing and, in some cases, names of consulting engineers. A description of the medium and support of each drawing is also given.

The 2008 accession to the collection includes of documentation of 74 additional projects consisting of 3,000 drawings and 13 linear feet of textual materials and photographs. The documentation for these projects is generally not as extensive as for the fourteen in the original accessions and the finding aid does not describe them in as great detail. They have been grouped together as single series titled "Other Projects" and the individual projects are listed in alphabetical order by project title

One of the collection's greatest strengths is found in its emphasis on the architectural design process, offering researchers a broad, visual representation of the evolution of each building through the "Schematic Design," "Design Development" and "Construction Document" sequences. Because Gunnar Birkerts and Associates meticulously saved each drawing associated with the firm's projects, this collection provides an exceptional view of the daily design process, as solutions were sought which defined the architectural character and individuality of a structure. Each of the 14 buildings in the Gunnar Birkerts and Associates Collection is conceived as an individual series, which contains the textual and visual documents associated with the project. Within each of the 14 series, the architectural and engineering drawings are arranged chronologically by design phase, beginning with "Schematic Design," when the owner's program is analyzed and sketches are drawn to illustrate the scale and relationship of the project's components. Researchers interested in viewing the earliest conceptual drawings associated with each building are encouraged to consult the finding aid of the collateral Gunnar Birkerts Collection, which amasses the sketches by the architect's own hand for most of his projects. Digital images of 284 of these conceptual sketches can be seen online in the Bentley Historical Library Image Bank through Gunnar Birkerts, Conceptual Drawings. An understanding of the beginning stage of design for each building is best obtained by studying the conceptual and "Schematic Design" documents in both the Gunnar Birkerts and Associates Collection and the Gunnar Birkerts Collection.

The second "Design Development" stage in each building series includes more precise site plans, floor plans, elevations and sections which further define the dimensions, mechanical/electrical systems, building materials and architectural character of the project. This phase often ends with the production of artistic presentation drawings which are used to obtain the client's approval of the design. Although the collection contains a large majority of original sketches and drawings on tracing paper, vellum, linen and mylar, many blue-line and sepia prints have been retained in each series if they are substitutes for missing originals or if they are annotated and thus show the ongoing search for solutions in the evolution of the design process.

Each series in the collection also records the third "Construction Document" phase, during which the final working drawings are developed before being sent to contractors for bids. These drawings are the graphic representation of the written "Specifications," included in the textual records of every series. The "Construction Documents" for each building, which were often revised to show changes after construction began, may be of significant value to historic preservationists or future owners seeking to restore the building to its original condition or adapt it to a new use.

The Gunnar Birkerts and Associates Collection is also significant in its pairing of the visual documentation described above with the textual records of each building, which describe the decisions and actions of the firm during the design and construction process. Thus, scholars can read the program information, specifications, addenda and memoranda associated with the architectural drawings during each chronological stage of the building's design. Written contracts, correspondence, transmittals and field inspection reports further inform historians about the relationship between the firm and its clients, contractors, consulting engineers, landscape architects and sub-contractors, documenting in rich detail the business affairs of a nationally known architectural firm in the second half of the twentieth century. Of particular value within the narrative records of each building series is the "Architect's Conceptual Statement". These statements offer design and history students an opportunity to understand the interchange of objective and subjective influences on Mr. Birkerts' creative process and the solutions which define the architectural character of each building.

The Gunnar Birkerts and Associates Collection is also of exceptional value to scholars because it represents the end of the era of hand-drawn architectural documents. By the end of the twentieth century, many architects have begun to use the computer in the development of design and construction drawings. However, this collection of the original 14 buildings contains only drawings which show the flow of the creative process from the brain, through the hand, to the paper. Even drawings which are marked "void" are retained because, like annotated prints, they show the evolution of the design as the search for architectural solutions begins to define the building. Whereas the use of computer-aided design would undoubtedly delete many intermediary design drawings from a collection, this aggregation of hand-drawn documents shows the artistry and complexity of the creative process. The beauty of the architect's pencil line on delicate tracing paper, smooth vellum and opaque mylar is preserved here for future generations of scholars, just as its use in the late 1990s is being abandoned by many architects.

In 2015, Gunnar Birkerts donated a large collection of 7,840 color 35 mm slides, associated with the design and construction of 123 projects, documenting through photographs the work of his entire career. This additional collection is encompassed in the series titled, "Photographic Slides of Projects."

Volney H. Jones was a leading ethnobotanist and served as Curator of Ethnology at the University of Michigan Museum of Anthropology from 1945 to 1969. The papers include correspondence with ethnobotanists and anthropologists, including Edward F. Castetter and Leslie A. White, administrative files, biographical information on anthropologists, teaching files for Jones' courses within the Department of Anthropology, and notes for unpublished textbooks on ethnobotany. The papers also include correspondence with Chase S. Osborn, Stellanova B. Osborn, and Milo M. Quaife concerning a project to establish a Friends of the Michigan Indian organization, and correspondence and reports from Ted Bank concerning the University of Michigan expeditions to the Aleutian Islands.

The Volney H. Jones Papers include correspondence with ethnobotanists and anthropologists, including Edward F. Castetter and Leslie A. White, administrative files, biographical information on anthropologists, teaching files for Jones' courses within the Department of Anthropology, and notes for unpublished textbooks on ethnobotany. The papers also include correspondence with Chase S. Osborn, Stellanova B. Osborn, and Milo M. Quaife concerning a project to establish a Friends of the Michigan Indian organization, and correspondence and reports from Ted Bank concerning the University of Michigan expeditions to the Aleutian Islands. The Jones papers are comprised of eight series: Correspondence, Administrative Files, Biographies and Bibliographies, Teaching Files, Culture Areas and Ethnobotany Textbook Files, Hopi Research Files and Maize Research.

Battle Creek, Michigan and Washington, D.C. family including C.W. (Charles William) Post, cereal manufacturer, and anti-union activist and founder of Post City, Texas; and his daughter Marjorie Merriweather Post, executive of General Foods Co., wife of U. S. ambassador to the Soviet Union, art collector, philanthropist, socialite, and Washington D.C. hostess. C.W. Post papers, largely concern labor-management relations, unionism, the Postum Company, currency reform, advertising, and matters of food and hygiene; Marjorie Merriweather Post papers document her social activities and travel, philanthropies art collections, and the maintenance and preservation of her homes and other possessions.

The Post family collection includes papers of businessman and food processor, C. W. Post, largely relating to labor-management relations, unionism, the Post Company, currency reform, advertising, and matters of food and hygiene; and papers, photographs, and sound recordings of his daughter, Marjorie Merriweather Post, General Foods executive and philanthropist, relating to social activities and engagements, philanthropies, and the maintenance and preservation of her homes and other possessions.

The C.W. Post papers consist of manuscript items and printed works created by C.W. Post and retained by his daughter, Marjorie Merriweather Post. The papers are arranged alphabetically by subject.